Run: 2026-02-20-01KHY7QVYMG078WW3ZKCJVRB64

Run Details

Model:
Grok 4
Duration:
1m 21s
Cost:
$0.042490
Provider:
xAI

Model input

System
You are an expert and award-winning novel writer in the dark Thriller genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4417" name="Tomás Herrera" aliases="Tommy, Tomás, Herrera" pronouns="he/him" species="Human" storyRole="Support"> <eyeColor>warm brown</eyeColor> <hair>short curly dark brown</hair> <height>5'10"</height> <age>29</age> <skinTone>olive skin</skinTone> <scar>scar running along his left forearm from a knife attack</scar> <medallion>Saint Christopher medallion around his neck</medallion> <birthplace>Seville, Spain</birthplace> <description>A former paramedic who provides off-the-books medical care for the clique.</description> <backstory>Born in Seville, Spain. He moved to London to work for the NHS but lost his license after administering unauthorized treatments to supernatural patients.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the thriller genre. A detective is pursuing a suspect through rain-soaked city streets at night. The chase takes them from the street level down into an underground market. The detective must decide whether to follow the suspect into unfamiliar and potentially dangerous territory. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Quinn's boots slapped against the slick pavement as she vaulted over a low barrier, her quarry just a shadow darting through the alley ahead. The suspect—Tomás Herrera, if her intel held—cut left, his silhouette briefly haloed by a stuttering streetlamp before he vanished into the gloom. She pressed on, lungs burning from the sprint that had started three blocks back outside that dingy Soho bar. Herrera had bolted the moment her badge flashed, confirming every suspicion she'd nursed these past weeks. The clique he patched up, those whispers of underground dealings—they tied back to her old case, to Morris's death. She wouldn't let this lead slip. Herrera glanced over his shoulder, his warm brown eyes wide in the fleeting light, and picked up speed. He wove through a cluster of overflowing bins, knocking one over with a metallic crash that echoed off the brick walls. Rubbish spilled out, slick with the downpour that had turned the streets into mirrors of reflected neon. Quinn leaped the mess, her sharp jaw set, military precision in every stride. Her worn leather watch ticked against her wrist, a reminder of rhythms unbroken, cases unsolved. "Stop! Police!" she shouted, voice cutting through the rain's relentless drum. No response, just the splash of his footsteps accelerating. He hooked right onto a busier thoroughfare, Camden's night crowd parting like startled pigeons. Tourists clutched umbrellas, vendors hawked glowing trinkets from stalls, but Herrera melted through them, his short curly hair plastered dark against his olive skin. Quinn shoved past a knot of revellers, her salt-and-pepper crop dripping into her brown eyes. She blinked it away, focusing on the scar she'd memorised from his file—the one slashing his left forearm, visible now as his sleeve rode up in the run. Knife attack, the records said. Unofficial medical aid for types who avoided hospitals. Types like the ones who'd left Morris gutted in that warehouse, with wounds that defied autopsy. He darted across the road, tyres screeching as a black cab swerved to avoid him. Horns blared. Quinn followed, ignoring the driver's curses, her height giving her leverage to scan the throng. There—Herrera bolted towards an arched entrance, what looked like a disused service door half-hidden by scaffolding. Camden's underbelly, full of forgotten nooks. She quickened her pace, hand brushing the holster at her hip. No gun drawn yet; this was pursuit, not confrontation. But the weight reassured her. Herrera slammed into the door, fumbling something from his pocket—a small, pale object that glinted like bone. He pressed it to a seam in the metal, and with a groan, the door swung inward. He slipped through, the gap swallowing him whole. Quinn reached it seconds later, skidding to a halt on the wet flagstones. The door hung ajar, revealing a steep staircase descending into dimness. No markings, no signs, just the faint hum of voices drifting up from below. Her instincts screamed trap. Eighteen years on the force, and she'd learned to trust that gut punch. Morris hadn't, and now he haunted her files, unexplained. She touched her watch again, thumb tracing the leather band. Time. Always running out. Herrera knew something—about the clique, about the shadows that had claimed her partner. But this? Descending into who-knew-what, alone, no backup? The rain pelted her shoulders, cold fingers seeping through her coat. A shout echoed from below, muffled but urgent. Then silence, broken only by the drip of water from overhead pipes. She drew her weapon, the grip steady in her hand. Decision made. She stepped through. The stairs spiralled down, narrow and uneven, the air thickening with each step. Moisture clung to the walls, moss slick underfoot. Faint lights flickered ahead—torches? Lanterns? Not the harsh fluorescents of a standard basement. The scent hit her next: incense, herbs, something metallic and sharp, like overheated copper. Her boots echoed softly, and she forced her breathing even, military bearing keeping her steps precise. At the bottom, the passage widened into a cavernous space, an abandoned Tube station by the look of it—vaulted ceilings arched high, old tracks visible through rusted grates. But this was no relic. Stalls lined the platforms, draped in heavy fabrics that muffled sound. Figures moved between them, hooded and cloaked, bartering goods that gleamed unnaturally in the low light. Crystals pulsing with inner fire. Vials of liquid that swirled without agitation. Books bound in hides that seemed to shift patterns. The Veil Market. Whispers from informants had mentioned it—a black market for the occult, shifting locations like a ghost. Entry by bone token, they'd said. Herrera had one. She didn't. Yet here she stood, unchallenged so far. She holstered her weapon but kept her hand near it, scanning for her suspect. The crowd parted around her, eyes flickering with curiosity or wariness. A vendor with tattooed hands offered her a tray of amulets, murmuring in a language she didn't recognise. She waved him off, pressing forward. There—Herrera's back, slipping between two stalls. He clutched his side, perhaps winded from the chase, his Saint Christopher medallion swinging free from his neck. Protection for travellers, she recalled from his file. Born in Seville, moved to London, lost his paramedic licence for "unauthorised treatments." Supernatural patients, the rumours went. Like the ones in her cold case. Quinn wove after him, her presence drawing stares. A woman with eyes like polished obsidian tracked her movement, lips curling in a knowing smile. The air buzzed with energy, as if the market itself pulsed with hidden currents. She caught snippets of conversation—trades for "essence of shadow," bargains sealed with drops of blood. Herrera ducked into a narrower aisle, lined with cages of fluttering creatures that weren't quite birds. Their eyes glowed, following her. She quickened her step, closing the gap. Twenty metres. Fifteen. He spun suddenly, spotting her. Panic flashed across his face, warm brown eyes narrowing. "You shouldn't be here," he said, his voice carrying a lilting Spanish edge, sentences clipped but fluid, like a man used to giving orders in emergencies. Quinn halted, hand on her hip. "Tomás Herrera. You're under arrest for suspicion of aiding criminal activity. Hands where I can see them." He backed up a step, olive skin paling under the eerie lights. His scar gleamed white against his forearm as he raised his hands halfway. "Detective Quinn, right? I've heard about you. Chasing ghosts." "Ghosts that leave bodies. Like my partner." A flicker crossed his face—regret? Recognition? "Morris. Tragic. But you don't understand this place. Or what's in it." "Enlighten me." She advanced, voice steady, bearing unyielding. The market's hum grew louder, vendors pausing their trades to watch. Herrera glanced around, his short curly hair dishevelled from the rain. "This market... it's not for people like you. No token, no entry. How'd you even—" "The door was open. Convenience." He shook his head, a verbal tic slipping in—his words tumbling faster, Seville roots colouring his urgency. "Mierda. They let you in. That's worse." "Who's 'they'?" She closed to ten metres, the stalls pressing in like conspirators. "The ones who run this. Veil Market moves on the full moon. Tonight's the shift. You picked a bad time to play hero." A low rumble echoed through the station, the ground vibrating faintly. Dust sifted from the ceiling. The crowd stirred, murmurs rising. Herrera's eyes darted to a far archway, where shadows thickened unnaturally. Quinn's watch seemed to tick louder, a countdown. "You're coming with me. Now." He lowered his hands slightly, medallion catching the light. "Can't. Patients need me. And you... you need to leave before—" The rumble intensified, the air charging like before a storm. Stalls began to pack up in haste, goods vanishing into hidden compartments. A vendor nearby slammed a crate shut, hissing, "Shift's coming. Outsiders out." Herrera bolted again, dashing towards the archway. Quinn lunged after him, shoving past a cluster of cloaked figures. One grabbed her arm—cold fingers, unnaturally strong. She twisted free, sharp jaw clenching, and kept moving. The market warped around her, stalls folding into themselves like origami. Lights dimmed, replaced by glowing runes on the walls. Herrera reached the archway, pausing to look back. "Last chance, Detective. This isn't your world." She didn't stop. Morris's face flashed in her mind—pale, eyes vacant, wounds that had healed wrong, like something had clawed from inside. Supernatural origins. She understood nothing yet, but Herrera did. The ground bucked, a seismic groan filling the air. Cracks spidered across the platform. Herrera vanished into the shadows beyond the arch. Quinn reached the threshold, heart pounding. Unfamiliar territory stretched ahead—twisting tunnels, flickering with unnatural fire. Dangerous, her instincts screamed. But the lead was there, slipping away. She stepped through, just as the market behind her began to dissolve in a whirl of mist and shadow. The archway sealed with a resonant thud, trapping her in the unknown. Ahead, Herrera's footsteps echoed, leading deeper. And something else stirred in the darkness—a presence, watchful, hungry.
created_at"2026-02-20T19:17:03.088Z" 2/20/2026, 7:17:03 PM
model"x-ai/grok-4-07-09" 4/7/2009, 12:00:00 AM
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency16582
moderation_latency(null)
generation_time81328
tokens_prompt4663
tokens_completion2424
native_tokens_prompt4730
native_tokens_completion2596
native_tokens_completion_images0
native_tokens_reasoning608
native_tokens_cached4729
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
usage0.04248975
router(null)
provider_responses
0
endpoint_id"d40bef9d-6936-4c57-9749-bf7399de4a77"
id"c708f447-c91d-2d6e-bd39-a9c0779ffd51"
is_byokfalse
latency85
model_permaslug"x-ai/grok-4-07-09" 4/7/2009, 12:00:00 AM
provider_name"xAI"
status200
api_type"completions"
id"gen-1771615023-2VKuFHDnAmOkFCJEEgbr"
upstream_id"c708f447-c91d-2d6e-bd39-a9c0779ffd51"
total_cost0.04248975
cache_discount0.01064025
upstream_inference_cost0
provider_name"xAI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags7
adverbTagCount0
adverbTags(empty)
dialogueSentences18
tagDensity0.389
leniency0.778
rawRatio0
effectiveRatio0
90.05% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1507
totalAiIsmAdverbs3
found
0
adverb"softly"
count1
1
adverb"suddenly"
count1
2
adverb"slightly"
count1
highlights
0"softly"
1"suddenly"
2"slightly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
27.01% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1507
totalAiIsms22
found
0
word"gloom"
count1
1
word"fleeting"
count1
2
word"echoed"
count5
3
word"reminder"
count1
4
word"footsteps"
count2
5
word"quickened"
count2
6
word"weight"
count1
7
word"tracing"
count1
8
word"silence"
count1
9
word"flickered"
count1
10
word"standard"
count1
11
word"scanning"
count1
12
word"pulsed"
count1
13
word"flicker"
count1
14
word"clenching"
count1
15
word"pounding"
count1
highlights
0"gloom"
1"fleeting"
2"echoed"
3"reminder"
4"footsteps"
5"quickened"
6"weight"
7"tracing"
8"silence"
9"flickered"
10"standard"
11"scanning"
12"pulsed"
13"flicker"
14"clenching"
15"pounding"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences131
matches(empty)
66.52% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount3
hedgeCount4
narrationSentences131
filterMatches
0"watch"
hedgeMatches
0"seemed to"
1"began to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences142
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen29
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1484
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions7
unquotedAttributions0
matches(empty)
83.33% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions46
wordCount1347
uniqueNames15
maxNameDensity1.26
worstName"Herrera"
maxWindowNameDensity2.5
worstWindowName"Herrera"
discoveredNames
Tomás1
Herrera17
Soho1
Morris4
Camden2
Tube1
Veil1
Market1
Saint1
Christopher1
Seville2
London1
Supernatural2
Spanish1
Quinn10
persons
0"Tomás"
1"Herrera"
2"Morris"
3"Camden"
4"Market"
5"Saint"
6"Christopher"
7"Quinn"
places
0"Soho"
1"Seville"
2"London"
globalScore0.869
windowScore0.833
77.18% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences103
glossingSentenceCount3
matches
0"looked like a disused service door half-h"
1"hides that seemed to shift patterns"
2"quite birds"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1484
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences142
matches
0"trust that gut"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs38
mean39.05
std20.33
cv0.521
sampleLengths
046
160
284
358
472
579
642
764
846
935
1064
1181
1237
1349
1457
1553
1631
1740
1823
1934
207
2118
2219
2326
245
2524
2613
2723
2832
2913
3020
3134
3234
3335
3431
3522
3626
3747
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences131
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs268
matches(empty)
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount18
semicolonCount1
flaggedSentences18
totalSentences142
ratio0.127
matches
0"The suspect—Tomás Herrera, if her intel held—cut left, his silhouette briefly haloed by a stuttering streetlamp before he vanished into the gloom."
1"The clique he patched up, those whispers of underground dealings—they tied back to her old case, to Morris's death."
2"She blinked it away, focusing on the scar she'd memorised from his file—the one slashing his left forearm, visible now as his sleeve rode up in the run."
3"There—Herrera bolted towards an arched entrance, what looked like a disused service door half-hidden by scaffolding."
4"No gun drawn yet; this was pursuit, not confrontation."
5"Herrera slammed into the door, fumbling something from his pocket—a small, pale object that glinted like bone."
6"Herrera knew something—about the clique, about the shadows that had claimed her partner."
7"Faint lights flickered ahead—torches?"
8"At the bottom, the passage widened into a cavernous space, an abandoned Tube station by the look of it—vaulted ceilings arched high, old tracks visible through rusted grates."
9"Whispers from informants had mentioned it—a black market for the occult, shifting locations like a ghost."
10"There—Herrera's back, slipping between two stalls."
11"She caught snippets of conversation—trades for \"essence of shadow,\" bargains sealed with drops of blood."
12"A flicker crossed his face—regret?"
13"He shook his head, a verbal tic slipping in—his words tumbling faster, Seville roots colouring his urgency."
14"One grabbed her arm—cold fingers, unnaturally strong."
15"Morris's face flashed in her mind—pale, eyes vacant, wounds that had healed wrong, like something had clawed from inside."
16"Unfamiliar territory stretched ahead—twisting tunnels, flickering with unnatural fire."
17"And something else stirred in the darkness—a presence, watchful, hungry."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1370
adjectiveStacks0
stackExamples(empty)
adverbCount33
adverbRatio0.02408759124087591
lyAdverbCount12
lyAdverbRatio0.008759124087591242
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences142
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences142
mean10.45
std5.82
cv0.557
sampleLengths
024
122
219
316
419
56
618
721
817
913
1015
1111
129
1314
1424
1515
1628
175
188
1916
2015
212
2215
2316
246
2511
269
275
2817
2917
308
3113
3211
3314
344
3513
369
3710
381
393
4013
412
426
4311
448
4512
4610
472
483
4913
76.76% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats1
diversityRatio0.4647887323943662
totalSentences142
uniqueOpeners66
55.10% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences121
matches
0"Always running out."
1"Then silence, broken only by"
ratio0.017
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount34
totalSentences121
matches
0"She pressed on, lungs burning"
1"She wouldn't let this lead"
2"He wove through a cluster"
3"Her worn leather watch ticked"
4"she shouted, voice cutting through"
5"He hooked right onto a"
6"She blinked it away, focusing"
7"He darted across the road,"
8"She quickened her pace, hand"
9"He pressed it to a"
10"He slipped through, the gap"
11"Her instincts screamed trap."
12"She touched her watch again,"
13"She drew her weapon, the"
14"She stepped through."
15"Her boots echoed softly, and"
16"She holstered her weapon but"
17"She waved him off, pressing"
18"He clutched his side, perhaps"
19"She caught snippets of conversation—trades"
ratio0.281
55.04% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount98
totalSentences121
matches
0"Quinn's boots slapped against the"
1"The suspect—Tomás Herrera, if her"
2"She pressed on, lungs burning"
3"Herrera had bolted the moment"
4"The clique he patched up,"
5"She wouldn't let this lead"
6"Herrera glanced over his shoulder,"
7"He wove through a cluster"
8"Rubbish spilled out, slick with"
9"Quinn leaped the mess, her"
10"Her worn leather watch ticked"
11"she shouted, voice cutting through"
12"He hooked right onto a"
13"Tourists clutched umbrellas, vendors hawked"
14"Quinn shoved past a knot"
15"She blinked it away, focusing"
16"Knife attack, the records said."
17"Types like the ones who'd"
18"He darted across the road,"
19"Quinn followed, ignoring the driver's"
ratio0.81
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences121
matches(empty)
ratio0
49.18% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences61
technicalSentenceCount8
matches
0"He wove through a cluster of overflowing bins, knocking one over with a metallic crash that echoed off the brick walls."
1"Quinn followed, ignoring the driver's curses, her height giving her leverage to scan the throng."
2"Herrera slammed into the door, fumbling something from his pocket—a small, pale object that glinted like bone."
3"Herrera knew something—about the clique, about the shadows that had claimed her partner."
4"Figures moved between them, hooded and cloaked, bartering goods that gleamed unnaturally in the low light."
5"Herrera ducked into a narrower aisle, lined with cages of fluttering creatures that weren't quite birds."
6"He shook his head, a verbal tic slipping in—his words tumbling faster, Seville roots colouring his urgency."
7"Morris's face flashed in her mind—pale, eyes vacant, wounds that had healed wrong, like something had clawed from inside."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags7
uselessAdditionCount2
matches
0"She advanced, voice steady, bearing unyielding"
1"She closed, the stalls pressing in like conspirators"
94.44% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags2
fancyCount1
fancyTags
0"she shouted (shout)"
dialogueSentences18
tagDensity0.111
leniency0.222
rawRatio0.5
effectiveRatio0.111
79.1539%