Run: 2026-09-23-01M36T1ZAM9R621612VY0YYW3W

Run Details

Duration:
5m 52s
Cost:
$0.103306
Provider:
xAI

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Rain had slicked the pavement under the green neon of The Raven's Nest, and the sign's colour ran in the gutter like a drink knocked over and abandoned. Aurora Carter stood in it until the cold found the gap at her collar. Her black hair clung to her cheek in a flat, wet line. She pushed it back with her left wrist, felt the crescent scar catch on the damp, and put her shoulder to the door. Heat closed over her. Amber lamps. Orange peel, wet wool, the iron smell of the drip tray. Maps covered the wall behind the bar, coastlines soft at every fold. Black-and-white photographs held faces that had stopped where the room had not. Silas Blackwood reached for a bottle on the high shelf. His left leg answered a beat behind the rest of him, the knee in its long argument with the floor. Grey had crowded the auburn at his temples and through the neat line of his beard. He turned, bottle in his right hand, and the silver ring took the lamplight and gave it back. The cloth in his other hand stopped mid-fold. "Rory." Two men in the corner kept a quarrel about a horse. A woman by the window turned a page and offered the room nothing. Aurora crossed to the stool with the split seat. She left her coat on. Water dropped from the hem and marked the boards. "You still put this wreck where people can find it." "People with sense take the sound ones." "Sense was never what you poured." His mouth moved. Short of a smile, and he knew it. He squared the cloth and set it by the till, then came the length of the bar. The hitch in his step set the time. Close to, the lines at his hazel eyes had claimed new ground. The quiet authority he wore behind that wood had not lost a button. "Four years in November." "You counted." "You left a mug in the sink. I counted the mornings I refused to wash it. Then I washed it. Then I counted the clean mornings, which was a meaner arithmetic, because the sink had nothing to confess and I did." She put her palm flat on the bar. No beer mat walked under her fingers. No bottle cap became a trick. The quick invention she used to spend before a feeling could catch her did not report for work. She kept the hand still, as if the wood might invoice her for movement. "Whisky. Whatever you drink when the bolt's across." "Tea, when the bolt's across." "Don't insult the hour with tea." He took down a bottle whose label she did not know. The pour was short. He set the glass in front of her and kept his own hand empty. "You're abstaining." "I'm working." "You used to work with a glass in reach and blame the clock." "I used to trust the clock further than it had earned." She lifted the whisky. The cuff slid. The crescent on her left wrist lay bare, the small curve from a childhood accident, a story she had told him once with the lights down and never agreed to tell again. He looked. She let him. The cuff stayed where it was. "Faithful, that mark." "Scars keep the appointment. The rest of us send a note and miss the train." "You've polished that." "I've kept it off people who would nod and change the subject. You're the cost of saying it in the right room." She drank. The corner men laughed at their horse. Rain worked the window and pulled the neon into a long green smear. "The flat." "Let. A lad from the music shop on Greek Street. Pays on the day, and he doesn't ask who had the cupboard before him." "What did you give him." "Radiator knocks. Window swells in August. I called it the building. He can call it a ghost if he wants a story with his rent." She turned the glass a quarter, the angle of a page offered across a desk. "I didn't come for the flat." "No." "Tell your jaw." His right hand came down on the wood. The ring ticked once. "You came in as if the room might charge you for taking up light. I watched that door for someone who crossed a threshold and started moving the furniture in her head, then with her hands, then out loud so the chairs had to live with it." "Don't stuff her and put her on the shelf." "You were twenty-one. A split lip you blamed on a cupboard. A laugh that submitted a report every time you lied. I can name who stood there." "And this." She indicated the buttoned coat, the level shoulders, the hand that had not reached for a single thing it wanted. "Four years of rooms where nobody lifts a voice and everybody keeps a pen. My father. A pupil master who hears Cardiff and treats it like a smudge on the brief. I sanded the accent off under those lights. I put pieces of it back on the street. I didn't know which one you'd kept a stool for, so I brought the version that doesn't knock things over." "I kept a stool for the woman who nicked crisps from the box under the till and put a fresh packet back before close. She never matched the fold. I let her believe the fold was a mystery." "That woman walked people into weather they hadn't ordered." Silas cut a look at the corner table. Habit, not alarm. His attention returned and took the space between them. "Evan." The name took a seat beside the whisky. Aurora's eyes, bright blue and unwilling to perform, stayed on the drink. The shoulder that used to lift before she had agreed to a flinch stayed where it was. He waited for the old recoil. It did not arrive. "No." "You brought him in on your shoes. I watched the check you ran between the stool and my face." "You installed the check." "I told you to leave a room that turned sour. You left this one while it was still cutting lemons and lying to you about the regulars' virtues." She moved the glass a finger toward him. He did not accept the move. "You told me to stop running." "I told you to stop baptising the same fire as a change in the forecast." "It arrived as a dismissal." "I dressed it. Pride translates like a drunk. You heard a bolt. I meant stay. I would not pay for the smaller word." "You don't stock small words. You stock measures, and that ring, and a silence people are meant to finish on their own time." "I stock a knee that quits when the cold gets into the joint. I stock a bar that used to be a door for anyone who needed one and didn't fancy paperwork. The morning the mug was in the sink and the bag wasn't on the chair, I climbed the stairs. You had made the bed. Corners tight enough to satisfy your mother and her red pen. You had never done that. I read it. I stood in the doorway until the lunch trade gave me an excuse to come down." Her throat moved. Behind him, a photograph held a younger man on a bridge, auburn, clean-shaven, a city she did not ask him to name. The hitch in his walk had already filed that report. She left the frame alone. "I made the bed so you wouldn't drag the river. I wanted you angry at a decision. Anger is a place you can put a person. A search isn't." "Decision, or flight with better corners." "The train was a decision. My mother's spare room was a decision. My name on my father's list was a decision I hated and signed. The silence after wasn't a decision. It set. By the time I could break it, breaking it looked like a second offence, and I'd started billing by the hour for cleaner crimes." "Eva wrote." Aurora's chin came up. A seam showed. "She hadn't the right." "She had your order to keep me to the headline. Alive. No footnotes. I kept the letter in the till until the creases went soft. Then I put it with the photographs I don't hang. Hanging it would have asked this room a question every night. The room is a coward. It only answers with orders for beer." "Cardiff isn't a locked box. My mother is in the book under Ellis and under Carter, depending on which year you trust." "Jennifer rang me before you were a fortnight gone. Your eyes, and a marking scheme where you keep a pulse. She told me to keep my weather off you. I gave her the promise. On good nights I call that respect. On the other nights it doesn't get a polite name." Air left Aurora, dry, unfit for a laugh. "Mum doesn't do mercy. She does margins, and she wonders why I came back with yours." "She marked me. I fell outside the line." "You put a key under a mat for a girl with a suitcase and a cupboard story you didn't swallow. That's inside any line that matters." "The key was simple. Standing here while you became a person whose doors needed an appointment — that was the work. I rehearsed it until strangers called it dignity. It sits on me the way this knee does. Present. Unimproved." "I don't nick the crisps." "I clocked the missing offence." "I don't shift the furniture." "You shifted the room by using the door. They'll deny it. Denial is half the custom in here." "Si." The short name escaped before she could brief it into something colder. She bit down on the rest. His fingers paused on the bottle. "There you are." "Put it back." "No refunds on names. House policy, adopted this minute." "I'm in London on a case. Three weeks. Fewer if they fold before I run out of patience and sad sandwiches." "Yu-Fei asked after you at Christmas. She says the new girl can't settle a furious table and fold a dumpling inside the same minute. I told her the minute was the trick, and the dumpling was cover." "I don't spend minutes like that now. I spend paragraphs. I leave a silence open until someone drops the fact they meant to keep. You would hate the viewing." "Then keep the work in your briefcase. Tell me whether you've eaten." "A sandwich I abandoned and a coffee that died of neglect. Don't enter that as proof of anything." "You put it on my bar. It joins the round whether you fancy the rules or not." She turned her left hand over. The crescent faced the wood. "That one is the only mark you're cleared to count." "I wasn't opening a file." "You were. You do it with rooms. You learn the exits before you learn the specials. It's how you keep people. Don't dress it up as small talk." "Keeping is a large verb for a wet Tuesday." "Use a smaller one, and pour a drink before I decide you've taken an oath." He reached for a clean tumbler. Weight went onto his right leg; the left joined late, stubborn. He poured a short measure and set it by hers. The glass stayed full. "Three weeks turns into a tenancy if you keep choosing that door. I won't make a summons of it. I was good at summonses, in cities I don't put on the cocktail list. I left that talent with the other tools I don't unpack over a drink." "I wanted a summons at twenty-one. You respected me straight out of the building. I named it abandonment because I'd been schooled to hear an empty chair as a penalty, and I was top of that class before I ever slept above this bar. That's the sentence I didn't write, in the letter I didn't send." "You can summons yourself now." "I can. I still pass a door twice. I still sort a room by its coats. I still make the bed in hotels where nobody is coming to misread the corners." "The lad upstairs says the mattress remembers someone lighter. He fancies the flat is historic. I let him. History costs less than the truth and argues less." The start of a smile reached her eyes and withdrew before it could be charged for entry. She drank. He watched the level fall and kept his mouth off the steadiness of her hand. A siren drew a thread toward Shaftesbury Avenue and lost it. A figure crossed the neon under the door. The green stripe on the floor jumped and settled. "Early start. Temple. A man who thinks Cardiff is a grade of coal and will offer the thought as a kindness." "Side door sticks halfway. Use your shoulder. You know the spot." "I know it." She stood. The split stool complained against the boards. Her hand lifted toward the tall bookshelf at the end of the bar, ledgers sitting out of rank with one another, and came back to a button on her coat. "Don't." "I had no plan to." "You looked at it the way you used to look at a fastening you'd already argued open in your head." "I invoice for that now. I don't perform it for men who knew the version before the fee." "Then your clients get the tidier talent. Poor them, or lucky them. I haven't ruled." She did the coat up to the throat. Rain waited in the street with its spoiled green light. She let the buttoning stand without a footnote. "If I come after the lunch trade, and I take a stool that isn't a hazard, and I keep that man's name off your wood — will you pour the tea you actually drink, and sit in the quiet without building a case out of it." "I don't build cases. That's your trade now. I pour. You've sat through enough of the other." "I'm not promising a day." "I didn't ask for a vow. I asked you not to hand me a fresh count." One of the corner men raised an empty glass. "Another round, if you've still got hands." Silas lifted two fingers. His eyes stayed on her. "In a minute." Her fingers closed on the handle. Cold came through the seam. The scar showed in the spill of neon and disappeared when she shifted her grip. "You still answer the room before you answer what's in front of you." "And you still treat a minute as a door you're required to miss. Lists, or do you come back in while I sort them." She looked at the rain. At the split leather. At his full glass beside her emptied one. "Sort them. I'll hold this piece of floor. If I sit, I stay, and I haven't ruled on whether staying is the old mistake with a new coat." "Hold it, then. I washed that floor this morning. I can't refine your ruling. I can keep the tea honest if the minute doesn't lose you." "Silas." "Here." "Look at what I changed before you pour anything you expect me to finish. The woman with the crisps isn't coming back to tidy your fold." He took up his glass. The ring met it with a small, hard sound. He did not drink. Behind him the corner men grew louder, and under her hand the latch rested half-turned, street-cold on one side and warm where her fingers refused to let go. "I'm looking. Use the minute on this side of the door. Habit can wait in the rain with the rest of the queue."
created_at"2026-09-23T09:37:55.034Z" 9/23/2026, 9:37:55 AM
model"x-ai/grok-4.7-20260916"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency574
moderation_latency(null)
generation_time352258
tokens_prompt1063
tokens_completion8165
native_tokens_prompt2217
native_tokens_completion21327
native_tokens_completion_images(null)
native_tokens_reasoning18023
native_tokens_cached2176
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
service_tier"default"
usage0.1033056
router(null)
user_agent"langchainjs-openai/1.0.0 ((node/v24.20.0; linux; x64))"
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request_id"req-1790156275-z80f6edu7P9wUqesPt2S"
session_id(null)
preset_id(null)
api_type"completions"
id"gen-1790156275-kpx81u9VcLTyngMz5rLT"
upstream_id"9610e27e-4d39-9801-a780-42d33dd30f7b"
provider_responses
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endpoint_id"c942f37a-87e1-4fa8-83d0-8c67fda4fb4a"
id"9610e27e-4d39-9801-a780-42d33dd30f7b"
is_byokfalse
latency492
model_permaslug"x-ai/grok-4.7-20260916"
provider_name"xAI"
status200
total_cost0.1033056
cache_discount0.0026112
upstream_inference_cost0
provider_name"xAI"
response_cache_source_id(null)
data_region"global"
workspace_id"97e315e5-d303-487d-83c1-83180e8a13d4"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags0
100.00% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2641
totalAiIsmAdverbs0
found(empty)
highlights(empty)
100.00% AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0"Blackwood"
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
88.64% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2641
totalAiIsms6
found
0
word"silence"
count3
1
word"pulse"
count1
2
word"weight"
count1
3
word"charged"
count1
highlights
0"silence"
1"pulse"
2"weight"
3"charged"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences97
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount0
narrationSentences97
filterMatches(empty)
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences198
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen91
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords2643
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions22
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions17
wordCount935
uniqueNames9
maxNameDensity0.53
worstName"Aurora"
maxWindowNameDensity1.5
worstWindowName"Aurora"
discoveredNames
Raven1
Nest1
Carter1
Blackwood1
Aurora5
Shaftesbury1
Avenue1
Rain3
Silas3
persons
0"Raven"
1"Carter"
2"Blackwood"
3"Aurora"
4"Rain"
5"Silas"
places
0"Shaftesbury"
1"Avenue"
globalScore1
windowScore1
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences69
glossingSentenceCount0
matches(empty)
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount2643
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences198
matches
0"filed that report"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs131
mean20.18
std18.45
cv0.914
sampleLengths
077
141
264
38
41
547
610
77
86
961
104
112
1241
1353
148
155
166
1729
182
192
2013
2111
2250
233
2415
253
2622
2722
282
2924
305
3125
3215
336
341
353
3612
3747
389
3927
402
4120
4268
4338
449
4520
461
4747
481
4919
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences97
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs156
matches(empty)
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount1
flaggedSentences1
totalSentences198
ratio0.005
matches
0"Weight went onto his right leg; the left joined late, stubborn."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount941
adjectiveStacks0
stackExamples(empty)
adverbCount9
adverbRatio0.009564293304994687
lyAdverbCount0
lyAdverbRatio0
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences198
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences198
mean13.35
std13.29
cv0.996
sampleLengths
028
114
212
323
44
52
611
712
812
910
1020
1116
1218
138
141
1511
1613
179
185
199
2010
217
226
233
248
2517
268
2712
2813
294
302
3141
328
337
346
3518
3614
378
385
396
4011
414
4214
432
442
4513
4611
474
483
4932
51.18% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats12
diversityRatio0.3434343434343434
totalSentences198
uniqueOpeners68
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences92
matches(empty)
ratio0
59.13% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount37
totalSentences92
matches
0"Her black hair clung to"
1"She pushed it back with"
2"His left leg answered a"
3"He turned, bottle in his"
4"She left her coat on."
5"His mouth moved."
6"He squared the cloth and"
7"She put her palm flat"
8"She kept the hand still,"
9"He took down a bottle"
10"He set the glass in"
11"She lifted the whisky."
12"She let him."
13"She turned the glass a"
14"His right hand came down"
15"She indicated the buttoned coat,"
16"His attention returned and took"
17"He waited for the old"
18"It did not arrive."
19"She moved the glass a"
ratio0.402
46.96% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount76
totalSentences92
matches
0"Rain had slicked the pavement"
1"Aurora Carter stood in it"
2"Her black hair clung to"
3"She pushed it back with"
4"Maps covered the wall behind"
5"Silas Blackwood reached for a"
6"His left leg answered a"
7"He turned, bottle in his"
8"The cloth in his other"
9"A woman by the window"
10"Aurora crossed to the stool"
11"She left her coat on."
12"Water dropped from the hem"
13"His mouth moved."
14"He squared the cloth and"
15"The hitch in his step"
16"The quiet authority he wore"
17"She put her palm flat"
18"The quick invention she used"
19"She kept the hand still,"
ratio0.826
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences92
matches(empty)
ratio0
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences38
technicalSentenceCount1
matches
0"Black-and-white photographs held faces that had stopped where the room had not."
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags0
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags0
88.1969%