Run: 2026-10-20-01M5C6FZMQYMCXZ1R5821N39J1

Run Details

Duration:
28.8s
Cost:
$0.001243
Provider:
Wafer

Model input

System
You are an expert fiction writer. Always keep the following rules in mind: - Write in past tense and use General English spelling, grammar, and colloquialisms/slang. - Write in active voice - Always follow the "show, don't tell" principle. - Avoid adverbs and cliches and overused/commonly used phrases. Aim for fresh and original descriptions. - Convey events and story through dialogue. - Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. - Skip "he/she said said" dialogue tags and convey people's actions or face expressions through their speech - Avoid mushy dialog and descriptions, have dialogue always continue the action, never stall or add unnecessary fluff. Vary the descriptions to not repeat yourself. - Put dialogue on its own paragraph to separate scene and action. - Reduce indicators of uncertainty like "trying" or "maybe" When writing text: - NEVER conclude the scene on your own, follow the beat instructions very closely. - NEVER end with foreshadowing. - NEVER write further than what I prompt you with. - AVOID imagining possible endings, NEVER deviate from the instructions. - STOP EARLY if the continuation contains what was required in the instructions. You do not need to fill out the full amount of words possible.
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4414" name="Eva Kowalski" aliases="Eva, Evie" pronouns="she/her" species="Human" storyRole="Best Friend"> <eyeColor>green</eyeColor> <hair>curly red</hair> <height>5'4"</height> <age>26</age> <glasses>round glasses</glasses> <satchel>worn leather satchel full of books</satchel> <freckles>freckled complexion</freckles> <nervousHabit>tucking hair behind her left ear</nervousHabit> <description>Aurora's childhood friend and an occult researcher.</description> <backstory>Moved to London two years before Aurora and works as a research assistant at the British Museum's restricted archives. She holds a master's degree in Ancient History from Oxford.</backstory> </character> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> <item id="2004" name="Veil Compass" aliases="the Compass, shadow compass" type="Tool" origin="The Veil Market"> <casingMaterial>small brass compass</casingMaterial> <faceMarkings>face etched with protective sigils</faceMarkings> <needle>points toward the nearest supernatural rift or portal</needle> <patina>casing has a patina of verdigris</patina> <creator>crafted by a Shade artisan</creator> <description>A compass attuned to supernatural energy.</description> </item> </codex> Continue the story using the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the mystery genre. A detective arrives at a crime scene in an unusual location. Something is wrong — the evidence doesn't add up. A colleague is present, offering a different interpretation. Through careful observation and deduction, the detective begins to see what others have missed. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The air tasted of rust and ozone. Detective Harlow Quinn ducked under the yellow-and-black tape, the worn leather of her watch scraping against a crumbling brick archway. Her torch beam cut a clean white slice through the gloom of the abandoned Tube station. Dust motes danced in the light like tiny ghosts. To her left, the platform stretched into a black maw, the tiled wall sign, "CAMDEN TOWN," still legible beneath a century of grime. "Ma'am." Detective Constable Ives stood near a pile of splintered pallets, his face pale in the torchlight. "It's… well. You'll see." "Show me." Quinn’s boots crunched on grit as she followed him. The station had been sealed since before she was born, a forgotten artery of the city. The walls sweated damp. Somewhere in the dark, water dripped with a steady, maddening rhythm. The body lay in the centre of the old ticket hall, beneath a vaulted ceiling that swallowed her light whole. A man, mid-thirties, dressed in a bespoke suit that cost more than Quinn’s monthly salary. He was supine, arms outstretched, a perfect chalk circle drawn around him. A woman, one of the first officers on scene, stood retching into a corner. "Sir Reginald Mott," Ives supplied, his voice tight. "Philanthropist. Big into urban renewal projects. Or he was." Quinn crouched. The man’s eyes were wide, staring at nothing. No blood, no visible wounds. His skin held a waxy, greyish pallor. She swept her torch across the circle. The chalk was perfect, unbroken. "Who found him?" "Night watchman for the demolition crew. Says the wall was sealed this morning, came back after lunch and found the brickwork knocked through." Ives gestured to the far end of the hall, where a jagged hole gaped in the Victorian tiling. "This place is supposed to be empty. No one’s been down here for decades." Quinn pointed her torch at the victim’s hands. The fingers were curled, relaxed. Too relaxed for a man who’d just been murdered. She leaned closer. A faint, sweet smell, like burnt sugar, clung to him. She looked at the chalk circle again. It was drawn with a precision that felt… practiced. Ritualistic. "SOCO are on their way," Ives said. "But look at this." He pointed to a small brass compass lying a few feet from the body, outside the chalk. "Odd thing to bring to a murder, isn't it? Looks old." Quinn didn't touch it. The compass had a verdigris patina, its face etched with symbols that weren't any language she knew. It pointed, resolutely, toward the jagged hole in the wall. Something cold and sharp, a memory she kept locked in a lead-lined box, pricked at her. "Don't move it," she ordered. "And Ives? The chalk. Did the watchman see anyone? Hear anything?" "Claims he heard nothing. Just came back and found the wall open." Quinn stood, her gaze sweeping the hall. The dust on the floor was undisturbed, save for their own footprints and the watchman's. No drag marks, no scuffle. A man in a bespoke suit walks into a sealed, abandoned Tube station, lies down in a perfect circle, and dies of… what? She had no obvious cause of death. "Looks like a ritual killing, doesn't it?" Ives said, a tremor in his voice. "All this… occult stuff. The circle. The weird compass. Some kind of cult. We should call in the specialist unit." "Specialist unit," Quinn repeated, her tone flat. She didn't believe in cults. She believed in evidence. She believed in the ugly, mundane reasons people killed each other. Greed, jealousy, fear. She’d seen enough of it. "The only thing a circle tells me is that someone wanted us to think it's a ritual. It's a stage. A performance." She walked the perimeter of the chalk circle, her torch beam low. She looked at the wall with the hole. The edges were clean, the bricks pushed inward as if from a great force. She turned back to the body. The man's suit was immaculate, not a thread out of place. But his shoes… the soles were pristine. Not a speck of the pervasive dust. "He was carried here," Quinn murmured. "He didn't walk." "Carried? By who? A ghost?" Ives scoffed lightly. "Boss, the wall was bricked up this morning." "Bricked up," Quinn echoed. She walked over to the breach, running her fingers along the rough edge. "Or bricked over." She stepped through the hole into the narrow, dark space beyond. It was a short passage, leading to an old service tunnel. Her light revealed cobwebs and more dust. But here, in the passage, the dust was different. It was disturbed. A single, distinct set of footprints led away from the breach, deeper into the tunnel. They were too small to be the watchman's. "You're looking at this like a murder," she said, coming back into the main hall. "A dead man, a weird symbol, a mysterious object. You see a cult. I see a set-up." Ives frowned. "What do you mean?" "The compass," Quinn said, pointing with her chin. "It's not part of the scene. It's a clue left behind. And look where it's pointing. Not at the body. Not at the circle. At the passage. Someone wanted us to find that passage." She crouched by the body again. The sweet smell of burnt sugar was stronger here. She looked at the man's face. His expression wasn't one of terror. It was one of… surprise. A sudden, profound shock. She noticed a tiny, almost invisible red mark behind his left ear. Not a puncture, more like a burn. A small, perfect circle. "The chalk wasn't drawn around him," Quinn said, the pieces clicking into place. "He was placed inside a circle that was already there. Or, more likely, the circle was drawn after he died, to make us look at it. To distract us." Ives stared at her. "But… why? Why go to all that trouble?" "Because the real point isn't the murder. It's what the murderer wanted to draw attention to." Quinn stood, her jaw set. "Or away from. A man like Mott has enemies. Business rivals. People he's ruined with his 'urban renewal' projects. This isn't the work of a cult. It's the work of someone who knows this city's secrets. Someone who knows how to use its superstitions against us." She pointed to the body once more. "He wasn't killed here. He was brought here, dressed in a dead man's clothes, and put on display. The cause of death is a needlepoint burn, right here." She indicated the spot behind the ear. "Whoever did this has a surgical knowledge, or access to someone who does. And they left us a compass pointing towards a secret tunnel, and a hole in the wall that was sealed this morning. This is a message, Ives. Not a ritual. Someone is playing a game, and they've just made their opening move." She turned to the uniformed officer still in the corner. "Get SOCO down here. I want this entire station gone over with a fine-tooth comb. The passage, the tunnel. I want to know where those small footprints go. And Ives?" "Yes, ma'am?" "Find out everything you can about Sir Reginald Mott's recent projects. Specifically, what he was trying to build, and who stood to lose the most from it. The answer is in the land, not in the ley lines." She looked back at the compass, its needle still pointing steadily at the breach in the wall. It was a dirty trick, using the city's occult underbelly as camouflage. But it was an effective one. It had fooled everyone. Everyone except her. She had eighteen years of ghosts, both metaphorical and literal, in her past. She knew that the most terrifying monsters weren't the ones in the shadows. They were the ones who stood in the light and pointed.
created_at"2026-10-20T08:22:52.832Z" 10/20/2026, 8:22:52 AM
model"deepseek/deepseek-v4.1-flash-20261017"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency370
moderation_latency(null)
generation_time28787
tokens_prompt1112
tokens_completion2334
native_tokens_prompt1059
native_tokens_completion2148
native_tokens_completion_images(null)
native_tokens_reasoning289
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
service_tier(null)
usage0.00124344
router(null)
user_agent"langchainjs-openai/1.0.0 ((node/v24.21.0; linux; x64))"
http_referer(null)
request_id"req-1792484572-jBnSjIE3nRSUTuTsuyW3"
session_id(null)
preset_id(null)
api_type"completions"
id"gen-1792484572-B9keZI4MljYjhvuToUnh"
upstream_id"chatcmpl-65c62bfaec554403af80253a5f6c3601"
provider_responses
0
endpoint_id"66d4851d-7738-4948-9d40-2ab6dc54f895"
id"chatcmpl-65c62bfaec554403af80253a5f6c3601"
is_byokfalse
latency370
model_permaslug"deepseek/deepseek-v4.1-flash-20261017"
provider_name"Wafer"
status200
total_cost0.00124344
cache_discount(null)
upstream_inference_cost0
provider_name"Wafer"
response_cache_source_id(null)
data_region"global"
workspace_id"97e315e5-d303-487d-83c1-83180e8a13d4"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags19
adverbTagCount1
adverbTags
0"Ives scoffed lightly [lightly]"
dialogueSentences40
tagDensity0.475
leniency0.95
rawRatio0.053
effectiveRatio0.05
96.19% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1312
totalAiIsmAdverbs1
found
0
adverb"lightly"
count1
highlights
0"lightly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
61.89% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1312
totalAiIsms10
found
0
word"gloom"
count1
1
word"maw"
count1
2
word"perfect"
count4
3
word"etched"
count1
4
word"pristine"
count1
5
word"echoed"
count1
6
word"profound"
count1
highlights
0"gloom"
1"maw"
2"perfect"
3"etched"
4"pristine"
5"echoed"
6"profound"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences97
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount0
narrationSentences97
filterMatches
0"watch"
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences118
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen55
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1312
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions10
unquotedAttributions0
matches(empty)
69.45% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions26
wordCount807
uniqueNames6
maxNameDensity1.61
worstName"Quinn"
maxWindowNameDensity2.5
worstWindowName"Quinn"
discoveredNames
Harlow1
Quinn13
Tube2
Constable1
Ives8
Victorian1
persons
0"Harlow"
1"Quinn"
2"Ives"
places(empty)
globalScore0.695
windowScore0.833
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences63
glossingSentenceCount0
matches(empty)
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1312
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences118
matches
0"knew that the"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs32
mean41
std24.84
cv0.606
sampleLengths
075
121
242
361
417
534
63
755
852
939
1047
1116
1212
1357
1434
1557
1665
179
1816
1984
2032
216
2242
2359
2442
2512
2667
2797
2840
292
3038
3179
90.79% Passive voice overuse
Target: ≤2% passive sentences
passiveCount4
totalSentences97
matches
0"been sealed"
1"were curled"
2"been murdered"
3"was drawn"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs129
matches(empty)
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount0
flaggedSentences0
totalSentences118
ratio0
matches(empty)
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount811
adjectiveStacks0
stackExamples(empty)
adverbCount23
adverbRatio0.02836004932182491
lyAdverbCount6
lyAdverbRatio0.007398273736128237
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences118
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences118
mean11.12
std9.27
cv0.834
sampleLengths
07
120
216
39
423
517
64
711
816
94
1011
1120
1215
1312
1414
158
169
172
188
195
207
217
225
233
2441
2514
268
275
289
293
3010
317
328
331
341
357
3621
3711
384
3917
4010
4116
425
4311
4412
457
4615
475
4822
491
65.54% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats6
diversityRatio0.423728813559322
totalSentences118
uniqueOpeners50
76.63% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences87
matches
0"Somewhere in the dark, water"
1"Too relaxed for a man"
ratio0.023
45.29% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount38
totalSentences87
matches
0"Her torch beam cut a"
1"He was supine, arms outstretched,"
2"His skin held a waxy,"
3"She swept her torch across"
4"She leaned closer."
5"She looked at the chalk"
6"It was drawn with a"
7"He pointed to a small"
8"It pointed, resolutely, toward the"
9"She had no obvious cause"
10"She didn't believe in cults."
11"She believed in evidence."
12"She believed in the ugly,"
13"She’d seen enough of it."
14"She walked the perimeter of"
15"She looked at the wall"
16"She turned back to the"
17"She walked over to the"
18"She stepped through the hole"
19"It was a short passage,"
ratio0.437
17.47% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount77
totalSentences87
matches
0"The air tasted of rust"
1"Detective Harlow Quinn ducked under"
2"Her torch beam cut a"
3"Dust motes danced in the"
4"Detective Constable Ives stood near"
5"Quinn’s boots crunched on grit"
6"The station had been sealed"
7"The walls sweated damp."
8"The body lay in the"
9"A man, mid-thirties, dressed in"
10"He was supine, arms outstretched,"
11"A woman, one of the"
12"Ives supplied, his voice tight"
13"The man’s eyes were wide,"
14"His skin held a waxy,"
15"She swept her torch across"
16"The chalk was perfect, unbroken."
17"Ives gestured to the far"
18"Quinn pointed her torch at"
19"The fingers were curled, relaxed."
ratio0.885
57.47% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences87
matches
0"To her left, the platform"
ratio0.011
91.84% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences28
technicalSentenceCount2
matches
0"The body lay in the centre of the old ticket hall, beneath a vaulted ceiling that swallowed her light whole."
1"The compass had a verdigris patina, its face etched with symbols that weren't any language she knew."
19.74% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags19
uselessAdditionCount4
matches
0"Detective Constable Ives stood, his face pale in the torchlight"
1"Ives supplied, his voice tight"
2"Quinn repeated, her tone flat"
3"Quinn said, the pieces clicking into place"
75.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags8
fancyCount3
fancyTags
0"she ordered (order)"
1"Quinn repeated (repeat)"
2"Quinn murmured (murmur)"
dialogueSentences40
tagDensity0.2
leniency0.4
rawRatio0.375
effectiveRatio0.15
85.5766%