Run: 2026-02-20-01KHYB4ZK0QMNT65VNE779P5K3

Run Details

Duration:
21.2s
Cost:
$0.000315
Provider:
DeepInfra

Model input

System
You are an expert and award-winning novel writer in the dark Thriller genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4417" name="Tomás Herrera" aliases="Tommy, Tomás, Herrera" pronouns="he/him" species="Human" storyRole="Support"> <eyeColor>warm brown</eyeColor> <hair>short curly dark brown</hair> <height>5'10"</height> <age>29</age> <skinTone>olive skin</skinTone> <scar>scar running along his left forearm from a knife attack</scar> <medallion>Saint Christopher medallion around his neck</medallion> <birthplace>Seville, Spain</birthplace> <description>A former paramedic who provides off-the-books medical care for the clique.</description> <backstory>Born in Seville, Spain. He moved to London to work for the NHS but lost his license after administering unauthorized treatments to supernatural patients.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the thriller genre. A detective is pursuing a suspect through rain-soaked city streets at night. The chase takes them from the street level down into an underground market. The detective must decide whether to follow the suspect into unfamiliar and potentially dangerous territory. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The rain hammered against the slick asphalt, each drop a tiny, frantic drumbeat against the sodium glare of the streetlights. It wasn’t the polite drizzle of a Tuesday evening; this was a brutal, insistent downpour, the kind that swallowed sound and turned the city into a bruised, grey watercolor. Detective Harlow Quinn adjusted the worn leather strap of her watch, the cool metal a small anchor in the escalating chaos. The rain plastered her dark, closely cropped hair to her forehead, blurring the already indistinct shapes of the figures huddled beneath the inadequate shelter of shop awnings. Below, the rhythmic thud of boots on the pavement echoed her own, a relentless counterpoint to the storm’s fury. She hadn't spoken to Tomás Herrera in nearly twenty-four hours. Not since he’d delivered a single, cryptic vial – a luminescent, sickly green – and vanished back into the maze of London’s underbelly. The vial, she suspected, contained a key. A key to something far darker than she’d initially anticipated. The scent of wet concrete and something metallic – something akin to old blood – clung to the air, intensifying as she rounded a corner onto a narrow alley. Across the street, a figure darted into the gloom of The Raven’s Nest, its distinctive green neon sign a flickering promise of warmth and, perhaps, refuge. Silas’ bar. Quinn knew the place. A haven for shadows, for whispers, for the kind of clientele who preferred to operate beyond the reach of the law. She recognized the silhouette instantlyMarcus Bellweather, a low-level enforcer for the Clique, and a man who had a disturbing habit of accruing debts that even hell wouldn’t collect. She initiated her pursuit, a controlled burst of speed, her boots splashing in the accumulating puddles. Bellweather wasn’t fast, but he was unpredictable. He slid between parked cars, ducked into doorways, and seemed to anticipate her movements with an unsettling awareness. Quinn matched his pace, her military precision honed by eighteen years on the force, a constant, deliberate counterpoint to Bellweather’s frantic dash. A stray gust of wind ripped through the alley, momentarily obscuring her vision. She cursed under her breath, adjusting her grip on her service weapon. The rain intensified, a forceful deluge that threatened to wash away any trace of her pursuit. This wasn’t a straightforward arrest. Bellweather wasn’t just running; he was burying something. Something significant. She gained ground, closing the distance between them with each stride, the neon glow of The Raven’s Nest growing brighter, more inviting. As she stepped out of the alley and onto the bustling street, a sharp voice cut through the rain. "Detective Quinn. Fancy meeting you here." It was Detective Davies, her partner, a seasoned veteran with a face permanently etched with cynicism. He stood beneath a larger awning, observing the scene with a weary expression. "Dispatch called it in – Bellweather's headed for The Veil Market. And judging by the signal boost he’s emitting, it’s not a simple transaction.” “Signal boost?” Quinn asked, her voice tight. “What kind of signal?” “Something... energetic,” Davies replied, pulling out his tablet. “Unregistered. Powerful. It’s a ghost in the system. Likely linked to the Clique’s operations. This isn't just about a stolen ledger, Detective. This feels…bigger." He glanced down at a notification flashing on his screen. “They move the Market every full moon. Tonight is the cusp.” The Veil Market. An abandoned Tube station deep beneath Camden, accessible only with a "bone token" – a bizarre, unsettling prerequisite for entry. A place whispered about in the darker corners of the police force, a black market for the supernatural, a breeding ground for illicit enchantments and forbidden knowledge. The thought sent a shiver down Quinn’s spine, a prickle of unease she’d learned to recognize as a premonition of something truly terrible. “Let’s go,” she said, her voice firm, despite the tremor in her gut. “But we move fast. Davies, you’re on comms, relay any intel you get. And Quinn…” she paused, scanning the street. “Stick close.” They navigated the throngs of pedestrians, the rain turning the pavements into rivers of reflected light. The Raven’s Nest seemed to pulse with a hidden energy, its green neon sign radiating a hypnotic glow. Quinn pushed through the heavy doors, the immediate change in temperature – a surprising warmth – enveloping her. The air inside was thick with the smell of stale beer, cheap tobacco, and something vaguely…floral. A sickly sweet scent that overlaid the dampness. She scanned the room, her eyes adjusting to the dim light, searching for Bellweather. The bar itself was a haphazard collection of mismatched furniture, worn leather booths, and scarred wooden tables. The walls, as described in the files, were covered with old maps and black-and-white photographs, each one depicting a forgotten corner of London, a hidden alleyway or a crumbling building. The clientele was a familiar kaleidoscope of addicts, hustlers, and those who preferred to exist just outside the periphery of society. A man slid into the booth opposite her, a shadowy figure with a meticulously groomed mustache and eyes that held a disconcerting intelligence. Tomás Herrera. Quinn recognized him instantly – the scar on his forearm, the worn Saint Christopher medallion around his neck, the subtle scent of antiseptic clinging to his clothes. He offered a curt nod, his olive skin glistening with moisture. “Detective Quinn. I have a proposition for you." His voice was low, measured, betraying a deep-seated weariness. "A complication involving Mr. Bellweather... and a rather troublesome artifact.” “What artifact?” “An amulet,” Herrera replied, sliding a small, velvet pouch across the table. "Bearing a… unique inscription. It reacts strongly to the Veil’s resonant frequencies.” He gestured discreetly towards a darkened corner of the bar. “Bellweather is headed that way. The back room.” A bookshelf, positioned seemingly haphazardly, concealed a heavy, reinforced door. Silas, the bar’s enigmatic owner, hovered behind the bar, polishing glasses with an unnerving stillness. He offered no greeting, no observation, just a silent, watchful presence. As Quinn moved towards the hidden room, she noticed a small group huddled in the corner. A young woman, her face pale and drawn, was arguing heatedly with a man in a tailored suit, his features obscured by the shadows. A third individual, a wiry man with unsettlingly bright eyes, observed the exchange with detached interest. It wasn’t clear what they were arguing about, but the tension in the air was palpable. Quinn’s hand instinctively went to her holster, her senses on high alert. Bellweather was deep within the heart of the operation, and she was rapidly realizing that this was only the beginning. The rain outside intensified, drumming a relentless rhythm against the windows, mirroring the growing sense of unease within her. Somewhere beneath the Veil Market, a deal was being struck. A deal that could unravel the carefully constructed fabric of London’s secrets. And she, Detective Harlow Quinn, was standing on the precipice, poised to step into the darkness. A sudden, sharp intake of breath shattered the quiet. The man in the suit turned, his eyes locking onto Quinn. A predatory glint ignited within them. “Detective,” he said, his voice dangerously smooth, “I believe you are intruding.” The young woman screamed. The wiry man shifted, revealing a flash of silver beneath his coat. And Bellweather, emerging from the hidden room, didn't reach for a weapon. He simply smiled, a chillingly calm expression that sent a wave of icy dread washing over Quinn. He held up a small, intricately carved box, its surface shimmering with an unnatural luminescence. “Let’s just say,” he said, his voice a silken whisper, "that this finds you extremely… inconvenient."
created_at"2026-02-20T20:16:38.522Z" 2/20/2026, 8:16:38 PM
model"google/gemma-3-4b-it"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency375
moderation_latency(null)
generation_time21062
tokens_prompt4687
tokens_completion2070
native_tokens_prompt4515
native_tokens_completion1674
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.00031452
router(null)
provider_responses
0
endpoint_id"d3de3bd4-81bc-48fb-924f-2a87b2a36e75"
id"chatcmpl-RtpySYpzhaizJNMmNX6dAU3S"
is_byokfalse
latency105
model_permaslug"google/gemma-3-4b-it"
provider_name"DeepInfra"
status200
api_type"completions"
id"gen-1771618598-DcmRLUVc7V0C9bYuCye3"
upstream_id"chatcmpl-RtpySYpzhaizJNMmNX6dAU3S"
total_cost0.00031452
cache_discount(null)
upstream_inference_cost0
provider_name"DeepInfra"

Evaluation details

Result Evaluator Details Meta Data
0.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags10
adverbTagCount2
adverbTags
0"He gestured discreetly [discreetly]"
1"A bookshelf positioned seemingly [seemingly]"
dialogueSentences19
tagDensity0.526
leniency1
rawRatio0.2
effectiveRatio0.2
92.11% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1267
totalAiIsmAdverbs2
found
0
adverb"truly"
count1
1
adverb"carefully"
count1
highlights
0"truly"
1"carefully"
80.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found
0"Marcus"
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
5.29% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1267
totalAiIsms24
found
0
word"rhythmic"
count1
1
word"echoed"
count1
2
word"gloom"
count1
3
word"warmth"
count2
4
word"etched"
count1
5
word"scanning"
count1
6
word"navigated"
count1
7
word"pulse"
count1
8
word"scanned"
count1
9
word"familiar"
count1
10
word"kaleidoscope"
count1
11
word"glistening"
count1
12
word"measured"
count1
13
word"velvet"
count1
14
word"enigmatic"
count1
15
word"tension"
count1
16
word"palpable"
count1
17
word"sense of"
count1
18
word"unravel"
count1
19
word"constructed"
count1
20
word"shattered"
count1
21
word"glint"
count1
22
word"whisper"
count1
highlights
0"rhythmic"
1"echoed"
2"gloom"
3"warmth"
4"etched"
5"scanning"
6"navigated"
7"pulse"
8"scanned"
9"familiar"
10"kaleidoscope"
11"glistening"
12"measured"
13"velvet"
14"enigmatic"
15"tension"
16"palpable"
17"sense of"
18"unravel"
19"constructed"
20"shattered"
21"glint"
22"whisper"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches1
maxInWindow1
found
0
label"sent a shiver through"
count1
highlights
0"sent a shiver down"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences75
matches(empty)
85.71% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount2
narrationSentences75
filterMatches
0"watch"
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences82
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen34
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1272
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions6
unquotedAttributions0
matches(empty)
96.33% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions52
wordCount1118
uniqueNames20
maxNameDensity1.07
worstName"Quinn"
maxWindowNameDensity2
worstWindowName"Quinn"
discoveredNames
Tuesday1
Harlow2
Quinn12
Tomás2
Herrera3
London3
Raven3
Nest3
Marcus1
Bellweather7
Clique1
Detective3
Davies2
Veil2
Market2
Tube1
Camden1
Saint1
Christopher1
Silas1
persons
0"Harlow"
1"Quinn"
2"Tomás"
3"Herrera"
4"Raven"
5"Nest"
6"Marcus"
7"Bellweather"
8"Detective"
9"Davies"
10"Saint"
11"Christopher"
12"Silas"
places
0"London"
globalScore0.963
windowScore1
76.47% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences68
glossingSentenceCount2
matches
0"something akin to old blood – clung to the air"
1"lf, positioned seemingly haphazardly, concea"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1272
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences82
matches
0"realizing that this"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs13
mean97.85
std50.19
cv0.513
sampleLengths
0166
1128
2103
3100
411
553
6108
7158
890
92
1078
11161
12114
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences75
matches
0"being struck"
35.39% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount4
totalVerbs162
matches
0"was burying"
1"was arguing"
2"were arguing"
3"was standing"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount8
semicolonCount2
flaggedSentences7
totalSentences82
ratio0.085
matches
0"It wasn’t the polite drizzle of a Tuesday evening; this was a brutal, insistent downpour, the kind that swallowed sound and turned the city into a bruised, grey watercolor."
1"Not since he’d delivered a single, cryptic vial – a luminescent, sickly green – and vanished back into the maze of London’s underbelly."
2"The scent of wet concrete and something metallic – something akin to old blood – clung to the air, intensifying as she rounded a corner onto a narrow alley."
3"She recognized the silhouette instantly – Marcus Bellweather, a low-level enforcer for the Clique, and a man who had a disturbing habit of accruing debts that even hell wouldn’t collect."
4"Bellweather wasn’t just running; he was burying something."
5"Quinn pushed through the heavy doors, the immediate change in temperature – a surprising warmth – enveloping her."
6"Quinn recognized him instantly – the scar on his forearm, the worn Saint Christopher medallion around his neck, the subtle scent of antiseptic clinging to his clothes."
96.28% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount327
adjectiveStacks0
stackExamples(empty)
adverbCount13
adverbRatio0.039755351681957186
lyAdverbCount8
lyAdverbRatio0.024464831804281346
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences82
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences82
mean15.51
std7.5
cv0.484
sampleLengths
020
129
221
327
419
510
623
77
810
929
1026
112
124
1321
1430
1516
167
1718
1822
1913
2012
2116
225
238
242
2522
2619
2722
2813
2924
307
314
328
3334
3411
353
3620
3727
3823
3913
4020
412
4216
4318
4418
4516
468
4714
4817
4930
50.81% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats5
diversityRatio0.34146341463414637
totalSentences82
uniqueOpeners28
45.66% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount1
totalSentences73
matches
0"Somewhere beneath the Veil Market,"
ratio0.014
93.97% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount23
totalSentences73
matches
0"It wasn’t the polite drizzle"
1"She hadn't spoken to Tomás"
2"She recognized the silhouette instantly"
3"She initiated her pursuit, a"
4"He slid between parked cars,"
5"She cursed under her breath,"
6"She gained ground, closing the"
7"It was Detective Davies, her"
8"He stood beneath a larger"
9"He glanced down at a"
10"she said, her voice firm,"
11"she paused, scanning the street"
12"They navigated the throngs of"
13"She scanned the room, her"
14"He offered a curt nod,"
15"His voice was low, measured,"
16"He gestured discreetly towards a"
17"He offered no greeting, no"
18"It wasn’t clear what they"
19"he said, his voice dangerously"
ratio0.315
14.79% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount65
totalSentences73
matches
0"The rain hammered against the"
1"It wasn’t the polite drizzle"
2"Detective Harlow Quinn adjusted the"
3"The rain plastered her dark,"
4"She hadn't spoken to Tomás"
5"The vial, she suspected, contained"
6"A key to something far"
7"The scent of wet concrete"
8"Quinn knew the place."
9"A haven for shadows, for"
10"She recognized the silhouette instantly"
11"She initiated her pursuit, a"
12"Bellweather wasn’t fast, but he"
13"He slid between parked cars,"
14"Quinn matched his pace, her"
15"A stray gust of wind"
16"She cursed under her breath,"
17"The rain intensified, a forceful"
18"This wasn’t a straightforward arrest."
19"Bellweather wasn’t just running; he"
ratio0.89
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences73
matches(empty)
ratio0
72.83% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences51
technicalSentenceCount5
matches
0"It wasn’t the polite drizzle of a Tuesday evening; this was a brutal, insistent downpour, the kind that swallowed sound and turned the city into a bruised, grey…"
1"She recognized the silhouette instantly – Marcus Bellweather, a low-level enforcer for the Clique, and a man who had a disturbing habit of accruing debts that e…"
2"She gained ground, closing the distance between them with each stride, the neon glow of The Raven’s Nest growing brighter, more inviting."
3"She scanned the room, her eyes adjusting to the dim light, searching for Bellweather."
4"He simply smiled, a chillingly calm expression that sent a wave of icy dread washing over Quinn."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags10
uselessAdditionCount3
matches
0"Quinn asked, her voice tight"
1"he said, his voice dangerously smooth,"
2"he said, his voice a silken whisper,"
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags6
fancyCount0
fancyTags(empty)
dialogueSentences19
tagDensity0.316
leniency0.632
rawRatio0
effectiveRatio0
71.5218%