Run: 2026-02-20-01KHYA89M38Z6H05AKCHH5M7KM

Run Details

Duration:
18.5s
Cost:
$0.002028
Provider:
xAI

Model input

System
You are an expert and award-winning novel writer in the dark Thriller genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4417" name="Tomás Herrera" aliases="Tommy, Tomás, Herrera" pronouns="he/him" species="Human" storyRole="Support"> <eyeColor>warm brown</eyeColor> <hair>short curly dark brown</hair> <height>5'10"</height> <age>29</age> <skinTone>olive skin</skinTone> <scar>scar running along his left forearm from a knife attack</scar> <medallion>Saint Christopher medallion around his neck</medallion> <birthplace>Seville, Spain</birthplace> <description>A former paramedic who provides off-the-books medical care for the clique.</description> <backstory>Born in Seville, Spain. He moved to London to work for the NHS but lost his license after administering unauthorized treatments to supernatural patients.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the thriller genre. A detective is pursuing a suspect through rain-soaked city streets at night. The chase takes them from the street level down into an underground market. The detective must decide whether to follow the suspect into unfamiliar and potentially dangerous territory. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Harlow Quinn's boots slapped against the slick pavement as she vaulted over a fallen crate, her breath ragged in the downpour. The suspect bolted ahead, a blur of dark jacket and olive skin vanishing around the corner of a narrow Camden alley. She cursed under her breath, fingers tightening around the holstered pistol at her hip. Eighteen years on the force, and chases still boiled her blood like fresh tea. Rain hammered the rooftops of the terraced houses, turning the street into a black mirror that reflected the sodium glow of flickering lamps. Quinn pushed harder, her closely cropped salt-and-pepper hair plastered to her scalp, water stinging her brown eyes. The man – Tomás Herrera, paramedic turned ghost in the system – had slipped her tail at the Raven's Nest earlier that evening. She'd watched him through the bar's grimy window, nursing a pint amid the haze of cigarette smoke and low murmurs. Old maps on the walls, black-and-white photos of long-gone Londoners staring down like accusatory ghosts. He'd met someone in the hidden back room, the one behind the bookshelf, and now he ran like a man with secrets worth dying for. "Stop!" Her shout cut through the storm, swallowed by the roar of a distant bus. Herrera didn't falter. He darted left, past a shuttered kebab shop where the air hung thick with the ghost of cumin and grease, even in this deluge. Quinn followed, her military bearing kicking in – precise strides, no wasted motion. Her worn leather watch ticked against her wrist, a steady pulse amid the chaos. Three years since Morris vanished on a case like this, unexplained shadows pulling him under. She wouldn't let history repeat. The alley narrowed, bins overflowing with sodden rubbish that squelched underfoot. Herrera glanced back once, his warm brown eyes catching the light – wide, not with fear, but calculation. He knew these streets, born in Seville but carved into London's underbelly. A scar snaked along his left forearm, visible as his sleeve rode up; she'd clocked it in her files, a knife attack from some NHS fallout. Unauthorized treatments, whispers of the unnatural. The clique he ran with – off-the-books healers for things the Met couldn't touch. Supernatural, they called it. Bollocks, until it wasn't. He skidded around a bend, boots scraping brick. Quinn closed the gap, lungs burning. The rain tasted metallic on her lips, mixing with the faint tang of exhaust from a nearby idling van. Camden's night market loomed ahead, the legitimate one, stalls shuttered under tarps that flapped like wounded birds. Tourists huddled under umbrellas, oblivious. Herrera veered right, towards the old Tube entrance – abandoned since the Blitz, cordoned off with rusted chains and faded signs warning of collapse. Quinn's mind raced. Files on Herrera mentioned this spot: whispers of the Veil Market, a black hole for enchanted trinkets and forbidden brews. Moved every full moon, entry by bone token. She'd dismissed it as junkie myth, but Morris's notes had circled similar leads before he disappeared. Her sharp jaw clenched. Follow, or call it in? Backup was minutes away, but he'd vanish into the ether by then. He ducked under the chains, vanishing down the cracked stone steps. The air shifted as Quinn approached – cooler, laced with something acrid, like burnt herbs and damp earth. Graffiti scarred the walls: sigils that twisted her gut, not the usual tags. She unholstered her pistol, the grip slick in her palm. Rain drummed on the metal grate above, a relentless tattoo. The steps descended into shadow, her flashlight beam cutting jagged paths. Footsteps echoed below – Herrera's, hurried but light, like a man who'd danced this path before. The tunnel opened into a disused platform, tiles chipped and moss-veined, air thick with the hum of distant trains that never came. Puddles pooled ankle-deep, rippling with her intrusion. She swept the light: abandoned turnstiles warped by time, a faded poster for a 1940s revue peeling from the wall. A scrape ahead – metal on stone. Herrera prised open a grate in the floor, the kind meant for maintenance, hinges groaning in protest. Dim light flickered from below, not electric, but something warmer, like candle flames dancing. Voices murmured up, fragmented: haggling in tongues she half-recognized, Spanish inflections twisting with guttural snarls. The Veil Market. Bone token glinted in his hand as he dropped through – a carved femur shard, etched with runes that glowed faintly green. Quinn froze at the edge, pistol raised. The drop was ten feet, landing in what looked like a warren of stalls cobbled from shipping crates and salvaged iron. Figures moved in the gloom: hooded shapes bartering vials of shimmering liquid, amulets that pulsed with inner light. A stall nearby displayed jars of writhing shadows; another, blades that hummed like struck tuning forks. The air reeked of incense and ozone, undercut by the copper bite of blood. Not a myth. Real. And crawling with things that made her skin crawl. He landed with a splash, Saint Christopher medallion swinging from his neck as he straightened. Didn't look back. Just melted into the crowd, short curly dark hair bobbing amid the throng. Her radio crackled. "Quinn, status? Rain's bollocksing the signal." She thumbed the button, voice low. "Suspect in the old Camden Tube. Underground. Possible... anomaly." Static hissed. "Say again? You're breaking up." "Bugger." She killed it, weighing options. Call for the tactical unit? They'd storm in blind, turn this into a bloodbath. Or go alone, like Morris might have. Her partner's face flashed – broad grin, gone in a swirl of unnatural fog. No. She holstered the pistol, clipped the flashlight to her belt. Bone token or not, she had a warrant in her pocket and questions that burned hotter than the rain. Quinn lowered herself through the grate, boots finding purchase on a rusted ladder. The market's din swelled: laughter sharp as shattered glass, bargains struck in whispers that slithered like smoke. She hit the ground, water sloshing, and drew her weapon again. Stalls pressed close – a narrow path winding past a cart laden with desiccated herbs that whispered when brushed, their leaves curling like fingers. A vendor with eyes like polished obsidian hawked potions for "eternal youth," his stall a riot of bubbling alembics and feathers from birds long extinct. She scanned for Herrera, heart pounding a staccato rhythm. There – his jacket, slipping behind a partition draped in tattered velvet. The crowd parted uneasily around her, stares lingering: a tall figure in a trench coat, reeking of the surface world. A woman with skin like cracked porcelain bumped her shoulder, murmuring apologies in a language that tugged at forgotten memories. Quinn shrugged it off, pressing forward. The path twisted downward, stairs carved from uneven stone slick with condensation. Torches flickered in sconces, casting shadows that writhed independently. Smells assaulted her: sweet rot of enchanted fruits, acrid bite of alchemical brews, the musky undernote of fur and scales from unseen patrons. She passed a booth where a man – or something man-shaped – etched curses onto silver coins, his needle drawing sparks. "Luck for the bold," he rasped, but she ignored him, eyes locked on Herrera's retreating form. He ducked into a side alcove, a hidden nook stacked with crates of banned substances: vials labeled in Latin, pouches of shimmering dust. Quinn accelerated, boots splashing through shallow rivulets that carried flecks of iridescent oil. Her watch strap chafed her wrist, a reminder of time slipping. This place moved with the moon; stay too long, and it might swallow her whole. A hand grabbed her arm – rough, scaled. She spun, pistol whipping up. The creature recoiled, hissing: a lizard-man in ragged finery, breath like stagnant ponds. "Token, surface rat. Or bleed." She flashed her badge, the gold glinting under torchlight. "Metropolitan Police. Back off." Laughter bubbled from nearby stalls, mocking. The lizard-man's eyes narrowed, but he slunk away, tail dragging sparks. Quinn pressed on, the alcove looming. Herrera crouched there, rummaging in a satchel, pulling out a syringe filled with glowing serum. Off-the-books care, indeed. For the clique's "supernatural" clients. "Hands up, Herrera," she barked, aiming steady. Rainwater dripped from her coat, pooling at her feet. He straightened slowly, hands visible, scar stark under the dim light. Medallion caught the glow, saintly face impassive. "Detective Quinn. Persistent as ever." "You've been dodging me since the Nest. Those treatments – they're poison. People die." Warm brown eyes met hers, unyielding. "People die every day up there. I save the ones you can't see." A figure emerged from the shadows behind him – hooded, bearing the mark of the clique she'd tracked for months. The air thickened, charged like before a storm. Quinn's finger tightened on the trigger. Follow deeper, or extract now? The market's pulse quickened, stalls shuddering as if breathing. Something stirred in the dark, eyes gleaming from the voids between crates. Herrera's lips quirked. "You step further, you choose sides. Theirs or the unknown." The hooded figure lunged, a blade flashing silver in the torchlight.
created_at"2026-02-20T20:00:58.52Z" 2/20/2026, 8:00:58 PM
model"x-ai/grok-4-fast"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency2632
moderation_latency(null)
generation_time18298
tokens_prompt4663
tokens_completion2390
native_tokens_prompt4201
native_tokens_completion2420
native_tokens_completion_images0
native_tokens_reasoning430
native_tokens_cached151
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
usage0.00202755
router(null)
provider_responses
0
endpoint_id"c9586d9d-97ff-40ca-ae94-22504d6f9b7e"
id"39f62fd2-9714-375a-7386-4530a31b0a66"
is_byokfalse
latency500
model_permaslug"x-ai/grok-4-fast"
provider_name"xAI"
status200
api_type"completions"
id"gen-1771617658-GOhQmqUUyzyBn1leZ8ea"
upstream_id"39f62fd2-9714-375a-7386-4530a31b0a66"
total_cost0.00202755
cache_discount0.00002265
upstream_inference_cost0
provider_name"xAI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags5
adverbTagCount0
adverbTags(empty)
dialogueSentences15
tagDensity0.333
leniency0.667
rawRatio0
effectiveRatio0
96.68% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1505
totalAiIsmAdverbs1
found
0
adverb"slowly"
count1
highlights
0"slowly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
6.98% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1505
totalAiIsms28
found
0
word"pulse"
count2
1
word"loomed"
count1
2
word"raced"
count1
3
word"jaw clenched"
count1
4
word"footsteps"
count1
5
word"echoed"
count1
6
word"flickered"
count2
7
word"electric"
count1
8
word"dancing"
count1
9
word"fragmented"
count1
10
word"etched"
count2
11
word"gloom"
count1
12
word"pulsed"
count1
13
word"shattered"
count1
14
word"scanned"
count1
15
word"pounding"
count1
16
word"velvet"
count1
17
word"porcelain"
count1
18
word"reminder"
count1
19
word"glinting"
count1
20
word"looming"
count1
21
word"stark"
count1
22
word"charged"
count1
23
word"quickened"
count1
24
word"gleaming"
count1
highlights
0"pulse"
1"loomed"
2"raced"
3"jaw clenched"
4"footsteps"
5"echoed"
6"flickered"
7"electric"
8"dancing"
9"fragmented"
10"etched"
11"gloom"
12"pulsed"
13"shattered"
14"scanned"
15"pounding"
16"velvet"
17"porcelain"
18"reminder"
19"glinting"
20"looming"
21"stark"
22"charged"
23"quickened"
24"gleaming"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches2
maxInWindow1
found
0
label"eyes widened/narrowed"
count1
1
label"jaw/fists clenched"
count1
highlights
0"eyes narrowed"
1"jaw clenched"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences118
matches
0"t with fear"
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount2
hedgeCount0
narrationSentences118
filterMatches
0"watch"
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences127
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen26
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1508
ratio0
matches(empty)
83.33% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions6
unquotedAttributions1
matches
0"Supernatural, they called it."
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions47
wordCount1425
uniqueNames21
maxNameDensity0.84
worstName"Quinn"
maxWindowNameDensity1.5
worstWindowName"Quinn"
discoveredNames
Quinn12
Camden2
Tomás1
Herrera11
Raven1
Nest1
Londoners1
Morris3
Seville1
London1
Met1
Tube1
Blitz1
Veil2
Market2
Spanish1
Saint1
Christopher1
Call1
Latin1
Rainwater1
persons
0"Quinn"
1"Camden"
2"Tomás"
3"Herrera"
4"Londoners"
5"Morris"
6"Met"
7"Blitz"
8"Market"
9"Saint"
10"Christopher"
11"Rainwater"
places
0"Raven"
1"Seville"
2"London"
3"Latin"
globalScore1
windowScore1
97.37% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences95
glossingSentenceCount2
matches
0"looked like a warren of stalls cobbled fr"
1"as if breathing"
67.37% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches2
per1kWords1.326
wordCount1508
matches
0"not with fear, but calculation"
1"not electric, but something warmer, like candle flames dancing"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences127
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs29
mean52
std32.63
cv0.628
sampleLengths
070
1123
289
395
479
568
662
776
878
989
1031
119
1215
137
1471
1590
1667
1781
1862
1931
2013
2146
2216
2323
2414
2519
2660
2713
2811
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount0
totalSentences118
matches(empty)
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs277
matches(empty)
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount17
semicolonCount3
flaggedSentences18
totalSentences127
ratio0.142
matches
0"The man – Tomás Herrera, paramedic turned ghost in the system – had slipped her tail at the Raven's Nest earlier that evening."
1"Quinn followed, her military bearing kicking in – precise strides, no wasted motion."
2"Herrera glanced back once, his warm brown eyes catching the light – wide, not with fear, but calculation."
3"A scar snaked along his left forearm, visible as his sleeve rode up; she'd clocked it in her files, a knife attack from some NHS fallout."
4"The clique he ran with – off-the-books healers for things the Met couldn't touch."
5"Herrera veered right, towards the old Tube entrance – abandoned since the Blitz, cordoned off with rusted chains and faded signs warning of collapse."
6"The air shifted as Quinn approached – cooler, laced with something acrid, like burnt herbs and damp earth."
7"Footsteps echoed below – Herrera's, hurried but light, like a man who'd danced this path before."
8"A scrape ahead – metal on stone."
9"Bone token glinted in his hand as he dropped through – a carved femur shard, etched with runes that glowed faintly green."
10"A stall nearby displayed jars of writhing shadows; another, blades that hummed like struck tuning forks."
11"Her partner's face flashed – broad grin, gone in a swirl of unnatural fog."
12"Stalls pressed close – a narrow path winding past a cart laden with desiccated herbs that whispered when brushed, their leaves curling like fingers."
13"There – his jacket, slipping behind a partition draped in tattered velvet."
14"She passed a booth where a man – or something man-shaped – etched curses onto silver coins, his needle drawing sparks."
15"This place moved with the moon; stay too long, and it might swallow her whole."
16"A hand grabbed her arm – rough, scaled."
17"A figure emerged from the shadows behind him – hooded, bearing the mark of the clique she'd tracked for months."
94.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1423
adjectiveStacks1
stackExamples
0"short curly dark hair"
adverbCount27
adverbRatio0.018973998594518624
lyAdverbCount8
lyAdverbRatio0.005621925509486999
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences127
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences127
mean11.87
std6.42
cv0.541
sampleLengths
021
121
214
314
423
517
623
720
815
925
1015
113
1224
1313
1414
1515
165
1711
1818
1912
2026
216
2214
234
244
258
266
2719
2817
295
3024
313
3220
338
3416
354
365
3712
3811
3918
4013
4110
4210
4311
4416
4522
467
4720
487
4917
80.05% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats0
diversityRatio0.48031496062992124
totalSentences127
uniqueOpeners61
28.99% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount1
totalSentences115
matches
0"Just melted into the crowd,"
ratio0.009
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount31
totalSentences115
matches
0"She cursed under her breath,"
1"She'd watched him through the"
2"He'd met someone in the"
3"Her shout cut through the"
4"He darted left, past a"
5"Her worn leather watch ticked"
6"She wouldn't let history repeat."
7"He knew these streets, born"
8"He skidded around a bend,"
9"She'd dismissed it as junkie"
10"Her sharp jaw clenched."
11"He ducked under the chains,"
12"She unholstered her pistol, the"
13"She swept the light: abandoned"
14"He landed with a splash,"
15"Her radio crackled."
16"She thumbed the button, voice"
17"She killed it, weighing options"
18"They'd storm in blind, turn"
19"Her partner's face flashed –"
ratio0.27
51.30% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount94
totalSentences115
matches
0"Harlow Quinn's boots slapped against"
1"The suspect bolted ahead, a"
2"She cursed under her breath,"
3"Quinn pushed harder, her closely"
4"The man – Tomás Herrera,"
5"She'd watched him through the"
6"He'd met someone in the"
7"Her shout cut through the"
8"Herrera didn't falter."
9"He darted left, past a"
10"Quinn followed, her military bearing"
11"Her worn leather watch ticked"
12"She wouldn't let history repeat."
13"The alley narrowed, bins overflowing"
14"Herrera glanced back once, his"
15"He knew these streets, born"
16"A scar snaked along his"
17"The clique he ran with"
18"Bollocks, until it wasn't."
19"He skidded around a bend,"
ratio0.817
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences115
matches(empty)
ratio0
37.82% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences68
technicalSentenceCount10
matches
0"Rain hammered the rooftops of the terraced houses, turning the street into a black mirror that reflected the sodium glow of flickering lamps."
1"The alley narrowed, bins overflowing with sodden rubbish that squelched underfoot."
2"Camden's night market loomed ahead, the legitimate one, stalls shuttered under tarps that flapped like wounded birds."
3"Graffiti scarred the walls: sigils that twisted her gut, not the usual tags."
4"Footsteps echoed below – Herrera's, hurried but light, like a man who'd danced this path before."
5"A stall nearby displayed jars of writhing shadows; another, blades that hummed like struck tuning forks."
6"Stalls pressed close – a narrow path winding past a cart laden with desiccated herbs that whispered when brushed, their leaves curling like fingers."
7"The crowd parted uneasily around her, stares lingering: a tall figure in a trench coat, reeking of the surface world."
8"A woman with skin like cracked porcelain bumped her shoulder, murmuring apologies in a language that tugged at forgotten memories."
9"Quinn accelerated, boots splashing through shallow rivulets that carried flecks of iridescent oil."
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags5
uselessAdditionCount0
matches(empty)
16.67% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags2
fancyCount2
fancyTags
0"Her shout (shout)"
1"she barked (bark)"
dialogueSentences15
tagDensity0.133
leniency0.267
rawRatio1
effectiveRatio0.267
78.6851%