NC Bench
Overview
About
Tests
Models
Vendors
Run: 2026-02-17-01KHMQKX8JX82RNA3BSJPNRX5Z
Run Details
Model:
Z.AI GLM 5
Test:
Bad Writing Habits
Scenario:
Literary fiction: old friends reunite
Duration:
1m 40s
Cost:
$0.010477
Provider:
AtlasCloud
Model input
System
You are an expert novelist with a gift for vivid, immersive prose. You write in tight third-person limited point of view with a strong narrative voice. Your prose is clean, precise, and engaging — you favor strong verbs, concrete details, and natural-sounding dialogue. You will be given a story bible (codex) containing canonical details about characters, locations, items, and lore. Use these details to ground your writing in the established world. Stay consistent with the codex. Write only the prose of the scene. Do not include titles, chapter headings, markdown formatting, or any commentary before or after the scene.
User/Human
<codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary.
Model response
Messages
Meta
AI
The rain had been falling since noon, a steady grey drumming against the windows of The Raven's Nest that made the afternoon
feel
like evening. Aurora Carter sat at the far end of the bar, a half-finished cup of tea growing cold beside her, watching Silas polish glasses with the
methodical
patience of a man who had learned to find peace in small rituals. The green neon sign outside bled colour through the condensation on the glass, casting e
very
thing in a faint underwater glow. She'd lived above this bar for nearly three years now, and still she sometimes caught herself studying Silas—the slight limp he
tried to
hide when he thought no one
was watching
, the way his hazel eyes could go distant in the middle of a sentence, as if listening to ghosts. The door swung open, bringing with it a gust of wet London air and a man in a dark overcoat. He stood in the entrance, water dripping from his shoulders, and let his gaze travel
slowly
across the empty room until it landed on Silas. Rory saw the old man's hands go still on the glass he
was holding
. For three heartbeats, no one moved. "Well," the stranger said. His voice was rough, scraped raw by years of cigarettes or shouting or both. "I heard a rumour you weren't dead." Silas set down the glass with deliberate care. "Malcolm." The name landed in the room. Rory felt it like a physical thing—heavy,
weight
ed with years. She should probably leave, give them privacy, but something in the rigid set of Silas's shoulders kept her rooted to her stool. Malcolm walked to the bar, each step precise and measured. Up close, Rory could
see that he
was probably the same age as Silas—late fifties—but where her landlord carried his years in the distinguished lines of a man who had chosen his compromises, this stranger wore them like old wounds. His face was weathered, hollowed out around the cheekbones, and his grey hair had receded to thin wisps he combed back in a style that had gone out of fashion two decades ago. "Whiskey," Malcolm said, settling onto a stool two seats down from Rory. "Whatever you have that won't blind me." Silas reached for a bottle without asking which one. He poured two fingers into a glass and slid it across the bar. His silver signet ring caught the light—Rory had never seen him without it, had never thought to ask about its significance. "You've been in London for three years," Silas said. It wasn't a question. "Four." Malcolm lifted the glass, studied the colour, drank half of it in one swallow. "I've been in London for four years. You've been here what, six? Seven? Running a bar in Soho like none of it ever happened." "It happened." "Did it, though? Did it
really
, the way we remember?" Malcolm's laugh was a bitter, broken thing. "Half the time I can't tell anymore what was real and what I've reconstructed. Prague, for instance. I remember the rain. I remember the sound those cobblestones made when we ran. But I can't remember if you grabbed my arm or if I grabbed yours, and I
think that detail
matters more than the rest of it combined." Rory's breath caught. She'd heard fragments of the story—enough to
know that Prague
was the operation that had ended Silas's career, the source of his knee injury and whatever darkness lived behind his eyes. But she'd never heard him speak of it directly. Silas reached under the bar for a cloth, wiped down an invisible stain. His hands were steady, but Rory noticed how he kept his
weight
on his right leg, favouring the bad knee. "Why are you here, Malcolm?" "Truth?" Malcolm turned on his stool, and Rory found herself meeting bloodshot eyes that
seemed to
look through her rather than at her. "I don't know. I was walking. It started raining. I saw the green sign and thought, that's an ugly colour for a bar entrance. And then I saw your face through the window, and I thought—" He stopped. Drank the rest of his whiskey. When he continued, his voice had lost some of its edge. "I thought you'd look different. Older, maybe. But you look exactly the same, Si. You look like a man who figured out how to stop time, and I don't know if that's a kindness or the cruelest trick I've ever seen played." "We're all older." "Are we? I look in the mirror and I see a stranger. I see someone who wears my face and speaks with my voice but doesn't remember why he used to laugh or what it felt like to believe in something." Malcolm gestured vaguely at the bar, the walls, the old maps and photographs that Silas had curated with such care. "And then I walk in here and see you, and you've got photographs from another century hanging like you're proud of them, like they're not all that's left of people we buried in unmarked graves—" "That's enough." Silas's voice was quiet, but it carried the
weight
of a door closing. Rory watched the two men study each other—old friends, old enemies, something in between. She thought of Eva back in Cardiff, of the way they used to finish each other's sentences, of how easy it had been before Evan and the darkness he'd brought into her life. She thought of the crescent scar on her wrist, a childhood accident that felt like it belonged to someone else's story now. "I'm not here to fight," Malcolm said finally. "I'm not here to ask for forgiveness either, before you start. I don't know what I'm here for. Closure, maybe. A chance to look you in the eye and see if there's anyone left in there who remembers what we were before we became what we are." "And what are we, Malcolm?" "Survivors." The word came out strangled. "The lucky ones, they tell us. The ones who made it out. Except I'm not sure this counts as making it, you understand? I'm not sure waking up e
very
morning at four because the nightmares won't let you sleep, and drinking until the memories go soft around the edges, and looking for your dead friends in crowds of strangers—I'm not sure that counts as living, Si. I'm not sure that counts as anything." Silas was silent for a long moment. Then he reached under the bar again, pulled out a second glass, and poured whiskey into it. He didn't drink, but he placed his hand over the glass, the silver ring
gleaming
. "Do you remember what you told me," Silas said
slowly
, "the night before Prague? We were at that café by the river, the one with the red awning. You ordered something you couldn't pronounce and we both laughed when it turned out to be pickled fish." Malcolm's face shifted—something cracked open behind his eyes. "I told you that we'd be alright." "You told me that whatever happened, we'd carry it together. That the
weight
wasn't meant for one person." Silas finally looked up, met his old friend's gaze directly. "You were wrong about the first part. But the second part—that part you got right. We carry it together. The ones who are left. That's not nothing, Malcolm. That's the only thing that matters now." The rain outside had softened to a whisper. Rory sat
very
still, watching two men she barely understood
grapple
with something that had no words. Malcolm reached for the whiskey bottle himself this time, poured another measure into his glass. His hand
was shaking
—just
slightly
, just enough to notice. "I looked for you," he said. "After. When I got out of hospital. They told me you'd
resigned, that you'd
disappeared. I thought maybe you'd gone somewhere warm. Somewhere quiet. I imagined you fishing in Scotland, maybe, or growing tomatoes in the countryside." "Tomatoes." Silas almost smiled. "I hate tomatoes." "I know. That's why it was such a perfect fantasy. Because it meant you'd become someone else entirely, someone who could choose to like tomatoes." Malcolm's voice cracked on the last word. "Someone who could choose anything at all." Rory understood then—understood why Silas had opened a bar in Soho, why he kept photographs of people and places long gone, why he'd offered her a flat above his business when she'd had nowhere else to go. He
wasn't hiding
from his past. He
was building
something that could hold it. "I'm not going to pretend I'm whole," Silas said. "I'm not going to tell you it gets easier, or that the
weight
ever stops pressing down. But you're wrong about one thing, Malcolm. I'm not someone else. I'm exactly who I was, who we were. I just learned to build around the broken parts instead of pretending they aren't there." Malcolm sat with that for a long time. The rain stopped. The green neon sign hummed outside. Somewhere down the street, a car splashed through a puddle. "Build around them," he repeated quietly. "And what if the broken parts are all that's left?" Silas reached across the bar and put his hand on Malcolm's shoulder—a brief, firm pressure that
seemed to
communicate something beyond language. "Then you build with broken parts. That's what the rest of us are doing." Rory watched Malcolm's shoulders shake once, twice, before he steadied himself. He finished his whiskey, set down the glass, and stood. His overcoat was still damp, his hair still wet from the rain he'd walked through to get here. "I should go," he said. But he didn't move. He stood there, looking at Silas like he
was trying
to memorize something, or maybe trying to convince himself that what he saw was real. "The offer stands," Silas said. "Anytime. You know where to find me." Malcolm nodded once. His eyes
flicked
briefly to Rory—acknowledging her presence for the first time as if he'd only just remembered she was there—and then he turned and walked out into the London evening, leaving the door open behind him until Silas moved to close it. The bar felt different without him. Smaller, somehow. Quieter. Rory picked up her cold tea and considered it. "Friend of yours?" Silas returned to his place behind the bar, picked up the glass Malcolm had left behind, and
began to
polish it with the same
methodical
patience he'd shown before. But his movements were slower now, and his eyes had that distant look she'd learned to recognize. "We were partners once," he said. "A long time ago." "And now?" Silas set down the glass. He met her gaze, and for just a moment, she saw the
weight
he carried—all the years, all the losses, all the broken parts he'd built around. "Now we're two old men who remember the same ghosts." He picked up another glass. "Finish your tea, Rory. It's getting late."
created_at
"2026-02-17T02:43:46.963664+00:00"
2/17/2026, 2:43:46 AM
model
"z-ai/glm-5-20260211"
app_id
182717
external_user
(null)
streamed
true
cancelled
false
latency
1112
moderation_latency
(null)
generation_time
99742
tokens_prompt
867
tokens_completion
3570
native_tokens_prompt
819
native_tokens_completion
3079
native_tokens_completion_images
(null)
native_tokens_reasoning
899
native_tokens_cached
0
num_media_prompt
(null)
num_input_audio_prompt
(null)
num_media_completion
0
num_search_results
(null)
origin
"https://ncbench.com/"
is_byok
false
finish_reason
"stop"
native_finish_reason
"stop"
usage
0.0104769
router
(null)
provider_responses
0
id
"8aeffd70a03b4100ad929c23bb0ece1e"
status
200
is_byok
false
latency
1112
endpoint_id
"37e677ea-62aa-4245-ae11-b59bd802f183"
provider_name
"AtlasCloud"
model_permaslug
"z-ai/glm-5-20260211"
api_type
"completions"
id
"gen-1771296126-9qy1A6VthAezBln0e0ub"
upstream_id
"8aeffd70a03b4100ad929c23bb0ece1e"
total_cost
0.0104769
cache_discount
(null)
upstream_inference_cost
0
provider_name
"AtlasCloud"
Evaluation details
Result
Evaluator
Details
Meta Data
42.4242%
Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags
11
adverbTagCount
3
adverbTags
0
"Malcolm said finally [finally]"
1
"Silas said slowly [slowly]"
2
"he repeated quietly [quietly]"
72.8261%
AI-ism adverb frequency
Target: <1% AI-ism adverbs (57 tracked)
wordCount
1840
totalAiIsmAdverbs
5
found
0
adverb
"slightly"
count
1
1
adverb
"slowly"
count
2
2
adverb
"really"
count
1
3
adverb
"very"
count
1
highlights
0
"slightly"
1
"slowly"
2
"really"
3
"very"
100.0000%
AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0
"Blackwood"
found
(empty)
100.0000%
AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions
(empty)
found
(empty)
45.6522%
AI-ism word frequency
Target: <1% AI-ism words (140 tracked)
wordCount
1840
totalAiIsms
10
found
0
word
"flicked"
count
1
1
word
"gleaming"
count
1
2
word
"methodical"
count
2
3
word
"weight"
count
5
4
word
"grapple"
count
1
highlights
0
"flicked"
1
"gleaming"
2
"methodical"
3
"weight"
4
"grapple"
100.0000%
Cliche density
Target: ≤1 cliche(s) per 800-word window
totalCliches
0
maxInWindow
0
found
(empty)
highlights
(empty)
100.0000%
Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells
0
narrationSentences
83
matches
(empty)
100.0000%
Filter word density
Target: ≤12% sentences with filter/hedge words
filterCount
1
hedgeCount
4
narrationSentences
83
filterMatches
0
"feel"
hedgeMatches
0
"tried to"
1
"seemed to"
2
"began to"
100.0000%
Overuse of "that" (subordinate clause padding)
Target: ≤10% sentences with "that" clauses
thatCount
6
totalSentences
110
matches
0
"see that he"
1
"think that detail"
2
"know that Prague"
3
"sure that counts sure that counts"
4
"resigned, that you'd"
100.0000%
Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs
52
mean
35.06
std
23.19
cv
0.662
sampleLengths
0
64
1
70
2
45
3
20
4
25
5
9
6
38
7
83
8
19
9
43
10
13
11
39
12
2
13
75
14
43
15
33
16
5
17
59
18
19
19
42
20
3
21
96
22
15
23
69
24
55
25
5
26
79
27
39
28
46
29
15
30
63
31
25
32
24
33
43
34
7
35
39
36
51
37
60
38
27
39
16
40
36
41
39
42
34
43
12
44
46
45
9
46
12
47
46
48
10
49
2
100.0000%
Passive voice overuse
Target: ≤5% passive sentences
passiveCount
0
totalSentences
83
matches
(empty)
100.0000%
Past progressive (was/were + -ing) overuse
Target: ≤10% past progressive verbs
pastProgressiveCount
6
totalVerbs
203
matches
0
"was watching"
1
"was holding"
2
"was shaking"
3
"wasn't hiding"
4
"was building"
5
"was trying"
88.0000%
Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount
1115
adjectiveStacks
2
stackExamples
0
"growing cold beside her,"
1
"cracked open behind his"
adverbCount
40
adverbRatio
0.03587443946188341
lyAdverbCount
15
lyAdverbRatio
0.013452914798206279
100.0000%
Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences
110
echoCount
0
echoWords
(empty)
100.0000%
Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences
110
mean
16.57
std
14.74
cv
0.889
sampleLengths
0
25
1
39
2
20
3
50
4
20
5
25
6
14
7
6
8
4
9
14
10
7
11
8
12
1
13
6
14
10
15
22
16
10
17
40
18
33
19
12
20
7
21
9
22
13
23
21
24
9
25
4
26
15
27
24
28
2
29
17
30
58
31
3
32
31
33
9
34
13
35
20
36
5
37
23
38
36
39
2
40
6
41
11
42
42
43
3
44
61
45
35
46
15
47
14
48
33
49
22
58.7879%
Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats
7
diversityRatio
0.39090909090909093
totalSentences
110
uniqueOpeners
43
84.0909%
Dialogue tag variety (said vs. fancy)
Target: ≤30% fancy dialogue tags
totalTags
11
fancyCount
4
fancyTags
0
"Malcolm said, settling onto a stool two seats down from Rory (say, settle)"
1
"Malcolm said finally (say finally)"
2
"Silas said slowly (say slowly)"
3
"he repeated quietly (repeat quietly)"
87.7518%