Run: 2026-02-20-01KHY9NF0W9GMEC0RDNPG034DN

Run Details

Model:
Grok 4
Duration:
1m 47s
Cost:
$0.057675
Provider:
xAI

Model input

System
You are an expert and award-winning novel writer in the dark Thriller genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4417" name="Tomás Herrera" aliases="Tommy, Tomás, Herrera" pronouns="he/him" species="Human" storyRole="Support"> <eyeColor>warm brown</eyeColor> <hair>short curly dark brown</hair> <height>5'10"</height> <age>29</age> <skinTone>olive skin</skinTone> <scar>scar running along his left forearm from a knife attack</scar> <medallion>Saint Christopher medallion around his neck</medallion> <birthplace>Seville, Spain</birthplace> <description>A former paramedic who provides off-the-books medical care for the clique.</description> <backstory>Born in Seville, Spain. He moved to London to work for the NHS but lost his license after administering unauthorized treatments to supernatural patients.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the thriller genre. A detective is pursuing a suspect through rain-soaked city streets at night. The chase takes them from the street level down into an underground market. The detective must decide whether to follow the suspect into unfamiliar and potentially dangerous territory. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Quinn's boot connected with the suspect's trailing coat, just enough to send him stumbling into a stack of rubbish bins. Metal clattered against wet brick, echoing down the narrow alley off Tottenham Court Road. She lunged forward, her fingers grazing fabric before he twisted free and sprinted onward, his silhouette a blur against the sodium streetlamps. She cursed under her breath, sharp jaw set as she pushed off the wall to regain speed. Eighteen years on the force had honed her to this: pursuit, precision, the relentless drive that had earned her decorations and lost her a partner. The suspect, a wiry man in a hooded jacket, had bolted from The Raven's Nest moments after she'd flashed her warrant card. Silas' bar, with its green neon sign flickering like a faulty heartbeat, hid more than dim lights and old maps. She'd tailed him from there, questions about unexplained deaths swirling in her mind. He darted left into a side street, forcing Quinn to skid on slick pavement. Rain drummed against her shoulders, soaking through her coat, but she ignored it, focused on the gap closing between them. Her worn leather watch ticked against her wrist, a reminder of time slipping away. "Stop! Police!" she shouted, voice cutting through the downpour, but he only accelerated, vaulting a low barrier into a pedestrian zone. Quinn followed, her military bearing keeping her strides efficient, breath steady despite the burn in her lungs. The streets of central London twisted like veins, leading north toward Camden. She radioed for backup, clipped words into the static: "Pursuit in progress, suspect heading toward Camden Market area. Male, mid-thirties, black hoodie. Possible connection to ongoing investigation." No immediate response. Typical. She pocketed the radio and pressed on, dodging a late-night cyclist who swerved with a curse. The suspect glanced back, his face pale under the hood, eyes wide with something more than fear—desperation, perhaps, or the gleam of someone who knew hidden paths. He veered into a deserted square, where shuttered shops huddled against the night. Quinn gained ground, her longer legs eating up the distance. She could almost hear DS Morris's voice in her head, that dry laugh from three years ago: *Don't chase shadows, Harlow. They bite back.* But Morris was gone, vanished in a case that reeked of the unnatural, leaving her with questions no report could answer. This suspect might hold pieces. A sudden turn took them down a flight of concrete steps, slick with rain and grime. Quinn hesitated for a fraction, hand on the rusted railing, then descended. Below street level, the air thickened, carrying the metallic tang of old rails and damp earth. The suspect shoved through a chain-link gate, half-concealed by overgrown weeds, and disappeared into what looked like an abandoned service entrance. She paused at the threshold, chest heaving. Unfamiliar territory. Her training screamed caution—backup, protocol, assessment. But the trail went cold here, and cold trails had buried Morris. She drew her torch, beam slicing into the gloom, revealing faded signage: an old Tube access point, condemned years ago. Echoes of footsteps faded ahead. Decision time. Follow, or let him slip into whatever warren lay below? Quinn stepped through, the gate creaking shut behind her. The tunnel sloped downward, walls lined with cracked tiles that gleamed under her light. Water dripped from unseen cracks, pooling in depressions that forced her to step carefully. The air grew heavier, laced with scents of mould and something sharper—incense? Voices murmured distantly, not the hollow echo of emptiness but the buzz of activity. She moved with purpose, torch in one hand, the other hovering near her belt where her warrant card and cuffs waited. The suspect's footfalls had vanished, swallowed by the din ahead. As the tunnel levelled out, faint light bloomed, not electric but flickering, like candles or lanterns. She killed her torch, blending into shadows. The space opened into a vast chamber, what must have been an abandoned platform in the old Tube network beneath Camden. But this was no ruin. Stalls crammed every inch, draped in mismatched fabrics that muffled sounds. Vendors hawked wares from rickety tables: vials of iridescent liquids, bundles of dried herbs that smelled of foreign spices, talismans carved from bone or stranger materials. Patrons moved in clusters, hooded figures bartering in hushed tones, their faces a mix of human and... not quite. A woman with eyes that glowed faintly passed by, clutching a parcel wrapped in oilskin. The Veil Market. Whispers in the force had mentioned it— a black market for the occult, shifting locations with the full moon. Entry required a bone token, or so the rumours went. Quinn's pulse quickened. No jurisdiction here, no rules she understood. She scanned the crowd, spotting the suspect weaving through the throng, hood pulled low. She followed, weaving past a stall where a grizzled man peddled enchanted locks, their keys twisting like living things. "Fresh from the forges of Annwn," he muttered to a buyer, voice gravelly with an accent she couldn't place. Quinn kept her head down, military precision guiding her steps to avoid drawing eyes. The market pulsed with energy, a low hum that set her teeth on edge, like static before a storm. The suspect ducked behind a curtained booth, and Quinn quickened her pace, slipping through after him. Inside, the space narrowed, lit by a single lantern that cast long shadows. He rummaged in a crate, pulling out a small pouch, then froze as he sensed her. "Hands where I can see them," Quinn said, voice steady, stepping into the light. He spun, pouch clutched tight. Up close, his face showed strain, a fresh cut above his brow weeping blood. "You shouldn't be here, copper. This place eats the uninvited." "I'm inviting myself. Detective Harlow Quinn, Metropolitan Police. You're coming with me for questioning regarding activities at The Raven's Nest." A laugh, bitter and short. "Questioning? You have no idea what you're stepping into." He backed up, eyes darting to the curtain. Quinn advanced, hand on her cuffs. "Try me. People vanishing, bodies turning up with marks that defy explanation. Your lot's involved." "Not my lot." He glanced at the pouch. "This is medicine. For a friend." "Medicine?" She eyed the pouch, which shimmered oddly in the lantern light. "Looks like contraband to me." From beyond the curtain, a new voice cut in, warm brown eyes meeting hers as a man pushed through. Tomás Herrera, olive skin and short curly dark brown hair, a Saint Christopher medallion glinting at his neck. The scar on his left forearm peeked from his sleeve as he set down a medical kit. "Easy now. No need for badges here." Quinn tensed, recognising him from files—former paramedic, licence revoked for unauthorised treatments. "Herrera. You're a long way from Seville." He tilted his head, warm brown eyes assessing. "Detective Quinn. Your reputation precedes you. Chasing shadows in the rain?" The suspect edged toward Tomás. "Tommy, she's onto the clique." "Quiet," Tomás snapped, his Spanish lilt sharpening. "Hand it over." The suspect passed the pouch. Tomás inspected it, then pocketed it with a nod. "Good. Now go. Through the back." Quinn blocked the way. "Not happening. Whatever game's playing out here ends now." Tomás smiled, but it didn't reach his eyes. "Games? This is survival, Detective. Your partner learned that the hard way." Her blood chilled. "What do you know about Morris?" "More than you." He stepped closer, scar flexing as he crossed his arms. "Supernatural origins, wasn't it? Unexplained. But you bury the truth in reports." Quinn's hand twitched toward her radio, but the market's hum drowned any signal. Isolated. "Tell me." "Why? So you can arrest us all?" Tomás circled slowly, medallion swinging. "The clique helps those the system abandons. Like I did, until the NHS clipped my wings." The suspect bolted for the back exit, but Quinn lunged, grabbing his arm. He twisted, elbow connecting with her side, sending her staggering into a table. Vials shattered, releasing a acrid smoke that burned her throat. Tomás moved fast, pulling a syringe from his kit. "Stay down, Detective. This doesn't concern you." She rolled aside as he jabbed, the needle glancing off her coat. Adrenaline surged. She kicked out, catching his knee, and he grunted, dropping the syringe. The suspect vanished through a hidden panel, but Quinn ignored him, focusing on Tomás. "What was in that?" "Nothing harmful." He rubbed his knee, scar twisting with the motion. "Sedative. You need rest. Chasing ghosts wears a body out." "Not ghosts." She stood, wiping blood from a split lip. "Answers. About Morris. About this place." The market's noise swelled outside, a vendor's shout turning to alarm. Footsteps approached—more figures, drawn by the commotion. Tomás glanced at the curtain. "Leave now, or you won't leave at all." Quinn's mind raced. Unfamiliar ground, no backup, potential hostiles closing in. But Morris's face flashed—partner lost to shadows she couldn't explain. She straightened, sharp jaw firm. "I'm not going anywhere." Tomás sighed, medallion catching the light. "Your funeral." The curtain ripped open, revealing three burly figures with bone tokens dangling from their necks. Their eyes gleamed unnaturally, hands flexing like claws. The leader snarled, voice a guttural rumble. "Intruder." Quinn backed up, hand finally drawing her warrant card like a talisman. But in this realm, authority meant nothing. The air thickened, charged with menace, as they advanced. She dodged the first swing, countering with a precise jab to the throat. He choked, stumbling, but the others pressed in. Tomás watched from the side, expression unreadable. One grabbed her arm, twisting with inhuman strength. Pain shot through her shoulder, but she headbutted him, feeling bone crunch. More shadows gathered at the entrance, the market's denizens forming a circle. Whispers spread: "Cop. Uninvited." Quinn broke free, retreating toward the hidden panel where the suspect had fled. But a hand clamped her ankle from below—something emerging from the floor grating, pale fingers with too many joints. Panic spiked, but she stamped down hard, hearing a wet snap. The grip released. Tomás moved then, not to help, but to block her path. "Last chance, Detective." She met his warm brown eyes, seeing calculation there. "Move." He didn't. The circle closed tighter, unnatural eyes fixing on her. A chant started low, words in a language that twisted her gut. The air grew heavy, pressing like invisible hands. Quinn's watch ticked louder in her ears, counting down to whatever came next. She charged, shoulder slamming into Tomás, forcing him aside. The panel loomed, but as she reached it, the floor trembled—a deeper rumble from the tunnels beyond. Something awakened. Something hungry. The chant rose, and the first claw raked her back.
created_at"2026-02-20T19:50:41.461Z" 2/20/2026, 7:50:41 PM
model"x-ai/grok-4-07-09" 4/7/2009, 12:00:00 AM
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency20230
moderation_latency(null)
generation_time106867
tokens_prompt4663
tokens_completion2863
native_tokens_prompt4730
native_tokens_completion3001
native_tokens_completion_images0
native_tokens_reasoning657
native_tokens_cached680
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
usage0.057675
router(null)
provider_responses
0
endpoint_id"d40bef9d-6936-4c57-9749-bf7399de4a77"
id"4e80bd06-2f35-7b00-e2f8-85cdf75730ec"
is_byokfalse
latency78
model_permaslug"x-ai/grok-4-07-09" 4/7/2009, 12:00:00 AM
provider_name"xAI"
status200
api_type"completions"
id"gen-1771617041-j2uVg2ePFSH6V0suYAtr"
upstream_id"4e80bd06-2f35-7b00-e2f8-85cdf75730ec"
total_cost0.057675
cache_discount0.00153
upstream_inference_cost0
provider_name"xAI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags12
adverbTagCount1
adverbTags
0"Tomás circled slowly [slowly]"
dialogueSentences40
tagDensity0.3
leniency0.6
rawRatio0.083
effectiveRatio0.05
94.42% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1791
totalAiIsmAdverbs2
found
0
adverb"carefully"
count1
1
adverb"slowly"
count1
highlights
0"carefully"
1"slowly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
27.41% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1791
totalAiIsms26
found
0
word"echoing"
count1
1
word"reminder"
count1
2
word"efficient"
count1
3
word"gloom"
count1
4
word"echoes"
count1
5
word"footsteps"
count2
6
word"echo"
count1
7
word"electric"
count1
8
word"pulse"
count1
9
word"quickened"
count2
10
word"scanned"
count1
11
word"pulsed"
count1
12
word"shimmered"
count1
13
word"glinting"
count1
14
word"lilt"
count1
15
word"chilled"
count1
16
word"shattered"
count1
17
word"raced"
count1
18
word"potential"
count1
19
word"charged"
count2
20
word"unreadable"
count1
21
word"loomed"
count1
22
word"trembled"
count1
highlights
0"echoing"
1"reminder"
2"efficient"
3"gloom"
4"echoes"
5"footsteps"
6"echo"
7"electric"
8"pulse"
9"quickened"
10"scanned"
11"pulsed"
12"shimmered"
13"glinting"
14"lilt"
15"chilled"
16"shattered"
17"raced"
18"potential"
19"charged"
20"unreadable"
21"loomed"
22"trembled"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences135
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount2
hedgeCount0
narrationSentences135
filterMatches
0"watch"
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences163
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen28
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans1
markdownWords7
totalWords1779
ratio0.004
matches
0"Don't chase shadows, Harlow. They bite back."
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions7
unquotedAttributions0
matches(empty)
33.33% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions54
wordCount1499
uniqueNames18
maxNameDensity1.33
worstName"Quinn"
maxWindowNameDensity4
worstWindowName"Tomás"
discoveredNames
Tottenham1
Court1
Road1
Raven1
Nest1
Quinn20
London1
Camden2
Morris4
Harlow1
Tube2
Veil1
Market1
Herrera1
Saint1
Christopher1
Tomás13
Spanish1
persons
0"Quinn"
1"Morris"
2"Herrera"
3"Saint"
4"Christopher"
5"Tomás"
places
0"Tottenham"
1"Court"
2"Road"
3"Raven"
4"London"
5"Camden"
globalScore0.833
windowScore0.333
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences107
glossingSentenceCount1
matches
0"looked like an abandoned service entrance"
31.37% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches3
per1kWords1.686
wordCount1779
matches
0"not the hollow echo of emptiness but the buzz of activity"
1"not electric but flickering, like candles"
2"not to help, but to block her path"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences163
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs54
mean32.94
std22.75
cv0.691
sampleLengths
056
197
269
356
447
573
665
752
812
963
1054
1197
1256
1371
1445
1514
1629
1720
1822
1921
2014
2117
2261
2319
2419
2510
2610
2720
2813
2920
309
3125
3216
3328
3436
3516
3644
3721
3816
3931
4030
418
4231
4328
4448
4516
4632
4728
4810
492
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences135
matches
0"was gone"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs297
matches(empty)
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount9
semicolonCount0
flaggedSentences9
totalSentences163
ratio0.055
matches
0"The suspect glanced back, his face pale under the hood, eyes wide with something more than fear—desperation, perhaps, or the gleam of someone who knew hidden paths."
1"Her training screamed caution—backup, protocol, assessment."
2"The air grew heavier, laced with scents of mould and something sharper—incense?"
3"Whispers in the force had mentioned it— a black market for the occult, shifting locations with the full moon."
4"Quinn tensed, recognising him from files—former paramedic, licence revoked for unauthorised treatments."
5"Footsteps approached—more figures, drawn by the commotion."
6"But Morris's face flashed—partner lost to shadows she couldn't explain."
7"But a hand clamped her ankle from below—something emerging from the floor grating, pale fingers with too many joints."
8"The panel loomed, but as she reached it, the floor trembled—a deeper rumble from the tunnels beyond."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount305
adjectiveStacks0
stackExamples(empty)
adverbCount1
adverbRatio0.003278688524590164
lyAdverbCount0
lyAdverbRatio0
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences163
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences163
mean10.91
std6.06
cv0.555
sampleLengths
020
114
222
317
425
522
620
713
814
920
1014
1121
1217
1312
1427
153
161
1716
1827
1913
2010
2121
2224
235
2416
2512
2616
2721
287
292
306
3112
3220
335
342
3510
369
3714
3814
3912
4014
4121
4210
4316
447
4521
465
4711
4826
4917
71.57% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats5
diversityRatio0.44785276073619634
totalSentences163
uniqueOpeners73
26.67% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount1
totalSentences125
matches
0"More shadows gathered at the"
ratio0.008
98.40% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount38
totalSentences125
matches
0"She lunged forward, her fingers"
1"She cursed under her breath,"
2"She'd tailed him from there,"
3"He darted left into a"
4"Her worn leather watch ticked"
5"she shouted, voice cutting through"
6"She radioed for backup, clipped"
7"She pocketed the radio and"
8"He veered into a deserted"
9"She could almost hear DS"
10"They bite back.* But Morris"
11"She paused at the threshold,"
12"Her training screamed caution—backup, protocol,"
13"She drew her torch, beam"
14"She moved with purpose, torch"
15"She killed her torch, blending"
16"She scanned the crowd, spotting"
17"She followed, weaving past a"
18"he muttered to a buyer,"
19"He rummaged in a crate,"
ratio0.304
32.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount107
totalSentences125
matches
0"Quinn's boot connected with the"
1"Metal clattered against wet brick,"
2"She lunged forward, her fingers"
3"She cursed under her breath,"
4"The suspect, a wiry man"
5"She'd tailed him from there,"
6"He darted left into a"
7"Rain drummed against her shoulders,"
8"Her worn leather watch ticked"
9"she shouted, voice cutting through"
10"Quinn followed, her military bearing"
11"The streets of central London"
12"She radioed for backup, clipped"
13"She pocketed the radio and"
14"The suspect glanced back, his"
15"He veered into a deserted"
16"Quinn gained ground, her longer"
17"She could almost hear DS"
18"They bite back.* But Morris"
19"This suspect might hold pieces."
ratio0.856
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences125
matches(empty)
ratio0
45.01% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences73
technicalSentenceCount10
matches
0"Eighteen years on the force had honed her to this: pursuit, precision, the relentless drive that had earned her decorations and lost her a partner."
1"Rain drummed against her shoulders, soaking through her coat, but she ignored it, focused on the gap closing between them."
2"She pocketed the radio and pressed on, dodging a late-night cyclist who swerved with a curse."
3"The suspect glanced back, his face pale under the hood, eyes wide with something more than fear—desperation, perhaps, or the gleam of someone who knew hidden pa…"
4"Water dripped from unseen cracks, pooling in depressions that forced her to step carefully."
5"Vendors hawked wares from rickety tables: vials of iridescent liquids, bundles of dried herbs that smelled of foreign spices, talismans carved from bone or stra…"
6"She followed, weaving past a stall where a grizzled man peddled enchanted locks, their keys twisting like living things."
7"The market pulsed with energy, a low hum that set her teeth on edge, like static before a storm."
8"He twisted, elbow connecting with her side, sending her staggering into a table."
9"Vials shattered, releasing a acrid smoke that burned her throat."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags12
uselessAdditionCount5
matches
0"he muttered, voice gravelly with an accent she couldn't place"
1"Quinn said, voice steady, stepping into the light"
2"He backed up, eyes darting to the curtain"
3"Tomás snapped, his Spanish lilt sharpening"
4"Tomás circled slowly, medallion swinging"
75.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags4
fancyCount3
fancyTags
0"she shouted (shout)"
1"he muttered (mutter)"
2"Tomás snapped (snap)"
dialogueSentences40
tagDensity0.1
leniency0.2
rawRatio0.75
effectiveRatio0.15
74.5061%