Run: 2026-02-19-01KHTX93FR7895XJK7EVAR6B99

Run Details

Duration:
9.8s
Cost:
$0.000000
Provider:
Stealth

Model input

System
You are an expert and award-winning novel writer in the dark Thriller genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4417" name="Tomás Herrera" aliases="Tommy, Tomás, Herrera" pronouns="he/him" species="Human" storyRole="Support"> <eyeColor>warm brown</eyeColor> <hair>short curly dark brown</hair> <height>5'10"</height> <age>29</age> <skinTone>olive skin</skinTone> <scar>scar running along his left forearm from a knife attack</scar> <medallion>Saint Christopher medallion around his neck</medallion> <birthplace>Seville, Spain</birthplace> <description>A former paramedic who provides off-the-books medical care for the clique.</description> <backstory>Born in Seville, Spain. He moved to London to work for the NHS but lost his license after administering unauthorized treatments to supernatural patients.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the thriller genre. A detective is pursuing a suspect through rain-soaked city streets at night. The chase takes them from the street level down into an underground market. The detective must decide whether to follow the suspect into unfamiliar and potentially dangerous territory. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
A glass shattered, sending shards skittering across the cobbles. Quinn’s boots thudded against the slick stones, the worn leather watch on her left wrist ticking against her pulse. She slammed a fist into the door of The Raven’s Nest, the green neon sign flickering behind her, and slipped inside, eyes scanning for the figure who had slipped out of the back‑room bookshelf entrance. “Hold up,” a voice hissed from the shadows. “You’re not welcome here tonight.” The suspect—an lanky man with a scar across his cheek—pivoted toward the alley, his coat flapping like a dark flag. Quinn’s jaw clenched, her breath shallow. She lunged, grabbing the hem of his coat, but he yanked free, disappearing into a narrow passage between a brick wall and a dumpster. “Come on!” she shouted, the words catching on the damp air. The sound echoed, a hollow clang that seemed to dissolve into the night. She followed, pounding broken pavement, the echo of her steps a metronome. The alley narrowed, a rusted fire escape ladder loomed. The man scrambled up, his boots clattering on the rungs. Quinn followed, her own boots finding grip on the loosened rust, each step deliberate, each movement calculated. At the top, a service door stood ajar, the faint glow of a flickering bulb hinting at an unseen staircase. The suspect slipped through, his silhouette swallowed by darkness. Quinn hesitated a heartbeat, mind flashing to the night she lost DS Morris, the case that had left her with a scar of its own—one she could not see but felt in every nerve. “Every path leads somewhere,” she muttered, more to herself than to anyone else. She pushed the door, the hinges squealing, and descended a spiralling stairwell that smelled of damp stone and old oil. The bottom opened onto a cavernous tunnel, the remnants of an abandoned Tube station. The air hit thick with a metallic tang, a hint of ozone that made her throat tighten. The walls were plastered with graffiti, some bearing symbols she recognized from the Veil Market’s black‑market listings. She heard a low murmur, a chorus of voices speaking in hushed tones, a barter of secrets. A figure emerged from a doorway, draped in a dark coat, a hood shadowing his face. He turned, eyes narrowing. “You shouldn’t be here,” he warned, voice low, resonant. Quinn’s hand slipped to the grip of her service pistol, the metal cold against her palm. “I’m not leaving until I have answers,” she replied, her tone clipped, each syllable measured. The man gestured toward a narrow corridor lined with shelves of oddities—glinting vials, ancient tomes, a brass compass that spun without direction. “The Veil Market moves when the moon is full. You can’t follow without a token.” Quinn’s gaze fell on a wooden table where a bone token lay half‑buried in dust. She snatched it, the bone cold, the token’s surface etched with a sigil that pulsed faintly. “I’m not afraid of tokens,” she said, her voice steady, the leather watch ticking louder in the silence. The suspect stepped back, hand hovering over a hidden latch. “Then step through,” he said, the words sliding like a knife. She passed through the latch, the hidden passage sliding shut behind her with a soft thud. The world tilted; she entered a cavern lit by lanterns that threw amber light over rows of stalls. The Veil Market sprawled before her, a labyrinth of stalls draped in velvet, each vendor cloaked in shadows. The air smelled of incense, copper, and something faintly metallic—blood, perhaps. A man with a scar across his left forearm stepped forward, his eyes scanning her with practiced caution. “You’re out of your depth, detective,” he said, his voice a low rumble, a hint of accent that hinted at somewhere far from London. Quinn’s eyes flicked to a small metal box on his table, the lid slightly ajar. “What are you selling?” she asked, her tone sharp. He chuckled, a sound that seemed to echo off the walls. “Information, for a price. But you look like you need more than that.” Before she could reply, a sudden commotion erupted near the centre of the market. A woman with a Saint Christopher medallion around her neck pressed a hand to a wounded arm, blood oozing from a fresh cut. Her eyes widened as she spotted Quinn. “Tommy!” she whispered, voice strained. “They’re after me.” Quinn’s attention snapped. The woman’s medallion glinted, a tiny silver shield catching the lantern light. The suspect in the shadows was now moving, a hand reaching for a concealed weapon. “Back!” Tomás hissed, pulling a small vial from his pocket and smashing it on the ground. A cloud of bitter smoke rose, choking the air. “That’ll buy us a second.” Quinn seized the moment, lunging toward the suspect. Her hand closed around his wrist, the leather watch’s tick matching the beat of her heart. “You’re not getting away,” she snarled, tightening her grip. The suspect twisted, a sudden flash of movement as he pulled a hidden blade. The metal sang, the cut slicing through Quinn’s coat, a narrow line of red appearing on her forearm. She winced, but the pain sharpened her focus. “Enough,” Tomás shouted, his voice cutting through the smoky haze. He brandished a small silver dagger, the blade catching the lantern light. “You want the truth, you’ll have to earn it.” Quinn stared at the dagger, the weight of the bone token in her palm. The market’s murmurs rose, a low hum of anticipation. A stall keeper whispered to a shadowed figure, “The Council will not tolerate betrayal.” The suspect’s eyes darted to the edge of the market, where a narrow stairwell led deeper into darkness. “You can’t follow,” he hissed, “the Veil is not for your kind.” Quinn’s jaw set, the scar on her cheek—though hidden—seemed to pulse. “I didn’t come this far to turn back,” she said, voice low, each word a blade. “If I’m to lose a partner again, I’ll lose them on my own terms.” The suspect hesitated, then slipped away, his coat trailing a whisper of darkness. Quinn turned to Tomás, her gaze fierce. “We need to get out of here before the Council notices.” Tomás nodded, his scarred forearm flexing as he tightened his grip on his medallion. “Follow me.” He slipped through a side door marked with a faded rune, the entrance disappearing behind a curtain of shadows. Quinn followed, the bone token clutched tightly. The passage narrowed, the walls narrowing to a tunnel of stone. The air grew colder, the faint scent of copper intensifying. She could hear the distant echo of footsteps, the market’s patrons moving like ghosts. The tunnel opened into a vaulted chamber, an ancient chamber lit by a single flickering torch. In the centre, a stone altar stood, its surface etched with sigils that pulsed with a faint, eerie glow. Around it, a circle of cloaked figures murmured, their voices a low chant that reverberated through the stone. Quinn’s eyes narrowed. “What is this?” she whispered, the words barely audible over the chant. One of the cloaked figures turned, his face obscured by a hood. “You have crossed a line,” he intoned, his voice echoing. “The Veil Market does not forgive trespassers.” Tomás stepped forward, his medallion glinting. “We’re not here to bargain,” he said, his tone calm but firm. “We need answers about the disappearances—about the missing officers.” The cloaked figure lifted a hand, the chant rising to a crescendo. The stone altar trembled, a dark vapour rising, coiling like a serpent. Quinn felt a cold hand grip her wrist—an unseen force pulling at her, trying to drag her into the vapour. She fought back, her grip tightening, the bone token trembling in her palm. “I will not be swallowed,” she growled, her voice cutting through the chant. The vapour swirled, forming a shape that resembled a face, eyes burning with an uncanny light. The figure on the altar spoke, a voice that seemed to come from the stone itself. “You seek truth, but truth comes at a price.” Quinn’s breath hitched. The scene blurred, the market’s din fading into a distant hum. She felt the weight of her decision, the pull of the unseen forces, the risk of stepping further into a world she barely understood. A sudden crash echoed from the entrance. The cloaked figures turned, eyes wide as the doorway burst open. A silhouette stood in the doorway—a tall woman in a trench coat, her eyes cold, a silver badge glinting on her chest. “Detective Quinn,” the woman said, voice crisp, “you’ve been warned.” The chanting halted, the vapour evaporating like mist under the morning sun. The cloaked figure lowered his hand, the darkness receding. Quinn stared at the newcomer, the bone token still clenched, the steel of Tomás’s dagger humming faintly at his side. The market’s patrons backed away, their faces a mixture of fear and curiosity. The trench‑coated woman stepped forward, her badge catching the torchlight. “The city’s underbelly is a maze,” she said, “and you’re standing at its centre.” Quinn’s eyes narrowed, the leather watch’s tick echoing in her ears. “What do you want?” she asked, voice low, each syllable a promise. The woman smiled, a thin, knowing curve. “To see whether you’ll walk into the darkness or pull the light out of it.” A sudden rumble shook the chamber, the stone walls trembling. The altar cracked, a fissure spreading across its surface, releasing a low, guttural growl. Quinn felt the ground shift beneath her feet, the darkness pressing close. She glanced at Tomás, his scarred forearm still gripping his medallion, his eyes fixed on the fissure. “Choose,” the trench‑coated woman whispered, “and the Veil will either swallow you or grant you passage.” The fissure widened, a black maw opening, the sound of distant, unearthly whispers seeping through. Quinn’s breath caught, the bone token slipping slightly, its edge brushing her palm. She stared into the abyss, the market’s shadows dancing on the walls, the cloaked figures’ eyes following her every move. The trench‑coated woman’s hand hovered near her holster, a glint of steel catching the torchlight. The market’s chant rose again, a low hum that seemed to vibrate the very stone. The glow from the altar faded, the fissure’s darkness expanding, a cold wind curling around Quinn’s boots. She tightened her grip on the bone token, feeling its ancient power pulsing. The decision hung in the air like a blade, sharp, unforgiving. A sudden crash echoed from the entrance. The cloaked figures turned, eyes wide as the doorway burst open. A silhouette stood in the doorway—a tall woman in a trench coat, her eyes cold, a silver badge glinting on her chest. “Detective Quinn,” the woman said, voice crisp, “you’ve been warned.” The chanting halted, the vapour evaporating like mist under the morning sun. The cloaked figure lowered his hand, the darkness receding. Quinn stared at the newcomer, the bone token still clenched, the steel of Tomás’s dagger humming faintly at his side. The market’s patrons backed away, their faces a mixture of fear and curiosity. The trench‑coated woman stepped forward, her badge catching the torchlight. “The city’s underbelly is a maze,” she said, “and you’re standing at its centre.” Quinn’s eyes narrowed, the leather watch’s tick echoing in her ears. “What do you want?” she asked, voice low, each syllable a promise. The woman smiled, a thin, knowing curve. “To see whether you’ll walk into the darkness or pull the light out of it.” A sudden rumble shook the chamber, the stone walls trembling. The altar cracked, a fissure spreading across its surface, releasing a low, guttural growl. Quinn felt the ground shift beneath her feet, the darkness pressing close. She glanced at Tomás, his scarred forearm still gripping his medallion, his eyes fixed on the fissure. “Choose,” the trench‑coated woman whispered, “and the Veil will either swallow you or grant you passage.” The fissure widened, a black maw opening, the sound of distant, unearthly whispers seeping through. Quinn’s breath caught, the bone token slipping slightly, its edge brushing her palm. She stared into the abyss, the market’s shadows dancing on the walls, the cloaked figures’ eyes following her every move. The trench‑coated woman’s hand hovered near her holster, a glint of steel catching the torchlight. The market’s chant rose again, a low hum that seemed to vibrate the very stone. The glow from the altar faded, the fissure’s darkness expanding, a cold wind curling around Quinn’s boots. She tightened her grip on the bone token, feeling its ancient power pulsing. The decision hung in the air like a blade, sharp, unforgiving. The darkness surged, a wave of cold that threatened to swallow her whole. Tomás stepped forward, his medallion catching the light, his voice low. “Don’t let them win.” Quinn’s jaw tightened, the leather watch’s tick a metronome. She lifted the bone token, its sigil glowing faintly, and thrust it toward the fissure. The darkness recoiled, a hiss like a wounded animal. The fissure shuddered, the walls trembling, the cloaked figures retreating. A sudden burst of light erupted from the altar, the stone cracking apart, revealing a hidden staircase that spiraled down into deeper darkness. The trench‑coated woman’s eyes widened, her badge flashing. “You’ve opened the path,” she murmured. Quinn glanced at Tomás, his scarred forearm steady, his medallion pulsing. “Let’s see where this leads.” The stairwell beckoned, the air thick with the scent of copper and old stone. The market’s patrons watched, hushed, as Quinn and Tomás descended, the bone token clutched in her fist, the darkness pressing close behind them. The stairwell’s stone walls narrowed, the torchlight flickering, casting elongated shadows that seemed to move of their own accord. A distant echo of a drumbeat resonated, low and rhythmic, as if the very heart of the Veil were beating beneath them. Quinn’s boots struck the stone, the sound echoing in the hollow. She felt the weight of the decision settle on her shoulders—each step a gamble, each breath a risk. The trench‑coated woman’s voice drifted down from above, a warning that lingered in the air. “Remember, detective, the Veil does not forgive those who trespass uninvited.” Quinn’s eyes narrowed, the bone token’s sigil pulsating in rhythm with her heartbeat. She pressed forward, the darkness receding with each step, the underground market’s secrets unfolding before her like a dark tapestry. The stairwell opened into a cavernous chamber, far larger than any tunnel she had imagined. In its centre stood a massive iron gate, ornate and foreboding, its surface covered in runes that glowed faintly. A figure emerged from behind the gate, cloaked in shadows, eyes like twin coals. “You have come far,” the figure said, voice resonant, “but the true test lies beyond.” Quinn tightened her grip on the bone token, the leather watch’s tick now a drumbeat in her ears. “What do you want from me?” she asked, voice steady, each word a blade. The figure raised a hand, the runes on the gate flaring brighter. “Your choice will decide whether the city’s darkness is sealed or set free.” A sudden crackle of energy surged through the chamber, the iron gate trembling as if alive. Quinn stared at the open doorway, the darkness beyond beckoning, the promise of answers—and danger—waiting on the other side. A hand brushed her shoulder, Tomás’s voice low. “We go together.” The iron gate groaned, the runes flashing, and the darkness beyond surged forward, swallowing the light. Quinn stepped forward, the bone token clenched, the scent of copper and stone filling her lungs, the echo of the trench‑coated woman’s warning lingering. The gate swung open, revealing a stairwell that descended into an abyss of shadows, the sound of distant whispers growing louder, the world narrowing to the point where one misstep could mean death. She hesitated for a breath, the weight of her decision pressing like a blade. Then she moved, the darkness swallowing her as she vanished into the depths of the Veil Market’s hidden underworld.
created_at"2026-02-19T12:16:30.208Z" 2/19/2026, 12:16:30 PM
model"openrouter/aurora-alpha"
app_id182717
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provider_responses(null)
api_type"completions"
id"gen-1771503390-rXvieaxgGjkssRyZVkEV"
upstream_id"gen-1771503390-rXvieaxgGjkssRyZVkEV"
total_cost0
cache_discount(null)
upstream_inference_cost0
provider_name"Stealth"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags34
adverbTagCount0
adverbTags(empty)
dialogueSentences50
tagDensity0.68
leniency1
rawRatio0
effectiveRatio0
86.95% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2682
totalAiIsmAdverbs7
found
0
adverb"slightly"
count3
1
adverb"tightly"
count1
2
adverb"very"
count3
highlights
0"slightly"
1"tightly"
2"very"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2682
totalAiIsms54
found
0
word"shattered"
count1
1
word"pulse"
count2
2
word"scanning"
count2
3
word"jaw clenched"
count1
4
word"echoed"
count3
5
word"pounding"
count1
6
word"echo"
count5
7
word"loomed"
count1
8
word"calculated"
count1
9
word"measured"
count1
10
word"glinting"
count4
11
word"etched"
count2
12
word"pulsed"
count2
13
word"silence"
count1
14
word"velvet"
count1
15
word"flicked"
count1
16
word"weight"
count4
17
word"anticipation"
count1
18
word"whisper"
count1
19
word"footsteps"
count1
20
word"reverberated"
count1
21
word"echoing"
count4
22
word"trembled"
count1
23
word"uncanny"
count1
24
word"maw"
count2
25
word"dancing"
count2
26
word"glint"
count2
27
word"resonated"
count1
28
word"rhythmic"
count1
29
word"tapestry"
count1
30
word"foreboding"
count1
31
word"depths"
count1
highlights
0"shattered"
1"pulse"
2"scanning"
3"jaw clenched"
4"echoed"
5"pounding"
6"echo"
7"loomed"
8"calculated"
9"measured"
10"glinting"
11"etched"
12"pulsed"
13"silence"
14"velvet"
15"flicked"
16"weight"
17"anticipation"
18"whisper"
19"footsteps"
20"reverberated"
21"echoing"
22"trembled"
23"uncanny"
24"maw"
25"dancing"
26"glint"
27"resonated"
28"rhythmic"
29"tapestry"
30"foreboding"
31"depths"
0.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches9
maxInWindow5
found
0
label"eyes widened/narrowed"
count6
1
label"jaw/fists clenched"
count1
2
label"hung in the air"
count2
highlights
0"eyes widened"
1"eyes narrowed"
2"jaw clenched"
3"hung in the air"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences179
matches(empty)
31.13% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount7
hedgeCount7
narrationSentences179
filterMatches
0"watch"
1"watch’s"
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences197
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen35
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords2668
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions35
unquotedAttributions0
matches(empty)
72.28% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions64
wordCount2316
uniqueNames12
maxNameDensity1.55
worstName"Quinn"
maxWindowNameDensity2.5
worstWindowName"Quinn"
discoveredNames
Raven1
Nest1
Morris1
Tube1
Veil4
Market3
Quinn36
London1
Saint1
Christopher1
Tomás13
One1
persons
0"Raven"
1"Morris"
2"Market"
3"Quinn"
4"Saint"
5"Christopher"
6"Tomás"
places
0"Veil"
1"London"
globalScore0.723
windowScore0.833
56.83% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences161
glossingSentenceCount6
matches
0"clang that seemed to dissolve into the night"
1"sound that seemed to echo off the walls"
2"voice that seemed to come from the stone itself"
3"hum that seemed to vibrate the very stone"
4"hum that seemed to vibrate the very stone"
5"shadows that seemed to move of their own accord"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches1
per1kWords0.375
wordCount2668
matches
0"not here to bargain,” he said, his tone calm but firm"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences197
matches(empty)
77.36% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs91
mean29.32
std12.34
cv0.421
sampleLengths
09
154
213
350
424
548
663
733
865
929
1031
1137
1249
1321
1463
1542
1624
1724
1844
198
2030
2130
2233
2340
2431
2537
2630
2741
2831
2935
3042
3153
3215
3329
3427
3544
3626
3741
3838
3940
4010
4121
4233
4324
4423
4522
4624
4729
4816
4928
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences179
matches
0"were plastered"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs414
matches
0"were beating"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount13
semicolonCount1
flaggedSentences11
totalSentences197
ratio0.056
matches
0"The suspect—an lanky man with a scar across his cheek—pivoted toward the alley, his coat flapping like a dark flag."
1"Quinn hesitated a heartbeat, mind flashing to the night she lost DS Morris, the case that had left her with a scar of its own—one she could not see but felt in every nerve."
2"The man gestured toward a narrow corridor lined with shelves of oddities—glinting vials, ancient tomes, a brass compass that spun without direction."
3"The world tilted; she entered a cavern lit by lanterns that threw amber light over rows of stalls."
4"The air smelled of incense, copper, and something faintly metallic—blood, perhaps."
5"Quinn’s jaw set, the scar on her cheek—though hidden—seemed to pulse."
6"Quinn felt a cold hand grip her wrist—an unseen force pulling at her, trying to drag her into the vapour."
7"A silhouette stood in the doorway—a tall woman in a trench coat, her eyes cold, a silver badge glinting on her chest."
8"A silhouette stood in the doorway—a tall woman in a trench coat, her eyes cold, a silver badge glinting on her chest."
9"She felt the weight of the decision settle on her shoulders—each step a gamble, each breath a risk."
10"Quinn stared at the open doorway, the darkness beyond beckoning, the promise of answers—and danger—waiting on the other side."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1512
adjectiveStacks0
stackExamples(empty)
adverbCount25
adverbRatio0.016534391534391533
lyAdverbCount11
lyAdverbRatio0.007275132275132275
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences197
echoCount0
echoWords(empty)
97.09% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences197
mean13.54
std5.32
cv0.393
sampleLengths
09
119
235
38
45
520
66
724
811
913
1012
119
1210
1317
1420
159
1634
1713
1820
1914
2017
2117
2217
2316
244
259
2616
2715
2822
2915
3015
3116
3218
3310
3411
3516
3618
3718
3811
3918
4024
4115
429
4311
4413
4514
4623
477
485
493
36.80% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats26
diversityRatio0.17766497461928935
totalSentences197
uniqueOpeners35
19.05% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount1
totalSentences175
matches
0"Then she moved, the darkness"
ratio0.006
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount45
totalSentences175
matches
0"She slammed a fist into"
1"She lunged, grabbing the hem"
2"she shouted, the words catching"
3"She followed, pounding broken pavement,"
4"she muttered, more to herself"
5"She pushed the door, the"
6"She heard a low murmur,"
7"He turned, eyes narrowing."
8"he warned, voice low, resonant"
9"she replied, her tone clipped,"
10"She snatched it, the bone"
11"she said, her voice steady,"
12"he said, the words sliding"
13"She passed through the latch,"
14"he said, his voice a"
15"she asked, her tone sharp"
16"He chuckled, a sound that"
17"Her eyes widened as she"
18"she whispered, voice strained"
19"Her hand closed around his"
ratio0.257
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount168
totalSentences175
matches
0"A glass shattered, sending shards"
1"Quinn’s boots thudded against the"
2"She slammed a fist into"
3"a voice hissed from the"
4"The suspect—an lanky man with"
5"Quinn’s jaw clenched, her breath"
6"She lunged, grabbing the hem"
7"she shouted, the words catching"
8"The sound echoed, a hollow"
9"She followed, pounding broken pavement,"
10"The alley narrowed, a rusted"
11"The man scrambled up, his"
12"Quinn followed, her own boots"
13"The suspect slipped through, his"
14"Quinn hesitated a heartbeat, mind"
15"she muttered, more to herself"
16"She pushed the door, the"
17"The bottom opened onto a"
18"The air hit thick with"
19"The walls were plastered with"
ratio0.96
28.57% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences175
matches
0"Before she could reply, a"
ratio0.006
40.82% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences119
technicalSentenceCount17
matches
0"She slammed a fist into the door of The Raven’s Nest, the green neon sign flickering behind her, and slipped inside, eyes scanning for the figure who had slippe…"
1"Quinn hesitated a heartbeat, mind flashing to the night she lost DS Morris, the case that had left her with a scar of its own—one she could not see but felt in …"
2"She pushed the door, the hinges squealing, and descended a spiralling stairwell that smelled of damp stone and old oil."
3"The man gestured toward a narrow corridor lined with shelves of oddities—glinting vials, ancient tomes, a brass compass that spun without direction."
4"Around it, a circle of cloaked figures murmured, their voices a low chant that reverberated through the stone."
5"She fought back, her grip tightening, the bone token trembling in her palm."
6"The vapour swirled, forming a shape that resembled a face, eyes burning with an uncanny light."
7"The altar cracked, a fissure spreading across its surface, releasing a low, guttural growl."
8"Quinn’s breath caught, the bone token slipping slightly, its edge brushing her palm."
9"The altar cracked, a fissure spreading across its surface, releasing a low, guttural growl."
10"Quinn’s breath caught, the bone token slipping slightly, its edge brushing her palm."
11"A sudden burst of light erupted from the altar, the stone cracking apart, revealing a hidden staircase that spiraled down into deeper darkness."
12"The stairwell’s stone walls narrowed, the torchlight flickering, casting elongated shadows that seemed to move of their own accord."
13"A distant echo of a drumbeat resonated, low and rhythmic, as if the very heart of the Veil were beating beneath them."
14"She pressed forward, the darkness receding with each step, the underground market’s secrets unfolding before her like a dark tapestry."
15"A sudden crackle of energy surged through the chamber, the iron gate trembling as if alive."
16"The gate swung open, revealing a stairwell that descended into an abyss of shadows, the sound of distant whispers growing louder, the world narrowing to the poi…"
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags34
uselessAdditionCount19
matches
0"she shouted, the words catching on the damp air"
1"she muttered, more to herself than to anyone else"
2"he warned, voice low, resonant"
3"he said, the words sliding like a knife"
4"she asked, her tone sharp"
5"she whispered, voice strained"
6"Tomás shouted, his voice cutting through the smoky haze"
7"she said, voice low, each word a blade"
8"He slipped, the entrance disappearing behind a curtain of shadows"
9"she whispered, the words barely audible over the chant"
10"he intoned, his voice echoing"
11"he said, his tone calm but firm"
12"she growled, her voice cutting through the chant"
13"the woman said, voice crisp,"
14"she asked, voice low, each syllable a promise"
15"the woman said, voice crisp,"
16"she asked, voice low, each syllable a promise"
17"the figure said, voice resonant,"
18"she asked, voice steady, each word a blade"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags30
fancyCount15
fancyTags
0"a voice hissed (hiss)"
1"she shouted (shout)"
2"she muttered (mutter)"
3"he warned (warn)"
4"she whispered (whisper)"
5"Tomás hissed (hiss)"
6"she snarled (snarl)"
7"Tomás shouted (shout)"
8"A stall keeper whispered (whisper)"
9"he hissed (hiss)"
10"she whispered (whisper)"
11"she growled (growl)"
12"woman whispered (whisper)"
13"woman whispered (whisper)"
14"she murmured (murmur)"
dialogueSentences50
tagDensity0.6
leniency1
rawRatio0.5
effectiveRatio0.5
64.8957%