Run: 2026-09-23-01M36WVJCM1JBJY0YJC14J7PQD

Run Details

Duration:
1m 4s
Cost:
$0.020462
Provider:
xAI

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the horror genre. A character is alone in a strange, isolated place at night. They came here for a reason, but something feels off from the moment they arrive. The wrongness builds slowly — sounds that shouldn't be there, things that move at the edge of vision, a growing certainty that they are not alone. Build tension through restraint, not through gore. Use the codex entries above as your world reference for the character and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The gate at Sheen stood open on a chain someone had left unhooked, and Aurora Carter stepped through it with the Heartstone warm against the hollow of her throat. Richmond after midnight held the ordinary dark: wet tarmac, the iron smell of the deer fence, a sodium lamp buzzing itself towards death at the end of the lane. She had walked out from the flat above Silas’s bar because the pendant would not cool. All evening the crimson stone had pressed a small, living heat into her skin, brighter than the faint inner glow it kept in the drawer beside her bed. She had followed that heat the way a person follows a draught to the split in a window frame. West. Then south. Then off the road and into the park, until the oaks thickened and the path lost its gravel. She knew the place from a scrap of paper folded into the lining of the box the pendant had arrived in. Richmond grove. Standing stones. Go when it calls. No signature. No second line. She had come anyway. Cool head or not, a thing that answered heat with heat wanted looking at, and she preferred to look at it before it looked at her from the doorway of her own kitchen. The first wrongness met her at the boundary. Seven oaks stood in a rough ring where the map on her phone showed only scrub and a ditch. Their trunks had the colour of old iron, bark split into plates, and between two of them the air changed. Not a breeze. A threshold. On the park side her breath smoked. One step past the stones and the smoke vanished. The night on this side carried the green weight of a glasshouse, damp and close, sweet with something that had no business flowering in a London January. Wildflowers crowded the clearing. White cups, copper buttons, a low spill of blue that shone without a source. They stood open to a sky that showed no moon and no orange bruise of the city. Rory stopped with her boots in the petals and listened. A nightjar should have been the loudest thing out here. Instead she heard water. Not the Beverley Brook. This water moved in a thin, steady thread somewhere behind the far stones, and under it a second sound: the soft click of a latch, repeated, as if a door in an empty house kept testing its own bolt. She touched the scar on her left wrist, the small crescent, out of habit. The skin there was colder than the rest of her. The pendant pulsed once, a thumb’s width of deep red light under her coat, and went quiet. “All right,” she said to the clearing. Her voice sat strangely in the warm air, close, as if the oaks had leaned in to keep it. “You called. I’m here. If there’s a door, show it.” Nothing answered. The latch-click stopped. She walked the inner edge of the ring and counted the stones again. Seven. She had counted seven from the path. She counted them a third time with her hand on each trunk, bark rough enough to catch the pad of her thumb. Six. The gap where the seventh had stood held only flowers and a darker patch of ground, oval, the size of a footprint left by something that did not wear shoes. Rory turned her head. At the corner of her eye the missing oak was back, pale where the others were dark, its branches hung with what looked like strips of cloth. She looked straight at it. Flowers. Only flowers, and the ordinary black of the other trunks. Her phone had no signal. The time on the lock screen read 00:41, then, when she blinked, 00:41 still, the seconds frozen between one number and the next. She put the phone away. Watched the flowers instead. They had faces turned towards her. Not metaphor. The white cups had rotated on their stems while she studied the screen, and the copper buttons along the near edge of the path now aimed their open centres at her boots. A draft could do that to light stems. There was no draft. The leaves overhead hung without a shiver. She took three steps towards the centre of the grove, where the ground rose in a low mound bare of flowers. The pendant warmed again, stronger, a pulse that matched nothing in her own chest. Near a Hel portal, the note had said, in a hand she did not recognise. She had not believed the word Hel any more than she believed half the things Eva texted her after two glasses of wine. Belief was not required for the stone to burn. A twig snapped behind her left shoulder. She did not spin. She set her weight and turned with the whole of her body, the way her father had taught her to turn in a witness box when a silk tried to rattle her: slow enough to see, fast enough not to offer her back. The clearing stood empty. The twig lay in the flowers where her own boot had not been. It was green wood, freshly broken, the pale core wet. “If you’re selling something, the restaurant’s closed,” she said. The joke landed and died. No laugh came back. What came back was her own last word, closed, thinned and returned from the far side of the ring a half-second late, as if the grove had to remember how to make the sound. She crouched and touched the broken twig. Sap stuck to her finger. When she straightened, a shape occupied the gap between two oaks on her right — a narrower dark than the trunks, shoulder-height, still. She kept her eyes on the mound and used the edge of her vision the way a person uses a window while pretending to read. The shape did not sway. It did not breathe in any way she could see. It simply occupied the gap, and when she snapped her gaze onto it the gap held only night and a rope of ivy. Her mouth had gone dry. She worked her tongue until she could speak. “I can see you when I don’t look. That’s a rotten trick. Come out or leave me the path.” The latch-click started again. Closer. It came from inside the mound, or from under it, a small mechanical patience. With it arrived a smell she knew from the alley behind the Golden Empress after the bins had been hosed: not rot, not yet, only the clean mineral scent of water that had stood too long in a pipe. It rose through the bare earth and curled around her ankles. Rory set her palm flat on the mound. The soil was warm. Under the warmth, faint as a pulse in a wrist, something knocked. Once. Twice. Not an animal. The interval was too even, the way a person knocks on a door they expect to be opened from the other side. She pulled her hand back. The crescent scar stung, a bright line of cold, and the Heartstone answered with a hard beat of light that painted the undersides of the nearest flowers red. In that brief colour she saw the prints. They ringed the mound. Not hers. Narrower, deeper at the ball of the foot, and they did not lead in from the boundary. They began at the mound’s edge and walked outward, five of them, six, and then they stopped in the flowers directly behind the place where she stood. The last print was filling, slowly, with a darkness that was not shadow. Water. Or something with the weight of water, seeping up from below to erase the evidence of a step just taken. She heard breathing. Not hers. Hers was in her mouth, controlled, counted. This other breath sat a little above her shoulder, close enough that the fine hairs along her neck lifted, and it drew in when she drew in, a fraction behind, learning the rhythm. When she held her air, it held too. The grove went silent around that shared stillness: no latch, no water-thread, no late echo. Only the two breaths, and then only hers, because she had not released and the other had. A flower brushed her calf. She had not moved her feet. The stem leaned, white cup tilted up, and in its centre a bead of crimson light wavered — the pendant’s glow, caught and kept, blinking in time with the stone at her throat. Rory stepped sideways off the last print. The ground where she had been standing sank a finger’s depth, as if a weight had remained after she left it. She watched that depression. It did not spring back. From inside it came the small, wet sound of a mouth opening. She lifted her chin. Bright blue eyes fixed on the ring of oaks, on the gap, on the ivy, on nothing she could hold. Her hands stayed open at her sides. The scar burned. The pendant burned. Between the two heats she stood very straight, a woman who had learned not to flinch in rooms where flinching cost her, and she spoke to the air an inch behind her ear. “I came for the door. Not for you. If you’re between me and it, shift.” The breathing returned, matched to hers again, and this time it spoke on her exhale. Not words. The shape of words. The cadence of her own name, Rory, pressed into the sound of air leaving a throat that was not in front of her and not, when she whipped around, behind her either. The clearing held flowers, stones, the mound, her own boot marks, and the dark oval where the seventh oak refused to stay. At the boundary, on the park side of the ring, her breath would have smoked. She could see that colder dark through the gap, the real night, the distant tick of the sodium lamp. The path back measured longer than the path in. While she watched, one of the standing oaks on the far side took a step. Bark groaned. Roots tore free of the earth with a sound like wet cloth. It settled into a new place and was only a tree again, except that the ring had tightened, and the gap towards the lamp had narrowed by the width of a body. Rory did not run. Running fed things that liked a back. She set her shoulders towards the mound, towards the knock, towards the heat climbing the silver chain, and she listened to the second breath settle into the space between her shoulder blades, patient, in no hurry at all, as present as the coat on her skin. The latch clicked. This time it opened.
created_at"2026-09-23T10:26:50.907Z" 9/23/2026, 10:26:50 AM
model"x-ai/grok-4.7-20260916"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency632
moderation_latency(null)
generation_time64208
tokens_prompt1008
tokens_completion2838
native_tokens_prompt2154
native_tokens_completion3833
native_tokens_completion_images(null)
native_tokens_reasoning1686
native_tokens_cached1152
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
service_tier"default"
usage0.0204624
router(null)
user_agent"langchainjs-openai/1.0.0 ((node/v24.20.0; linux; x64))"
http_referer(null)
request_id"req-1790159210-iCaFrnW3BmY9FGMsJ0IT"
session_id(null)
preset_id(null)
api_type"completions"
id"gen-1790159210-GpMcfChkrWjF5JUkKuLX"
upstream_id"12ea7a78-151b-94b9-9926-8f8536362f68"
provider_responses
0
endpoint_id"c942f37a-87e1-4fa8-83d0-8c67fda4fb4a"
id"12ea7a78-151b-94b9-9926-8f8536362f68"
is_byokfalse
latency169
model_permaslug"x-ai/grok-4.7-20260916"
provider_name"xAI"
status200
total_cost0.0204624
cache_discount0.0013824
upstream_inference_cost0
provider_name"xAI"
response_cache_source_id(null)
data_region"global"
workspace_id"97e315e5-d303-487d-83c1-83180e8a13d4"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags2
adverbTagCount0
adverbTags(empty)
dialogueSentences5
tagDensity0.4
leniency0.8
rawRatio0
effectiveRatio0
94.45% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1803
totalAiIsmAdverbs2
found
0
adverb"slowly"
count1
1
adverb"very"
count1
highlights
0"slowly"
1"very"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
63.95% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1803
totalAiIsms13
found
0
word"weight"
count4
1
word"pulsed"
count1
2
word"pulse"
count2
3
word"silk"
count1
4
word"mechanical"
count1
5
word"warmth"
count1
6
word"echo"
count1
7
word"wavered"
count1
8
word"measured"
count1
highlights
0"weight"
1"pulsed"
2"pulse"
3"silk"
4"mechanical"
5"warmth"
6"echo"
7"wavered"
8"measured"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences144
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount1
narrationSentences144
filterMatches(empty)
hedgeMatches
0"tried to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences147
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen46
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1805
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions3
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions21
wordCount1752
uniqueNames14
maxNameDensity0.34
worstName"Rory"
maxWindowNameDensity1
worstWindowName"Hel"
discoveredNames
Sheen1
Aurora1
Carter1
Heartstone2
Silas1
London1
January1
Beverley1
Brook1
Hel2
Eva1
Golden1
Empress1
Rory6
persons
0"Aurora"
1"Carter"
2"Heartstone"
3"Silas"
4"Beverley"
5"Brook"
6"Eva"
7"Rory"
places
0"London"
1"Hel"
globalScore1
windowScore1
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences86
glossingSentenceCount1
matches
0"looked like strips of cloth"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1805
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences147
matches
0"watched that depression"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs36
mean50.14
std33.11
cv0.66
sampleLengths
0142
171
28
387
445
557
641
736
85
974
1047
1137
1259
1382
147
1574
169
1743
1898
1913
2019
2169
2251
2341
2484
253
2682
2744
2849
2970
3015
3175
32104
3357
343
354
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences144
matches
0"been hosed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs251
matches
0"was filling"
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount2
semicolonCount0
flaggedSentences2
totalSentences147
ratio0.014
matches
0"When she straightened, a shape occupied the gap between two oaks on her right — a narrower dark than the trunks, shoulder-height, still."
1"The stem leaned, white cup tilted up, and in its centre a bead of crimson light wavered — the pendant’s glow, caught and kept, blinking in time with the stone at her throat."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1755
adjectiveStacks0
stackExamples(empty)
adverbCount50
adverbRatio0.02849002849002849
lyAdverbCount13
lyAdverbRatio0.007407407407407408
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences147
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences147
mean12.28
std10.39
cv0.846
sampleLengths
029
129
216
328
419
51
62
718
821
92
102
114
122
133
144
1533
168
1719
1820
193
202
217
229
2327
244
2514
2617
2710
2810
294
304
3139
3214
3310
3417
357
3619
3710
382
393
4013
411
427
4322
441
4530
464
4727
485
491
56.69% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats10
diversityRatio0.38095238095238093
totalSentences147
uniqueOpeners56
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount5
totalSentences124
matches
0"Then off the road and"
1"Instead she heard water."
2"Only flowers, and the ordinary"
3"Only the two breaths, and"
4"Bright blue eyes fixed on"
ratio0.04
84.52% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount42
totalSentences124
matches
0"She had walked out from"
1"She had followed that heat"
2"She knew the place from"
3"She had come anyway."
4"Their trunks had the colour"
5"They stood open to a"
6"She touched the scar on"
7"she said to the clearing"
8"Her voice sat strangely in"
9"She walked the inner edge"
10"She had counted seven from"
11"She counted them a third"
12"She looked straight at it."
13"Her phone had no signal."
14"She put the phone away."
15"They had faces turned towards"
16"She took three steps towards"
17"She had not believed the"
18"She did not spin."
19"She set her weight and"
ratio0.339
93.06% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount91
totalSentences124
matches
0"The gate at Sheen stood"
1"Richmond after midnight held the"
2"She had walked out from"
3"She had followed that heat"
4"She knew the place from"
5"She had come anyway."
6"The first wrongness met her"
7"Their trunks had the colour"
8"The night on this side"
9"Wildflowers crowded the clearing."
10"They stood open to a"
11"Rory stopped with her boots"
12"A nightjar should have been"
13"This water moved in a"
14"She touched the scar on"
15"The skin there was colder"
16"The pendant pulsed once, a"
17"she said to the clearing"
18"Her voice sat strangely in"
19"The latch-click stopped."
ratio0.734
40.32% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences124
matches
0"While she watched, one of"
ratio0.008
67.10% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences66
technicalSentenceCount7
matches
0"Cool head or not, a thing that answered heat with heat wanted looking at, and she preferred to look at it before it looked at her from the doorway of her own ki…"
1"The night on this side carried the green weight of a glasshouse, damp and close, sweet with something that had no business flowering in a London January."
2"This water moved in a thin, steady thread somewhere behind the far stones, and under it a second sound: the soft click of a latch, repeated, as if a door in an …"
3"What came back was her own last word, closed, thinned and returned from the far side of the ring a half-second late, as if the grove had to remember how to make…"
4"The crescent scar stung, a bright line of cold, and the Heartstone answered with a hard beat of light that painted the undersides of the nearest flowers red."
5"Between the two heats she stood very straight, a woman who had learned not to flinch in rooms where flinching cost her, and she spoke to the air an inch behind …"
6"The cadence of her own name, Rory, pressed into the sound of air leaving a throat that was not in front of her and not, when she whipped around, behind her eith…"
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags2
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags2
fancyCount0
fancyTags(empty)
dialogueSentences5
tagDensity0.4
leniency0.8
rawRatio0
effectiveRatio0
93.3365%