Run: 2026-09-24-01M39W0QRJTYK93KJ9TQF2BS8K

Run Details

Duration:
2m 25s
Cost:
$0.010006
Provider:
AionLabs

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Rain ticked against the green neon above the door and ran in bright threads down the window. Rory peeled off her cycling gloves, laid them across the thermal bag propped against her stool, and wrapped both hands around a tumbler of Silas' ginger wine. The Nest sat half-empty at eleven on a Thursday—two old men hunched over a chessboard by the window, a couple whispering in the corner booth, Silas polishing glasses with the patience of a man who had wiped the same spot for a decade. The door opened on a gust of cold. A woman stepped in, shook rain from a camel-hair coat, and stood in the spill of the sign's light, scanning the room the way a person scans a room when they've paid money to learn how. Rory knew the coat was expensive. She knew the posture was new. What stopped her breath was the hair—white-blonde now, cropped close at the jaw, a color Eva Marsh would once have scorched with lighter fluid rather than wear. "Eva." The woman turned. For a second the old face surfaced through the new one—the wide mouth, the freckles the Cardiff sun had never been strong enough to burn off—and then it submerged behind something composed and careful. "Rory Carter." She delivered it like a fact checked off a list. "They told me there was a good bar in Soho. Nobody said you'd be in it." "Nobody said you'd be in London." "I'm in London for three days." Eva hung her coat over the back of the next stool and sat. Up close she smelled of some perfume with no warmth in it, bergamot and metal. "I could have gone to the Wolseley. I walked into Soho instead. Make of that what you like." Silas came down the bar with his familiar roll on the left leg, signet ring catching the light. Eva ordered a gin martini, "very cold, very dry," and when Silas lifted an eyebrow at Rory, she shook her head. Her ginger wine was still mostly full and already her heart was going like a delivery bike downhill. "Three days," Rory managed. "What's the occasion?" "Work." Eva turned her phone face-down on the bar. Her rings caught the light—four of them, slim and gold, worn on fingers that used to wear a single plastic skull ring from a joke shop on Queen Street. "There's a man who needs a story about himself to disappear. I make stories disappear now. That's the whole industry, when you cut it down. Someone pays you to be the person who was never there." "You were always good at that." Eva looked at her, and something moved behind the composure—a door opened an inch on a dark room. "Careful." "I meant it as a compliment." "No, you didn't. But thank you for the effort." Silas set down the martini and withdrew to the far tap. Chess pieces clicked by the window. Outside, a bus hissed past and its lights swept the photographs on the wall—Hong Kong, 1962; Berlin, some year nobody had ever asked about. Rory counted the years without meaning to. Four. Four years since a night in Cardiff when Eva pulled up outside her flat with the handbrake half on and the engine still running and said, get in, don't cry, we'll be in London by two. Four years since Eva paid the deposit on a flat Rory couldn't afford, told Evan's rugby mates Rory had taken a job in Manchester, and stood in her own doorway three nights running while a man six stone heavier demanded to know where his girlfriend had gone. She looked at Eva's left hand on the bar. The little finger sat at an angle it hadn't sat at when they were twenty-one. Crooked at the second knuckle, healed slightly inward, like a page someone had folded down to mark their place. Rory looked away before Eva caught her at it. Too late. "You're staring at my hand." "I wasn't." "You were. Everyone does. It's useful in my line of work. People see a crooked finger and stop wondering what else is wrong with you." Eva lifted the martini, drank, set it down with the exactness of someone placing a chess piece. "It doesn't hurt anymore. That's the first thing you want to ask. It doesn't hurt, it just doesn't straighten." "I wasn't going to ask that." "What were you going to ask?" Rory turned her glass a quarter turn on the bar. "I was going to ask what the third night was like." The corner booth laughed at something. One of the chess men swore at his bishop. Rain kept up its small work on the window. "You never asked that." Eva's voice stayed level, but she'd gone very still, the stillness of a person holding a door shut from the inside. "Four years, Rory. You messaged me twice. Once to say you'd got the job at the restaurant. Once to wish me a happy Christmas with a snowman emoji. I answered both, and then I stopped answering, and you never once asked why I stopped." "Because you'd have told me it was nothing." "It was nothing." "There." Rory heard her own voice come out harder than she'd loaded it. "That's what you do. That's what you've always done. You carried me out of Cardiff on your back, and when I asked what it cost you said it was nothing, and I let you say it, because it was easier to owe a ghost than a friend." Eva studied her drink. The olive had sunk. Somewhere behind her eyes the careful thing was doing arithmetic—what to spend, what to keep. "You want to know about the third night." She addressed the olive. "He came at half eleven. I'd had wine, so I was brave, and brave is not the same as clever. He put my hand in the door. Not the way films do it. He closed it on my little finger, taking his time, and watched my face while he did it, because what he wanted was not my hand. What he wanted was a name. An address. I gave him a street in Salford and he left, and I sat on the floor and held my hand under the tap and thought, well. She's in London by now. She's safe. This is the cheapest it will ever get." Rory's throat had closed. The ginger wine sat untouched, sweating against her palm. "You never asked," Eva went on, and now the level voice had a hairline crack running through it, "because you were twenty-one years old and drowning, and I decided you were allowed to breathe before you were allowed to know. That was my choice. Mine. Then I made another choice, which was to stop calling, because every time I heard your voice I was twenty-one as well, and I'd got very good at not being twenty-one. That's the change you keep looking at. It isn't the hair. It's that I took the girl who drove to London at two in the morning, put her in a story, and made her disappear too. I'm excellent at it now. It pays beautifully." The chess game ended. One of the old men gathered the pieces into a wooden box, each click a small period at the end of a sentence. Rory reached across the bar. She didn't take Eva's hand—she took the crooked finger itself, lifted it, turned it once in the light the way a jeweller might, and set it back down on the wood with all its rings and all its history. "It doesn't straighten." "No." "It should. It should have straightened years ago, and it's my fault it didn't, because I let you fold the page." She swallowed. "Say something true now, Eva. Not the industry version. You were in London for three days, and you walked past the Wolseley and every smart bar in this city, and you walked into a place with a green sign and maps on the walls. Why?" Eva looked at the door. Rain, neon, the wet shine of the pavement beyond it. Then she looked at Rory, and for one unguarded second the composed woman was gone and something much younger sat on the stool in her place—freckles, wide mouth, handbrake half on, engine running. "Because I'm here for three days," Eva said, "and I wanted, once, to be in a room where the person who knew me at twenty-one might see me and ask what the third night was like." "You could have called." "Could you?" Rory had no answer to that. The ginger wine had gone warm against her palm. Down the bar, Silas set down his cloth, took two clean glasses from the rack, and began to build something with gin in both of them.
created_at"2026-09-24T14:09:54.975Z" 9/24/2026, 2:09:54 PM
model"aion-labs/aion-3.5-mini-20260923"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1813
moderation_latency(null)
generation_time145301
tokens_prompt1063
tokens_completion7558
native_tokens_prompt996
native_tokens_completion7019
native_tokens_completion_images(null)
native_tokens_reasoning5550
native_tokens_cached996
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
service_tier(null)
usage0.01000588
router(null)
user_agent"langchainjs-openai/1.0.0 ((node/v24.21.0; linux; x64))"
http_referer(null)
request_id"req-1790258994-0dCiRQ4bGdYBFw0yq7kJ"
session_id(null)
preset_id(null)
api_type"completions"
id"gen-1790258994-BFLInJZGc9srlCfFrAUa"
upstream_id"5dd98dab4bcf474cba6c35e8650faf69"
provider_responses
0
endpoint_id"60ac3bdc-90ec-4769-9193-2c00b4d79562"
id"5dd98dab4bcf474cba6c35e8650faf69"
is_byokfalse
latency1813
model_permaslug"aion-labs/aion-3.5-mini-20260923"
provider_name"AionLabs"
status200
total_cost0.01000588
cache_discount0.00051792
upstream_inference_cost0
provider_name"AionLabs"
response_cache_source_id(null)
data_region"global"
workspace_id"97e315e5-d303-487d-83c1-83180e8a13d4"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags13
adverbTagCount0
adverbTags(empty)
dialogueSentences38
tagDensity0.342
leniency0.684
rawRatio0
effectiveRatio0
83.15% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1484
totalAiIsmAdverbs5
found
0
adverb"very"
count4
1
adverb"slightly"
count1
highlights
0"very"
1"slightly"
100.00% AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0"Blackwood"
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
86.52% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1484
totalAiIsms4
found
0
word"scanning"
count1
1
word"warmth"
count1
2
word"familiar"
count1
3
word"eyebrow"
count1
highlights
0"scanning"
1"warmth"
2"familiar"
3"eyebrow"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences58
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount1
narrationSentences58
filterMatches(empty)
hedgeMatches
0"began to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences84
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen123
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1473
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions17
unquotedAttributions0
matches(empty)
54.88% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions54
wordCount841
uniqueNames17
maxNameDensity1.9
worstName"Eva"
maxWindowNameDensity3
worstWindowName"Eva"
discoveredNames
Nest1
Thursday1
Silas5
Eva16
Marsh1
Cardiff2
Rory14
Queen1
Street1
Hong1
Kong1
Berlin1
London1
Evan1
Manchester1
Rain3
Four3
persons
0"Nest"
1"Silas"
2"Eva"
3"Rory"
4"Queen"
5"Evan"
6"Rain"
places
0"Marsh"
1"Cardiff"
2"Street"
3"Hong"
4"Kong"
5"Berlin"
6"London"
7"Manchester"
globalScore0.549
windowScore0.667
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences45
glossingSentenceCount0
matches(empty)
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1473
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences84
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs44
mean33.48
std31.33
cv0.936
sampleLengths
087
144
239
31
437
528
66
752
857
97
1074
116
1219
136
149
1541
1691
1743
1811
195
202
2161
226
236
2421
2524
2669
278
283
2960
3023
31120
3213
33120
3427
3544
363
371
3868
3948
4036
414
422
4341
99.21% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences58
matches
0"was gone"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount2
totalVerbs144
matches
0"was going"
1"was doing"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount11
semicolonCount1
flaggedSentences9
totalSentences84
ratio0.107
matches
0"The Nest sat half-empty at eleven on a Thursday—two old men hunched over a chessboard by the window, a couple whispering in the corner booth, Silas polishing glasses with the patience of a man who had wiped the same spot for a decade."
1"What stopped her breath was the hair—white-blonde now, cropped close at the jaw, a color Eva Marsh would once have scorched with lighter fluid rather than wear."
2"For a second the old face surfaced through the new one—the wide mouth, the freckles the Cardiff sun had never been strong enough to burn off—and then it submerged behind something composed and careful."
3"Her rings caught the light—four of them, slim and gold, worn on fingers that used to wear a single plastic skull ring from a joke shop on Queen Street."
4"Eva looked at her, and something moved behind the composure—a door opened an inch on a dark room."
5"Outside, a bus hissed past and its lights swept the photographs on the wall—Hong Kong, 1962; Berlin, some year nobody had ever asked about."
6"Somewhere behind her eyes the careful thing was doing arithmetic—what to spend, what to keep."
7"She didn't take Eva's hand—she took the crooked finger itself, lifted it, turned it once in the light the way a jeweller might, and set it back down on the wood with all its rings and all its history."
8"Then she looked at Rory, and for one unguarded second the composed woman was gone and something much younger sat on the stool in her place—freckles, wide mouth, handbrake half on, engine running."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount599
adjectiveStacks0
stackExamples(empty)
adverbCount20
adverbRatio0.0333889816360601
lyAdverbCount0
lyAdverbRatio0
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences84
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences84
mean17.54
std19.75
cv1.126
sampleLengths
017
127
243
38
436
56
66
727
81
93
1034
1112
1216
136
1419
1515
1618
1718
1821
1918
204
213
229
2329
2436
256
2618
271
286
299
3011
316
3224
337
341
3536
3647
379
3815
3919
409
412
425
432
4442
4519
466
476
4810
4911
65.87% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats3
diversityRatio0.4166666666666667
totalSentences84
uniqueOpeners35
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences53
matches
0"Somewhere behind her eyes the"
1"Then she looked at Rory,"
ratio0.038
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount7
totalSentences53
matches
0"She knew the posture was"
1"She delivered it like a"
2"Her ginger wine was still"
3"Her rings caught the light—four"
4"She looked at Eva's left"
5"She addressed the olive"
6"She didn't take Eva's hand—she"
ratio0.132
82.64% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount40
totalSentences53
matches
0"Rain ticked against the green"
1"Rory peeled off her cycling"
2"The Nest sat half-empty at"
3"The door opened on a"
4"A woman stepped in, shook"
5"Rory knew the coat was"
6"She knew the posture was"
7"The woman turned."
8"She delivered it like a"
9"Eva hung her coat over"
10"Silas came down the bar"
11"Eva ordered a gin martini,"
12"Her ginger wine was still"
13"Eva turned her phone face-down"
14"Her rings caught the light—four"
15"Eva looked at her, and"
16"Silas set down the martini"
17"Chess pieces clicked by the"
18"Rory counted the years without"
19"She looked at Eva's left"
ratio0.755
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences53
matches(empty)
ratio0
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences23
technicalSentenceCount1
matches
0"The Nest sat half-empty at eleven on a Thursday—two old men hunched over a chessboard by the window, a couple whispering in the corner booth, Silas polishing gl…"
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags13
uselessAdditionCount0
matches(empty)
97.37% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags3
fancyCount2
fancyTags
0"Eva ordered (order)"
1"She addressed (address)"
dialogueSentences38
tagDensity0.079
leniency0.158
rawRatio0.667
effectiveRatio0.105
88.9883%