"The air in Richmond Park smells of damp earth and something sharper, sweeter—like overripe peaches left in a hot car."
1
"She tightens her grip on the duffel bag slung over her shoulder; inside, the Heartstone Pendant presses against her spine, a warm, insistent weight."
2
"The codex—Eva’s handwriting, smudged and trembling, scrawled on the back of a Golden Empress takeout menu—said *this is the threshold."
3
"Just grabbed the pendant (a gift, she still didn’t know from whom—once, a woman in a silver coat handed it to her on the street, said *“It finds those who need it”*), her phone, and the takeout bag with a borrowed map and a thermos of chamomile tea Eva had slipped her."
4
"Eva was her sister, by choice—three years older, with a laugh like broken glass and a temper to match."
5
"She steps closer, and the pendant in her bag pulses—once, twice, a slow, deliberate rhythm."
6
"The park is usually empty at night—dog walkers scurry home when the clocks change, joggers vanish into the gloom—but here, in the heart of the trees, everything is *still*."
7
"She pulls out her phone; the screen reads 2:17 a.m."
8
"Then—*a rustle*—not in the trees, but *behind* her."
9
"The words hang in the air, warm, cooing, and Rory feels a hand on her shoulder—pale, cold, the fingers long and tapering, nails black as pitch."
10
"It’s closer now—behind her, to her left, all around."
11
"The standing stones—they’re moving."
12
"The wildflowers, which she hadn’t noticed before, are clustered at the base: red, white, purple, petals glistening with dew that isn’t dew—thick, sticky, like blood."
13
"The grass around her ignites—no, not fire."
14
"It’s not just a stone anymore; it’s a live thing, thrumming with a pulse that matches her heartbeat, growing faster, faster, until she can’t tell if it’s in her chest or theirs."
15
"She falls to her knees, the pendant still in her hand, and sees movement in the flowers—shapes, fragments of faces, all screaming, all smiling, all *staring*."
16
"But the standing stones are closing in, their trunks pressing against her ribs, the cracks splitting wider, revealing a darkness inside—something with eyes, with too many teeth."
17
"Rory crawls backward, but there’s no escape; the grass is closing in, smothering her, the flowers wrapping tighter, tighter."
18
"The flowers retreat, screaming, and the standing stones recoil, their bark cracking, revealing a trunk that isn’t oak at all—something sinuous, scaled, with eyes like embers."
19
"—E*"
20
"The pendant is gone, but she can feel it—warm, insistent, *singing* in her blood."
21
"The Heartstone's behavior ties the artifact to both character motivation and the realm, leaving its threat ambiguous—leaving Aurora (and the reader) uncertain of her fate or the cost of \"fixing\" what's broken."
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences
48
technicalSentenceCount
12
matches
0
"Aurora Carter, her hood pulled tight against the night chill, pauses three hundred yards from the ancient oak standing stones that mark the Grove’s boundary."
1
"Her sneakers crunch over a bed of leaves, and the noise echoes, *too* loud, as if the forest itself is listening."
2
"The standing stones loom now, their trunks gnarled and black, bark splitting to reveal cracks that glow faintly, like something alive beneath the surface."
3
"The fabric is stretching, as if something inside is pushing outward."
4
"The pendant glows now, a deep, crimson light that seeps through the gap, turning the grass below blue."
5
"Not much, but *slowly*, their trunks rotating, cracks glowing wider."
6
"The wildflowers, which she hadn’t noticed before, are clustered at the base: red, white, purple, petals glistening with dew that isn’t dew—thick, sticky, like b…"
7
"The flowers are climbing, their stems slithering like snakes, wrapping around her ankles, her wrists, her neck."
8
"It’s not just a stone anymore; it’s a live thing, thrumming with a pulse that matches her heartbeat, growing faster, faster, until she can’t tell if it’s in her…"
9
"But the standing stones are closing in, their trunks pressing against her ribs, the cracks splitting wider, revealing a darkness inside—something with eyes, wit…"
10
"The voice is now in her head, *singing*, a lullaby in a language that isn’t Welsh or English or anything real, a language that burrows into her brain, making he…"
11
"The flowers retreat, screaming, and the standing stones recoil, their bark cracking, revealing a trunk that isn’t oak at all—something sinuous, scaled, with eye…"