Run: 2026-10-13-01M4TAH5F3MF10EXKTR9F6RND6

Run Details

Duration:
2m 59s
Cost:
$0.125094
Provider:
Fireworks

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The last regular left a little after ten, collar up against the rain, and the Raven's Nest settled into its late quiet — the hum of the green neon above the door, the tick of the glass washer, water combing the pavement outside. Aurora sat at the far end of the bar with her delivery jacket steaming on the radiator and a paperback she had read the same page of three times. Behind the counter, Silas worked a cloth around a whisky glass with the patience of a man defusing something. The door opened and let the weather in, and a man with it. He stood on the mat without shaking off the rain. Tall once, perhaps — now the coat wore him, good cloth gone thin at the shoulders, white hair plastered to a skull that had outgrown its face. He looked at Silas the way men look at gravestones. Reading. The cloth stopped mid-circle. Silas set the glass down without a sound. "We're closed." "Your sign disagrees." The voice had an education in it, worn at the edges like the coat. He crossed the room with the care of someone who had learned that floors could not be trusted and lowered himself onto a stool. Silas looked at him for a long moment. Then he reached under the counter and brought up a bottle Aurora had never seen — Armagnac, its label the colour of weak tea — and poured two fingers. "You remembered." "I remember what men drink. The rest goes." The man wrapped his hand around the glass. Didn't lift it. His fingers had a tremor that he disguised by keeping them moving, turning the stem a degree at a time. "Barker's gone. March. His liver got there before the Russians ever did." "Maggie?" "Cheltenham. Roses. Sends a card every Christmas, as though we were cousins and not —" He gestured at the space between them, whatever it held. Silas leaned his hip against the back counter. The wet weather had his left leg stiff; Aurora could see it in the way he kept his weight off it, a geometry she knew by now. "How's the knee?" "It tells me when it's going to rain. Saves me the forecast." "It rained on the fifteenth of March, ninety-four." Silas said nothing. His right hand found the signet ring and turned it, one full revolution, which Aurora had learned was the closest he came to flinching. The man's gaze wandered the walls — the old maps, the black-and-white photographs in their dark frames — and stopped where Aurora knew it would. Prague. A street corner, tram lines, a woman caught mid-laugh with her face half-turned from the camera. Dark hair. Aurora had dusted that frame a hundred times and never asked. "You kept it up," the man said. "All these years. I'd have thought —" "What would you have thought?" "That you'd want the wall bare." Silas took down a second glass and poured for himself. The bottle went back under the counter with the deliberate care of a man putting away a weapon. "You didn't come here in this weather to audit my décor, Peter." "No." Peter turned the Armagnac another degree. "I'm dying, Si." The glass washer ticked. Somewhere upstairs a pipe knocked once and went quiet. "Pancreatic. They give you months the way they give you a parking ticket. Printed. Non-negotiable." He said it the way other men read out football scores. "I've spent the summer settling accounts. Paid the garage. Wrote to my sister. You're the last item on the list, and you've been on it the longest, which tells you something about the list." Silas drank. Set the glass down. Waited. "The signal was burnt." Peter's voice dropped into a register that had been rehearsed, Aurora realised — rehearsed for thirty years, in cars, in showers, in the hour before dawn. "I knew it was burnt and I sent you in anyway, because the Committee wanted the film and I wanted the promotion more than I wanted to be right. She was blown a week before you ever met her. Nothing you did on that street — three seconds, Si, I've done the maths same as you, a thousand times — nothing in those three seconds would have kept her alive. It was my call. It was never your fault. I should have said that at the debrief. I should have said it every day since." The rain worked at the windows. Aurora discovered she had been holding her breath and let it go, slow, through her nose. Her thumb found the small crescent scar on her left wrist and pressed it, an old habit, the body's filing system for things the mind declined to hold. Silas turned the ring again. "I know." Peter's head came up. "I read the file in ninety-six. A defector in Moscow station, the whole shopping list, her name three pages in. I knew by Christmas of that year." "Then why —" Peter's hand closed on the glass hard enough that the tremor showed. "Thirty years, Silas. I waited for the phone. Every Christmas I thought, this year he'll ring, this year he'll call me a bastard down the line and we'll have it out and there'll be something left of us on the other side of it. You let me carry it alone." "Carrying mine took both hands." "So you gave me yours as well?" Silas looked at him then, full on, and Aurora saw something she had never seen in him — not anger, not grief, but the exhaustion of a man who had been holding a door shut for three decades and had forgotten what was behind it. "Hating you was the one thing that didn't feel like hating myself," Silas said. "I wasn't going to give it up. Not even for the truth." Peter sat with that. The neon light through the window painted one side of his face green, and for a moment he looked like a drowned man, and then like no one at all, just an old person on a bar stool in Soho with a drink he wasn't drinking. His gaze drifted to Aurora at the end of the bar and stayed a beat too long — the dark hair, the stillness of her — and something moved behind his face. "No," Silas said. "I wasn't going to —" "You were." Peter exhaled through his nose, the ghost of some younger man's laugh. "Who's the girl?" "Rory. She rents the flat upstairs. Puts up with me." "Is she —" "No." "Good." Peter nodded at Aurora, a small formal tilt of the head, an old-world gesture from a world that had eaten him. "Mind him, will you. He doesn't eat, and he won't tell you when it rains." "He limps," Aurora said. "I can tell." The laugh came for real this time, brief and rusted, and Peter looked at Silas with something close to fondness. "You always did find people who put up with you. It's a talent. Mind it doesn't run out." He stood. The stool scraped. He looked down at the Armagnac, two fingers, untouched for an hour, and then lifted it and drank it in one, and winced. "Still tastes like a mistake." "You never did have a palate." "No. I had ambition instead. Worse vintage." He buttoned the thin coat against the weather waiting outside. At the door he stopped, hand on the frame, and did not turn around. "Goodnight, Silas." "Peter." A pause. Rain filled it. Then the door opened, closed, and the neon washed green over the empty pavement where he had been. Silas stood behind the bar with Peter's glass in his hand. Aurora closed her paperback. The photographs kept their own counsel on the walls — tram lines, a street corner, a woman mid-laugh, forever half-turned away. "You're going to ask," Silas said. "No." She slid off the stool and came around the bar and took the glass from him, gentle, the way you'd take something from a sleepwalker. "You'll tell me or you won't." He almost smiled. It didn't reach anywhere, but it was nearly there. "Katarina," he said. To the room, not to her. The name landed on the bar top between them and lay there, thirty years old, finally spoken in the warm. Aurora ran the two glasses under the tap and set them upside down to dry. Silas turned the signet ring once, all the way around, and then his hand went still. She flipped the sign to closed. The neon died with a small electric sigh, and the maps on the walls went dark, all those cities, all those streets, and Silas limped to the end of the bar and sat down in the dim, on the customer side, like a man off duty at last.
created_at"2026-10-13T09:47:06.094Z" 10/13/2026, 9:47:06 AM
model"fireworks/ember-1-20260923"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1938
moderation_latency(null)
generation_time179374
tokens_prompt1063
tokens_completion8423
native_tokens_prompt1083
native_tokens_completion8123
native_tokens_completion_images(null)
native_tokens_reasoning6249
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
service_tier(null)
usage0.125094
router(null)
user_agent"langchainjs-openai/1.0.0 ((node/v24.21.0; linux; x64))"
http_referer(null)
request_id"req-1791884826-ww9Ns9u8XQFz2Pv4LvdD"
session_id(null)
preset_id(null)
api_type"completions"
id"gen-1791884826-6KclUq9cJFnOZx8lbqlC"
upstream_id"chatcmpl-2e338b79b75b40de8b0e89d911b72cd6"
provider_responses
0
endpoint_id"b89a2f05-4051-4446-a9b0-7bc8ae7b7c90"
id"chatcmpl-2e338b79b75b40de8b0e89d911b72cd6"
is_byokfalse
latency1938
model_permaslug"fireworks/ember-1-20260923"
provider_name"Fireworks"
status200
total_cost0.125094
cache_discount(null)
upstream_inference_cost0
provider_name"Fireworks"
response_cache_source_id(null)
data_region"global"
workspace_id"97e315e5-d303-487d-83c1-83180e8a13d4"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags12
adverbTagCount0
adverbTags(empty)
dialogueSentences50
tagDensity0.24
leniency0.48
rawRatio0
effectiveRatio0
100.00% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1465
totalAiIsmAdverbs0
found(empty)
highlights(empty)
100.00% AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0"Blackwood"
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
93.17% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1465
totalAiIsms2
found
0
word"weight"
count1
1
word"electric"
count1
highlights
0"weight"
1"electric"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences74
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount0
narrationSentences74
filterMatches
0"look"
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences112
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen93
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1478
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions16
unquotedAttributions0
matches(empty)
64.05% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions45
wordCount989
uniqueNames7
maxNameDensity1.72
worstName"Silas"
maxWindowNameDensity2.5
worstWindowName"Silas"
discoveredNames
Raven1
Nest1
Silas17
Aurora14
Armagnac3
Peter8
Soho1
persons
0"Raven"
1"Nest"
2"Silas"
3"Aurora"
4"Peter"
places
0"Armagnac"
1"Soho"
globalScore0.641
windowScore0.833
47.96% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences49
glossingSentenceCount2
matches
0"looked like a drowned man, and then like"
1"something close to fondness"
64.68% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches2
per1kWords1.353
wordCount1478
matches
0"not anger, not grief, but the exhaustion of a man who had been holding a door shut for"
1"not grief, but the exhaustion of a man who had been holding a door shut for"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences112
matches
0"learned that floors"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs65
mean22.74
std23.06
cv1.014
sampleLengths
091
113
248
312
42
53
638
737
82
98
1031
1112
121
1325
1435
153
1612
178
1827
1955
2014
215
226
2328
2412
2510
2613
2760
287
29125
3050
315
322
334
3427
3565
365
377
3845
3926
4050
4132
423
435
442
4515
4610
473
481
4937
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences74
matches
0"been rehearsed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs164
matches
0"wasn't drinking"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount11
semicolonCount1
flaggedSentences9
totalSentences112
ratio0.08
matches
0"The last regular left a little after ten, collar up against the rain, and the Raven's Nest settled into its late quiet — the hum of the green neon above the door, the tick of the glass washer, water combing the pavement outside."
1"Tall once, perhaps — now the coat wore him, good cloth gone thin at the shoulders, white hair plastered to a skull that had outgrown its face."
2"Then he reached under the counter and brought up a bottle Aurora had never seen — Armagnac, its label the colour of weak tea — and poured two fingers."
3"The wet weather had his left leg stiff; Aurora could see it in the way he kept his weight off it, a geometry she knew by now."
4"The man's gaze wandered the walls — the old maps, the black-and-white photographs in their dark frames — and stopped where Aurora knew it would."
5"\"The signal was burnt.\" Peter's voice dropped into a register that had been rehearsed, Aurora realised — rehearsed for thirty years, in cars, in showers, in the hour before dawn."
6"Silas looked at him then, full on, and Aurora saw something she had never seen in him — not anger, not grief, but the exhaustion of a man who had been holding a door shut for three decades and had forgotten what was behind it."
7"His gaze drifted to Aurora at the end of the bar and stayed a beat too long — the dark hair, the stillness of her — and something moved behind his face."
8"The photographs kept their own counsel on the walls — tram lines, a street corner, a woman mid-laugh, forever half-turned away."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount583
adjectiveStacks0
stackExamples(empty)
adverbCount11
adverbRatio0.018867924528301886
lyAdverbCount0
lyAdverbRatio0
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences112
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences112
mean13.2
std13.7
cv1.038
sampleLengths
043
129
219
313
410
527
610
71
84
98
102
113
1214
1324
148
1529
162
178
188
193
2020
2112
221
2325
248
2527
263
2712
288
293
3024
3125
321
3316
342
3511
367
377
385
396
4010
4118
4212
437
443
454
469
4726
4834
492
70.54% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats1
diversityRatio0.42857142857142855
totalSentences112
uniqueOpeners48
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount3
totalSentences62
matches
0"Then he reached under the"
1"Somewhere upstairs a pipe knocked"
2"Then the door opened, closed,"
ratio0.048
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount14
totalSentences62
matches
0"He stood on the mat"
1"He looked at Silas the"
2"He crossed the room with"
3"His fingers had a tremor"
4"His right hand found the"
5"He said it the way"
6"Her thumb found the small"
7"His gaze drifted to Aurora"
8"He looked down at the"
9"He buttoned the thin coat"
10"She slid off the stool"
11"He almost smiled."
12"It didn't reach anywhere, but"
13"She flipped the sign to"
ratio0.226
32.58% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount53
totalSentences62
matches
0"The last regular left a"
1"Aurora sat at the far"
2"The door opened and let"
3"He stood on the mat"
4"He looked at Silas the"
5"The cloth stopped mid-circle."
6"Silas set the glass down"
7"The voice had an education"
8"He crossed the room with"
9"Silas looked at him for"
10"The man wrapped his hand"
11"His fingers had a tremor"
12"Silas leaned his hip against"
13"The wet weather had his"
14"Silas said nothing."
15"His right hand found the"
16"The man's gaze wandered the"
17"A street corner, tram lines,"
18"Aurora had dusted that frame"
19"the man said"
ratio0.855
80.65% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences62
matches
0"To the room, not to"
ratio0.016
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences34
technicalSentenceCount2
matches
0"Tall once, perhaps — now the coat wore him, good cloth gone thin at the shoulders, white hair plastered to a skull that had outgrown its face."
1"Silas looked at him then, full on, and Aurora saw something she had never seen in him — not anger, not grief, but the exhaustion of a man who had been holding a…"
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags12
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags7
fancyCount0
fancyTags(empty)
dialogueSentences50
tagDensity0.14
leniency0.28
rawRatio0
effectiveRatio0
88.4544%