Run: 2026-03-06-01KK1GK4SR7C3FBHTMG2WDSC8A

Run Details

Duration:
6.0s
Cost:
$0.003189
Provider:
Inception

Model input

System
You are an expert and award-winning novel writer in the dark Thriller genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4417" name="Tomás Herrera" aliases="Tommy, Tomás, Herrera" pronouns="he/him" species="Human" storyRole="Support"> <eyeColor>warm brown</eyeColor> <hair>short curly dark brown</hair> <height>5'10"</height> <age>29</age> <skinTone>olive skin</skinTone> <scar>scar running along his left forearm from a knife attack</scar> <medallion>Saint Christopher medallion around his neck</medallion> <birthplace>Seville, Spain</birthplace> <description>A former paramedic who provides off-the-books medical care for the clique.</description> <backstory>Born in Seville, Spain. He moved to London to work for the NHS but lost his license after administering unauthorized treatments to supernatural patients.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the thriller genre. A detective is pursuing a suspect through rain-soaked city streets at night. The chase takes them from the street level down into an underground market. The detective must decide whether to follow the suspect into unfamiliar and potentially dangerous territory. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
A scream cut through the night. Harlow Quinn sprinted down the slick cobblestones, her leather watch flashing a warning rhythm against her wrist. The suspect—a wiry figure in a dark coat—darted ahead, slipping through a narrow doorway that led to a stairwell. Harlow’s boots splashed in puddles that reflected the green neon of The Raven’s Nest above, the sign flickering like a warning beacon. She vaulted the first step, feeling the cold metal of the railing bite her palm. Behind her, the sound of a distant siren rose and fell, a tick‑tock that matched her racing heart. The stairwell descended into darkness, the air growing colder with each level. A faint, metallic scent lingered, as if the stone itself exhaled rust. “Hold it!” she shouted, voice echoing off the stone. The suspect paused, a glint of something metallic catching the low light. He turned, eyes narrowed, and vanished into a side passage that disappeared behind a rusted door. Harlow pressed her back against the door, listening. The hallway smelled of damp plaster and stale tobacco. She could hear muffled voices, low and urgent, drifting from beyond the doorway. A faint humming resonated from the walls, like a low‑frequency chant. She slipped the door open, the hinges protesting with a squeak. Inside, the space opened into a cramped backroom lined with shelves of old maps and black‑and‑white photographs. The green neon sign from outside painted the walls in an eerie glow. A small wooden table sat in the centre, a single candle flickering atop it. A narrow staircase led further down, disappearing into a darkness that swallowed the light. A voice whispered from the shadows, “You’re out of place, Detective.” The words were barely audible, but the tone carried a warning. Harlow’s eyes narrowed. She drew her service pistol, the metal cold against her palm. “Identify yourself,” she demanded, voice steady despite the adrenaline coursing through her veins. A figure stepped forward, his face half‑hidden by a scarf. “Tomás,” he said, the accent of his speech a soft roll of the r’s. “You’re not supposed to be here.” Tomás Herrera’s scar glinted under the candlelight as he lifted his left forearm, revealing the Saint Christopher medallion that swung gently. “I’m just trying to keep the people in this neighbourhood alive,” he muttered, eyes scanning the room for an exit. Harlow lowered her pistol slightly, the barrel still trained on him. “The Veil Market moves tonight. I need a token.” Tomás chuckled, a low sound that seemed to vibrate the candle flame. “Tokens aren’t cheap, love. You’re playing with fire you don’t understand.” A sudden clang reverberated from the stairs, a metal door slamming shut. The low hum grew louder, a pulse that seemed to sync with Harlow’s heartbeat. She felt the weight of the decision pressing down on her: follow the suspect into an unknown underworld, or retreat to the safety of the surface. “Give me the token,” she said, voice clipped. “I’m not leaving without that.” Tomás reached into his coat, his fingers brushing the scar on his forearm. He produced a small, bone‑white token, etched with strange symbols that glowed faintly. “This will get you past the gate,” he whispered. “But once you’re in, there’s no turning back.” Harlow took the token, the cold of the bone biting into her skin. She slipped it into the pocket of her coat, feeling the weight of destiny settle there. “I’ll be back,” she promised, though the words felt hollow. The stairwell beyond the backroom opened into a vaulted tunnel, the walls lined with damp bricks and flickering lanterns. The air grew thick with incense and a metallic tang that hinted at alchemical experiments. A low murmur rose from the shadows, a chorus of voices speaking in hushed tones. She descended, each step echoing like a drumbeat. The tunnel opened into a cavernous space, the ceiling disappearing into darkness. The Veil Market sprawled before her, a labyrinth of stalls and shadowed alcoves, each one illuminated by a single, wavering candle. The market’s layout shifted, a living maze that seemed to rearrange itself with each passing moment. A vendor with a gaunt face and a silvered beard offered a vial of liquid that glowed a sickly green. “Ritual brew,” he croaked, “for those who wish to see beyond the veil.” Harlow ignored the vendor, scanning the crowd for the suspect. She caught a glimpse of a coat slipping through a narrow passage between two stalls, the fabric catching the candlelight. She pursued, her boots echoing on the stone floor. The suspect turned a corner, disappearing into a room marked by a sign that read “Secret Room – No Entry.” Harlow hesitated, the memory of her partner’s disappearance flashing in her mind. The case that had haunted her for three years, the supernatural forces that had claimed DS Morris, lingered like a phantom. “Turn around,” she called, voice reverberating off the stone walls. The suspect paused, a hand raised to a hidden pocket. A sudden, guttural laugh erupted from the shadows, a sound that seemed to vibrate the very air. “You think you can control what you don’t understand,” a voice hissed, the words dripping with contempt. Harlow’s eyes flicked to the source: a woman in a flowing black dress, her hair a cascade of midnight. She held a small, ornate dagger, its blade etched with runes that pulsed with a faint blue light. “Detective Quinn,” the woman said, her tone silky and dangerous. “You’re trespassing on a realm that belongs to us.” Harlow’s grip tightened around her pistol. “I’m here for a man who stole something that belongs to the city.” The woman’s smile widened, revealing a row of perfect, white teeth. “You’ll find that the city has already given you a gift you can’t refuse.” A sudden flash of light burst from the dagger, blinding Harlow for a heartbeat. When her vision cleared, the suspect was gone, vanished into thin air as if swallowed by the darkness itself. The woman’s eyes glowed, a violet hue that seemed to pierce Harlow’s soul. “Your partner’s blood still stains these stones,” the woman whispered, voice echoing. “You’ll never find peace until you accept the truth.” Harlow’s breath came in short bursts. She felt the weight of the token in her pocket, a reminder that she was now bound to this place. The market’s hum rose, a crescendo that threatened to drown out her thoughts. A hand brushed her shoulder, cold and clammy. She spun, pistol raised, to face a figure cloaked in shadows. The figure’s face was obscured, but a glint of metal caught her eye—a silver badge, cracked, bearing the insignia of the Metropolitan Police. “Detective Quinn,” the figure said, voice low and urgent. “We need to leave now. The market is collapsing.” Harlow’s mind raced. She could retreat, return to the surface, leave the suspect at large, or press on, risking the unknown. She glanced at the bone token, at the candle‑lit stalls, at the woman’s violet eyes, and felt the weight of her partner’s unsolved death press against her chest. She lowered her pistol, the barrel still humming with residual energy. “Where do we go?” she asked, voice barely above a whisper. The cloaked figure stepped forward, revealing a familiar face—Detective Harlow Quinn’s former partner, DS Morris, his eyes empty but alive with a strange light. “Follow me,” he said, his tone an echo of the past. “The answer lies below.” A sudden tremor shook the market, the stone arches cracking, dust raining down like ash. The candle flames sputtered, casting frantic shadows across the walls. The woman’s laughter rose, a chilling chorus that seemed to merge with the crumbling stone. Harlow felt a surge of dread, but also a fierce resolve. She stepped forward, the bone token clutched in her hand, the weight of destiny pulling her deeper into the darkness. The market’s entrance began to collapse, a wall of stone falling towards her. A hand reached out from the darkness, grasping her wrist with a grip that felt both human and otherworldly. The voice that whispered in her ear was barely audible over the roar of falling stone. “Welcome to the true heart of the city, Detective,” it hissed. “Your journey has only just begun.” The stone wall crashed behind them, sealing the entrance. The candlelight flickered out, plunging the market into an abyss of blackness. Harlow felt a cold breath on her neck, a presence that seemed to pulse with the rhythm of a distant drum. She turned, eyes straining in the darkness, and saw a figure stepping out of the shadows, a silhouette that matched the outline of her lost partner. The figure lifted a hand, a glint of something metallic catching the faint glow of the bone token. A low, guttural chant rose from the depths, a sound that seemed to vibrate the very floor beneath her feet. The market’s walls trembled, and a hidden door began to open, revealing a stairwell that descended even further into the earth. Harlow’s pulse hammered, her mind a whirlwind of fear, resolve, and the echo of her partner’s last words. She tightened her grip on the pistol, the bone token now warm against her skin. “Let’s go,” she said, voice steady, as the darkness swallowed her whole. The stairwell yawned before her, a maw of black that promised either salvation or doom. The sound of a distant siren rose, then fell, a fleeting reminder of the world above. Harlow stepped into the abyss, the stone door slamming shut behind her, sealing the market in silence. A sudden, sharp crack echoed through the void, and a hand—cold, skeletal, unmistakably human—grasped her ankle, pulling her into the unknown. The darkness closed, and the last thing she saw was a flash of violet eyes, smiling. “Welcome,” the voice whispered, and the world went black.
created_at"2026-03-06T12:05:10.6Z" 3/6/2026, 12:05:10 PM
model"inception/mercury-2-20260304"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency2053
moderation_latency(null)
generation_time5973
tokens_prompt4663
tokens_completion3545
native_tokens_prompt3961
native_tokens_completion2933
native_tokens_completion_images(null)
native_tokens_reasoning858
native_tokens_cached4
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.0031891
router(null)
provider_responses
0
endpoint_id"c2a24e34-c306-4b4d-9e2f-b162c2d8bf0e"
id"chatcmpl-d1b6b603-4733-453d-bac9-4274e71ff1c0"
is_byokfalse
latency52
model_permaslug"inception/mercury-2-20260304"
provider_name"Inception"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
id"gen-1772798710-IePdaIUvjxPiUi05ds8T"
upstream_id"chatcmpl-d1b6b603-4733-453d-bac9-4274e71ff1c0"
total_cost0.0031891
cache_discount9e-7
upstream_inference_cost0
provider_name"Inception"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags20
adverbTagCount0
adverbTags(empty)
dialogueSentences32
tagDensity0.625
leniency1
rawRatio0
effectiveRatio0
84.81% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1646
totalAiIsmAdverbs5
found
0
adverb"gently"
count1
1
adverb"slightly"
count1
2
adverb"very"
count2
3
adverb"barely above a whisper"
count1
highlights
0"gently"
1"slightly"
2"very"
3"barely above a whisper"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
0.00% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1646
totalAiIsms46
found
0
word"beacon"
count1
1
word"racing"
count1
2
word"echoing"
count4
3
word"glint"
count3
4
word"resonated"
count1
5
word"scanning"
count2
6
word"reverberated"
count1
7
word"pulse"
count3
8
word"weight"
count5
9
word"etched"
count2
10
word"wavering"
count1
11
word"flicked"
count1
12
word"pulsed"
count1
13
word"perfect"
count1
14
word"reminder"
count2
15
word"raced"
count1
16
word"whisper"
count1
17
word"familiar"
count1
18
word"echo"
count2
19
word"chilling"
count1
20
word"resolve"
count2
21
word"otherworldly"
count1
22
word"flickered"
count1
23
word"depths"
count1
24
word"trembled"
count1
25
word"maw"
count1
26
word"fleeting"
count1
27
word"silence"
count1
28
word"echoed"
count1
29
word"the last thing"
count1
highlights
0"beacon"
1"racing"
2"echoing"
3"glint"
4"resonated"
5"scanning"
6"reverberated"
7"pulse"
8"weight"
9"etched"
10"wavering"
11"flicked"
12"pulsed"
13"perfect"
14"reminder"
15"raced"
16"whisper"
17"familiar"
18"echo"
19"chilling"
20"resolve"
21"otherworldly"
22"flickered"
23"depths"
24"trembled"
25"maw"
26"fleeting"
27"silence"
28"echoed"
29"the last thing"
66.67% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches2
maxInWindow2
found
0
label"eyes widened/narrowed"
count2
highlights
0"eyes narrowed"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells2
narrationSentences106
matches
0"g with contempt"
1"a surge of dread"
0.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount10
narrationSentences106
filterMatches
0"watch"
hedgeMatches
0"seemed to"
1"began to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences118
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen31
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1641
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions24
unquotedAttributions0
matches(empty)
66.67% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions37
wordCount1447
uniqueNames14
maxNameDensity1.38
worstName"Harlow"
maxWindowNameDensity3
worstWindowName"Harlow"
discoveredNames
Quinn2
Raven1
Nest1
Tomás3
Herrera1
Saint1
Christopher1
Harlow20
Veil1
Market1
Morris2
Metropolitan1
Police1
Detective1
persons
0"Quinn"
1"Raven"
2"Tomás"
3"Herrera"
4"Saint"
5"Christopher"
6"Harlow"
7"Market"
8"Morris"
places(empty)
globalScore0.809
windowScore0.667
0.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences99
glossingSentenceCount8
matches
0"sound that seemed to vibrate the candle flame"
1"pulse that seemed to sync with Harlow’s heartbeat"
2"maze that seemed to rearrange itself with each passing moment"
3"sound that seemed to vibrate the very air"
4"hue that seemed to pierce Harlow’s soul"
5"chorus that seemed to merge with the crumbling stone"
6"presence that seemed to pulse with the rhythm of a distant drum"
7"sound that seemed to vibrate the very floor beneath her feet"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1641
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences118
matches(empty)
64.61% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs46
mean35.67
std13.42
cv0.376
sampleLengths
064
157
237
341
469
522
627
730
841
920
1023
1152
1213
1343
1439
1549
1657
1733
1839
1953
2020
2134
2237
2319
2419
2525
2646
2721
2839
2942
3018
3149
3222
3339
3440
3544
3635
3717
3842
3944
4041
4133
4227
4333
4437
459
98.64% Passive voice overuse
Target: ≤2% passive sentences
passiveCount2
totalSentences106
matches
0"was gone"
1"was obscured"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount0
totalVerbs249
matches(empty)
46.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount6
semicolonCount0
flaggedSentences4
totalSentences118
ratio0.034
matches
0"The suspect—a wiry figure in a dark coat—darted ahead, slipping through a narrow doorway that led to a stairwell."
1"The figure’s face was obscured, but a glint of metal caught her eye—a silver badge, cracked, bearing the insignia of the Metropolitan Police."
2"The cloaked figure stepped forward, revealing a familiar face—Detective Harlow Quinn’s former partner, DS Morris, his eyes empty but alive with a strange light."
3"A sudden, sharp crack echoed through the void, and a hand—cold, skeletal, unmistakably human—grasped her ankle, pulling her into the unknown."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1453
adjectiveStacks0
stackExamples(empty)
adverbCount22
adverbRatio0.015141087405368204
lyAdverbCount9
lyAdverbRatio0.006194081211286993
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences118
echoCount0
echoWords(empty)
93.76% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences118
mean13.91
std5.35
cv0.384
sampleLengths
06
117
219
322
415
518
612
712
89
912
1016
118
129
1313
1411
1511
1617
1713
1814
1914
2022
213
2211
2313
2410
2514
266
2721
2820
2911
309
3112
3211
3312
3414
3526
368
375
3813
3913
409
418
4213
4316
4410
4519
4615
4715
488
4912
39.83% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats12
diversityRatio0.22033898305084745
totalSentences118
uniqueOpeners26
0.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount0
totalSentences103
matches(empty)
ratio0
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount30
totalSentences103
matches
0"She vaulted the first step,"
1"she shouted, voice echoing off"
2"He turned, eyes narrowed, and"
3"She could hear muffled voices,"
4"She slipped the door open,"
5"She drew her service pistol,"
6"she demanded, voice steady despite"
7"he said, the accent of"
8"he muttered, eyes scanning the"
9"She felt the weight of"
10"she said, voice clipped"
11"He produced a small, bone‑white"
12"She slipped it into the"
13"she promised, though the words"
14"She descended, each step echoing"
15"She caught a glimpse of"
16"She pursued, her boots echoing"
17"she called, voice reverberating off"
18"She held a small, ornate"
19"She felt the weight of"
ratio0.291
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount100
totalSentences103
matches
0"A scream cut through the"
1"Harlow Quinn sprinted down the"
2"The suspect—a wiry figure in"
3"Harlow’s boots splashed in puddles"
4"She vaulted the first step,"
5"The stairwell descended into darkness,"
6"A faint, metallic scent lingered,"
7"she shouted, voice echoing off"
8"The suspect paused, a glint"
9"He turned, eyes narrowed, and"
10"Harlow pressed her back against"
11"The hallway smelled of damp"
12"She could hear muffled voices,"
13"A faint humming resonated from"
14"She slipped the door open,"
15"The green neon sign from"
16"A small wooden table sat"
17"A narrow staircase led further"
18"A voice whispered from the"
19"Harlow’s eyes narrowed."
ratio0.971
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences103
matches(empty)
ratio0
28.57% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences75
technicalSentenceCount12
matches
0"The suspect—a wiry figure in a dark coat—darted ahead, slipping through a narrow doorway that led to a stairwell."
1"Harlow’s boots splashed in puddles that reflected the green neon of The Raven’s Nest above, the sign flickering like a warning beacon."
2"Behind her, the sound of a distant siren rose and fell, a tick‑tock that matched her racing heart."
3"A narrow staircase led further down, disappearing into a darkness that swallowed the light."
4"Tomás Herrera’s scar glinted under the candlelight as he lifted his left forearm, revealing the Saint Christopher medallion that swung gently."
5"The air grew thick with incense and a metallic tang that hinted at alchemical experiments."
6"The woman’s eyes glowed, a violet hue that seemed to pierce Harlow’s soul."
7"The market’s hum rose, a crescendo that threatened to drown out her thoughts."
8"The voice that whispered in her ear was barely audible over the roar of falling stone."
9"She turned, eyes straining in the darkness, and saw a figure stepping out of the shadows, a silhouette that matched the outline of her lost partner."
10"A low, guttural chant rose from the depths, a sound that seemed to vibrate the very floor beneath her feet."
11"The market’s walls trembled, and a hidden door began to open, revealing a stairwell that descended even further into the earth."
0.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags20
uselessAdditionCount14
matches
0"she shouted, voice echoing off the stone"
1"she demanded, voice steady despite the adrenaline coursing through her veins"
2"he muttered, eyes scanning the room for an exit"
3"she said, voice clipped"
4"she promised, though the words felt hollow"
5"she called, voice reverberating off the stone walls"
6"a voice hissed, the words dripping with contempt"
7"the woman said, her tone silky and dangerous"
8"the woman whispered, voice echoing"
9"the figure said, voice low and urgent"
10"she asked, voice barely above a whisper"
11"he said, his tone an echo of the past"
12"she said, voice steady, as the darkness swallowed her whole"
13"the voice whispered, and the world went black"
0.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags19
fancyCount11
fancyTags
0"she shouted (shout)"
1"A voice whispered (whisper)"
2"she demanded (demand)"
3"he muttered (mutter)"
4"he whispered (whisper)"
5"she promised (promise)"
6"he croaked (croak)"
7"a voice hissed (hiss)"
8"the woman whispered (whisper)"
9"it hissed (hiss)"
10"the voice whispered (whisper)"
dialogueSentences32
tagDensity0.594
leniency1
rawRatio0.579
effectiveRatio0.579
62.9854%