Run: 2026-02-20-01KHY8EG5XK9RPHKXD4VVR5RHG

Run Details

Duration:
27.6s
Cost:
$0.002199
Provider:
xAI

Model input

System
You are an expert and award-winning novel writer in the dark Thriller genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4417" name="Tomás Herrera" aliases="Tommy, Tomás, Herrera" pronouns="he/him" species="Human" storyRole="Support"> <eyeColor>warm brown</eyeColor> <hair>short curly dark brown</hair> <height>5'10"</height> <age>29</age> <skinTone>olive skin</skinTone> <scar>scar running along his left forearm from a knife attack</scar> <medallion>Saint Christopher medallion around his neck</medallion> <birthplace>Seville, Spain</birthplace> <description>A former paramedic who provides off-the-books medical care for the clique.</description> <backstory>Born in Seville, Spain. He moved to London to work for the NHS but lost his license after administering unauthorized treatments to supernatural patients.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the thriller genre. A detective is pursuing a suspect through rain-soaked city streets at night. The chase takes them from the street level down into an underground market. The detective must decide whether to follow the suspect into unfamiliar and potentially dangerous territory. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Harlow Quinn's boots slapped against the slick pavement as she vaulted over a toppled crate, her breath ragged in the downpour. The suspect darted ahead, a blur of olive skin and dark curls vanishing around the corner into Camden's labyrinth of alleys. She cursed under her breath, fingers tightening around the radio clipped to her belt. No backup tonight. Not after the brass pulled strings on her last lead. She pushed harder, legs burning from the sprint that had started three blocks back outside that dingy Soho bar. The Raven's Nest, they called it. Maps on the walls, photographs of ghosts from another era. She'd tailed him there, Tomás Herrera, the ex-paramedic with a revoked licence and a knack for patching up the wrong sort. Whispers linked him to a clique peddling shadows in the city's underbelly. Tonight, he moved like a man with secrets too heavy to carry alone. Rain hammered her closely cropped hair, plastering it to her scalp. Salt-and-pepper strands clung like regrets. She rounded the bend, eyes locking on his silhouette slipping between two shuttered shops. His jacket flapped open, revealing the glint of a medallion at his neck. Saint Christopher, protector of travellers. Fitting for a runner. "Stop!" Her voice cut through the storm, sharp as her jawline. No response. He bolted left, towards the old railings bordering the canal. Harlow followed, coat whipping behind her like a flag in surrender. She glimpsed his left forearm as he shoved a bin aside—a jagged scar snaking from wrist to elbow. Knife work. Old, healed wrong. Stories like that didn't fade in the rain. The alley narrowed, graffiti-smeared walls closing in. Puddles exploded underfoot, soaking her trousers to the knees. She tasted the metallic tang of the downpour on her lips, mixed with the faint rot of stagnant water from the canal. Tomás vaulted a low fence, landing with a grunt on the other side. Harlow gripped the rusted bars, hauled herself over with military precision. Her worn leather watch snagged on a spike, but she yanked free, ignoring the sting. He was heading for the disused tracks now, the abandoned sprawl beneath Camden where the Tube's forgotten veins pulsed no more. Harlow's pulse thrummed in her ears. This wasn't random evasion. He knew these paths like veins on a patient's arm. She drew her baton from her belt, the weight familiar after eighteen years on the force. Three years since Morris vanished in a haze of the unexplained. No body. Just echoes of something unnatural clawing at the edges of her reports. Tomás glanced back once, warm brown eyes flashing defiance in the sodium glow of a distant streetlamp. He ducked under a chain-link barrier, boots crunching on gravel strewn with broken glass. Harlow smashed through the links with her baton, sparks flying as metal gave way. She landed hard, rolling to absorb the impact. Gravel bit into her palms. She rose, scanning the darkness. There. A flicker of movement towards the mouth of the old station. The air grew thicker here, laced with the sour bite of damp concrete and something sharper—ozone, like a storm about to break indoors. She advanced, baton raised, every step echoing off the tiled walls that emerged from the gloom. Faded signs peeled from the arches: "Mind the Gap." Irony at its finest. Tomás's footsteps faded into the tunnel ahead. Harlow hesitated at the threshold, rain dripping from her coat in steady plops. Her watch read half-past midnight, but time meant nothing down here. She clicked on her torch, the beam slicing through the murk. Dust motes danced in the light, settling on rusted tracks overgrown with weeds. The air hummed, not with wind, but something alive. Whispers? No. Imagination, honed by too many nights chasing phantoms. She plunged in, the transition swallowing her whole. The storm's roar dulled to a muffled patter overhead. Walls pressed close, tiles cracked and veined with moss. Her torch caught glimpses: discarded needles, faded posters advertising shows long cancelled. Then, a scuffle ahead—boots on stone. Tomás. He rounded a bend, and she pursued, the baton a cold extension of her arm. The tunnel widened into a platform, abandoned platforms where echoes should have died but didn't. She spotted him clambering over a barricade of crumbling crates, descending a rickety staircase into the bowels. Harlow vaulted after him, wood groaning under her weight. Her heart hammered. This wasn't just flight. It was descent. The stairs ended in a chamber vast and echoing, lit by sporadic bulbs strung like forgotten Christmas lights. The air shifted, heavy with incense and spice—cinnamon undercut by something feral, like wet fur and iron. Stalls emerged from the shadows: rickety tables laden with vials of glowing liquid, amulets pulsing faintly, tomes bound in leather that didn't look bovine. Voices murmured in the gloom, accents twisting from Cockney to something ancient, unplaceable. The Veil Market. She'd heard the rumours, dismissed them as bollocks peddled by junkies. But here it sprawled, an underground bazaar beneath the city, where the supernatural bartered in the dark. Figures in hoods bartered over jars of writhing smoke. A woman with eyes like polished obsidian hawked feathers that shimmered iridescent. No uniforms. No badges. Just the pulse of the forbidden. Tomás wove through the crowd, shoulders brushing cloaked forms. He flashed something small—a bone token, carved and pale— to a hulking guard at a low arch. The man nodded, stepping aside. Tomás vanished into the throng beyond. Harlow froze at the edge, torch beam wavering. The market's denizens turned, eyes glinting with curiosity and warning. A vendor with scales instead of skin hissed softly. Another, a child no taller than her knee, clutched a doll stitched from shadows. Danger crackled here, thicker than the rain above. Her partner's death replayed in fragments: the alley that night, the unnatural fog, the screams that bent wrong. Supernatural origins, the reports said. She'd buried that file. But now? She clipped the torch to her shoulder, baton firm in her grip. Backup? Miles away, oblivious. Radio signal dead in this pit. Follow him, and she stepped into the unknown, where rules dissolved like salt in water. Turn back, and he slips the net, the clique's secrets buried deeper. A low growl rippled from the depths. Tomás's medallion caught a stray light as he paused, looking back. Not fear in his eyes. Invitation? Challenge? Harlow's jaw set. She pocketed the baton, adjusted her coat. One foot forward. Then the other. The crowd parted, whispers trailing her like smoke. The arch loomed, bone token or no. She ducked through, the air turning colder, laced with the scent of secrets unearthed. Tomás waited on the far side, hands raised not in surrender, but as if greeting an old foe. "You shouldn't be here, Detective." His voice carried a lilting Spanish edge, words clipped short. Seville roots, she recalled from the file. He backed away, scar stark against his skin. Harlow advanced, hand hovering near her holster. "Nowhere else I'd rather be, Herrera. Enlighten me." He smirked, faint in the dim. "Some doors stay shut for a reason. Yours was supposed to." A figure emerged from the side—cloaked, hooded, holding a syringe glinting with unnatural blue. Tomás waved him off, eyes never leaving hers. "The clique?" She pressed closer, ignoring the prickle at her neck. "What do you patch up for them? Wounds from deals gone sour?" He circled left, towards a stall piled with jars of eyes—human, animal, other. "People like you poke shadows. They bite back." She lunged, fingers grazing his sleeve. He twisted free, knocking over a vial. It shattered, releasing a hiss of vapour that burned her eyes. Laughter bubbled from nearby stalls, mocking. Tomás bolted again, deeper into the market's heart. Harlow blinked tears away, vision clearing on a maze of tunnels branching like veins. She gave chase, weaving past a trader hawking enchanted blades that sang when drawn. Her boot caught a loose tile; she stumbled, righting herself against a wall slick with condensation. The path narrowed, lights flickering. Tomás's footsteps echoed ahead, joined by others now—pursuers or prey? She rounded a corner into a wider cavern, where alchemical fires burned blue in braziers. Figures huddled, trading information in hushed tones. One looked up, fangs bared in a grin. "Lost, love?" Harlow shoved past, baton out. "Out of my way." Tomás glanced back, medallion swinging. "Last chance, Quinn. Surface world's kinder." She ignored him, adrenaline surging. The air thickened, pressure building like a storm front. A low rumble shook the ground—trains above, or something stirring below? He darted into a side passage, narrow and unlit. Harlow followed, torch beam bouncing. The walls closed in, etched with symbols that glowed faintly when her light hit them. Runes? Warnings? Her skin crawled. "Stop running!" She barked it, voice bouncing back distorted. "Why? You chased the wrong ghosts before." His retort echoed, laced with pity. Morris. He knew. How? The passage opened into a chamber ringed with cells—old holding areas, now stacked with crates of forbidden tomes. Tomás scrambled over one, dislodging a stack. Books tumbled, pages fluttering like dying birds. Harlow dodged, but one struck her shoulder, heavy with age. Latin? No. Older script, twisting like smoke. She climbed after him, muscles straining. At the top, a ledge overlooking a deeper pit. Tomás balanced there, breathing hard, scar livid in the torchlight. "End of the line." Her voice steady, despite the drop yawning below. He shook his head. "For you, maybe." From the shadows, hands grabbed her ankle—cold, unyielding. She kicked free, baton swinging. A yelp, then silence. But Tomás used the moment, leaping to a rope ladder dangling into the abyss. Harlow lunged, snagging his medallion chain. It snapped free, Saint Christopher tumbling into her palm. He dropped, ladder swaying. Down there, in the glowing haze, shapes moved. Not human. Eyes like embers fixed on her. She stared at the token in her hand—smooth bone, warm. Entry. The ladder creaked. Choice made. She descended, the market's pulse quickening around her. Tomás hit bottom first, vanishing into the throng. Harlow followed, the unknown swallowing her whole. A roar erupted from the depths—fury unleashed, closing in.
created_at"2026-02-20T19:29:24.693Z" 2/20/2026, 7:29:24 PM
model"x-ai/grok-4-fast"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency6072
moderation_latency(null)
generation_time27410
tokens_prompt4663
tokens_completion2707
native_tokens_prompt4201
native_tokens_completion2763
native_tokens_completion_images0
native_tokens_reasoning509
native_tokens_cached151
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
usage0.00219905
router(null)
provider_responses
0
endpoint_id"c9586d9d-97ff-40ca-ae94-22504d6f9b7e"
id"edbd824f-02ce-3af1-5296-9699180e0258"
is_byokfalse
latency2656
model_permaslug"x-ai/grok-4-fast"
provider_name"xAI"
status200
api_type"completions"
id"gen-1771615764-EijEAU60CuJaMWvqP3FX"
upstream_id"edbd824f-02ce-3af1-5296-9699180e0258"
total_cost0.00219905
cache_discount0.00002265
upstream_inference_cost0
provider_name"xAI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags4
adverbTagCount0
adverbTags(empty)
dialogueSentences15
tagDensity0.267
leniency0.533
rawRatio0
effectiveRatio0
97.08% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1711
totalAiIsmAdverbs1
found
0
adverb"softly"
count1
highlights
0"softly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
6.49% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1711
totalAiIsms32
found
0
word"glint"
count1
1
word"pulsed"
count1
2
word"pulse"
count3
3
word"weight"
count2
4
word"familiar"
count1
5
word"echoes"
count2
6
word"scanning"
count1
7
word"flicker"
count1
8
word"echoing"
count2
9
word"gloom"
count2
10
word"footsteps"
count2
11
word"shimmered"
count1
12
word"hulking"
count1
13
word"wavering"
count1
14
word"glinting"
count2
15
word"depths"
count2
16
word"loomed"
count1
17
word"stark"
count1
18
word"shattered"
count1
19
word"echoed"
count2
20
word"etched"
count1
21
word"silence"
count1
highlights
0"glint"
1"pulsed"
2"pulse"
3"weight"
4"familiar"
5"echoes"
6"scanning"
7"flicker"
8"echoing"
9"gloom"
10"footsteps"
11"shimmered"
12"hulking"
13"wavering"
14"glinting"
15"depths"
16"loomed"
17"stark"
18"shattered"
19"echoed"
20"etched"
21"silence"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences184
matches
0"d with pity"
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount2
hedgeCount0
narrationSentences184
filterMatches
0"watch"
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences193
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen24
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1693
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions4
unquotedAttributions0
matches(empty)
97.37% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions53
wordCount1615
uniqueNames18
maxNameDensity1.05
worstName"Tomás"
maxWindowNameDensity2
worstWindowName"Tomás"
discoveredNames
Quinn1
Camden2
Soho1
Raven1
Nest1
Tomás17
Herrera1
Christopher2
Tube1
Morris2
Irony1
Christmas1
Cockney1
Veil1
Market1
Spanish1
Saint2
Harlow16
persons
0"Quinn"
1"Raven"
2"Tomás"
3"Herrera"
4"Christopher"
5"Tube"
6"Morris"
7"Christmas"
8"Saint"
9"Harlow"
places
0"Camden"
1"Soho"
2"Cockney"
3"Market"
globalScore0.974
windowScore1
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences129
glossingSentenceCount1
matches
0"as if greeting an old foe"
81.87% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches2
per1kWords1.181
wordCount1693
matches
0"not with wind, but something alive"
1"not in surrender, but as if greeting an old foe"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences193
matches
0"buried that file"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs48
mean35.27
std24.48
cv0.694
sampleLengths
069
181
252
365
477
582
663
764
874
945
1066
1172
1262
1337
1478
1549
1625
1724
1839
195
2025
2115
2217
2322
2423
2521
2630
2752
2845
292
309
3111
3225
3334
349
3513
364
3749
3825
3912
407
4131
4219
4316
4411
455
4623
479
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences184
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs311
matches
0"was heading"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount14
semicolonCount1
flaggedSentences14
totalSentences193
ratio0.073
matches
0"She glimpsed his left forearm as he shoved a bin aside—a jagged scar snaking from wrist to elbow."
1"The air grew thicker here, laced with the sour bite of damp concrete and something sharper—ozone, like a storm about to break indoors."
2"Then, a scuffle ahead—boots on stone."
3"The air shifted, heavy with incense and spice—cinnamon undercut by something feral, like wet fur and iron."
4"He flashed something small—a bone token, carved and pale— to a hulking guard at a low arch."
5"A figure emerged from the side—cloaked, hooded, holding a syringe glinting with unnatural blue."
6"He circled left, towards a stall piled with jars of eyes—human, animal, other."
7"Her boot caught a loose tile; she stumbled, righting herself against a wall slick with condensation."
8"Tomás's footsteps echoed ahead, joined by others now—pursuers or prey?"
9"A low rumble shook the ground—trains above, or something stirring below?"
10"The passage opened into a chamber ringed with cells—old holding areas, now stacked with crates of forbidden tomes."
11"From the shadows, hands grabbed her ankle—cold, unyielding."
12"She stared at the token in her hand—smooth bone, warm."
13"A roar erupted from the depths—fury unleashed, closing in."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1633
adjectiveStacks0
stackExamples(empty)
adverbCount32
adverbRatio0.019595835884874464
lyAdverbCount5
lyAdverbRatio0.003061849357011635
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences193
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences193
mean8.77
std5.25
cv0.598
sampleLengths
021
121
214
33
410
519
66
710
821
912
1013
1111
125
1314
1413
155
164
1711
182
1910
2011
2118
222
233
248
257
269
2722
2813
2911
3015
3121
326
334
3410
3516
3611
372
3812
3917
4014
4114
428
435
445
451
4611
4723
4816
4913
62.35% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats3
diversityRatio0.38341968911917096
totalSentences193
uniqueOpeners74
82.82% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount4
totalSentences161
matches
0"Just echoes of something unnatural"
1"Then, a scuffle ahead—boots on"
2"Just the pulse of the"
3"Then the other."
ratio0.025
80.87% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount56
totalSentences161
matches
0"She cursed under her breath,"
1"She pushed harder, legs burning"
2"She'd tailed him there, Tomás"
3"She rounded the bend, eyes"
4"His jacket flapped open, revealing"
5"Her voice cut through the"
6"He bolted left, towards the"
7"She glimpsed his left forearm"
8"She tasted the metallic tang"
9"Her worn leather watch snagged"
10"He was heading for the"
11"He knew these paths like"
12"She drew her baton from"
13"He ducked under a chain-link"
14"She landed hard, rolling to"
15"She rose, scanning the darkness."
16"She advanced, baton raised, every"
17"Her watch read half-past midnight,"
18"She clicked on her torch,"
19"She plunged in, the transition"
ratio0.348
31.43% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount138
totalSentences161
matches
0"Harlow Quinn's boots slapped against"
1"The suspect darted ahead, a"
2"She cursed under her breath,"
3"She pushed harder, legs burning"
4"The Raven's Nest, they called"
5"Maps on the walls, photographs"
6"She'd tailed him there, Tomás"
7"Whispers linked him to a"
8"Tonight, he moved like a"
9"Salt-and-pepper strands clung like regrets."
10"She rounded the bend, eyes"
11"His jacket flapped open, revealing"
12"Saint Christopher, protector of travellers."
13"Her voice cut through the"
14"He bolted left, towards the"
15"Harlow followed, coat whipping behind"
16"She glimpsed his left forearm"
17"Stories like that didn't fade"
18"The alley narrowed, graffiti-smeared walls"
19"Puddles exploded underfoot, soaking her"
ratio0.857
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences161
matches(empty)
ratio0
73.41% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences72
technicalSentenceCount7
matches
0"She pushed harder, legs burning from the sprint that had started three blocks back outside that dingy Soho bar."
1"She rounded the bend, eyes locking on his silhouette slipping between two shuttered shops."
2"Stalls emerged from the shadows: rickety tables laden with vials of glowing liquid, amulets pulsing faintly, tomes bound in leather that didn't look bovine."
3"A woman with eyes like polished obsidian hawked feathers that shimmered iridescent."
4"Tomás waited on the far side, hands raised not in surrender, but as if greeting an old foe."
5"It shattered, releasing a hiss of vapour that burned her eyes."
6"She gave chase, weaving past a trader hawking enchanted blades that sang when drawn."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags4
uselessAdditionCount1
matches
0"She barked, voice bouncing back distorted"
16.67% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags2
fancyCount2
fancyTags
0"She pressed (press)"
1"She barked (bark)"
dialogueSentences15
tagDensity0.133
leniency0.267
rawRatio1
effectiveRatio0.267
77.6781%