Run: 2026-03-12-01KKHYRKWJZGMFECXP1AFXTG95

Run Details

Duration:
21.0s
Cost:
$0.027659
Provider:
xAI

Model input

System
You are an expert and award-winning novel writer in the dark Thriller genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4417" name="Tomás Herrera" aliases="Tommy, Tomás, Herrera" pronouns="he/him" species="Human" storyRole="Support"> <eyeColor>warm brown</eyeColor> <hair>short curly dark brown</hair> <height>5'10"</height> <age>29</age> <skinTone>olive skin</skinTone> <scar>scar running along his left forearm from a knife attack</scar> <medallion>Saint Christopher medallion around his neck</medallion> <birthplace>Seville, Spain</birthplace> <description>A former paramedic who provides off-the-books medical care for the clique.</description> <backstory>Born in Seville, Spain. He moved to London to work for the NHS but lost his license after administering unauthorized treatments to supernatural patients.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the thriller genre. A detective is pursuing a suspect through rain-soaked city streets at night. The chase takes them from the street level down into an underground market. The detective must decide whether to follow the suspect into unfamiliar and potentially dangerous territory. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Harlow Quinn's boots slapped against the wet pavement as she rounded the corner into Brewer Street, her breath clouding in the cold air. The suspect's silhouette darted ahead, coat flapping like broken wings. She pushed harder, thighs burning, the worn leather watch on her left wrist biting into her skin with each pump of her arms. "Stop! Police!" she shouted, voice raw. The man didn't slow. Tomás Herrera, she knew his face from the files. Former paramedic. Supplier to the wrong sort of people. He glanced back once, warm brown eyes wide with panic, then veered sharply left down an alley that smelled of piss and rotting takeaways. She followed, water streaming down her closely cropped salt-and-pepper hair, soaking the collar of her jacket. Morris's voice echoed in her head from three years back. *Don't chase alone, Quinn. Not worth it.* But Morris wasn't here anymore. Not after that night in the abandoned warehouse where something had taken him. Something she still couldn't name. Herrera kicked over a bin as he ran. Glass bottles shattered across the alley floor. Quinn leaped over the debris, nearly losing her footing on the slick cobbles. Her sharp jaw clenched tight. This wasn't random. He'd been meeting someone at The Raven's Nest earlier. Silas's bar with its distinctive green neon sign flickering above the door like a warning. She'd watched from across the street as Herrera slipped out the back, clutching a small package. The alley narrowed. Graffiti-covered walls closed in. Herrera slammed against a metal door at the end, fumbling with something in his pocket. Quinn closed the distance, heart hammering against her ribs. "Hands where I can see them, Herrera!" He turned, olive-skinned face glistening with rain. The scar along his left forearm caught the dim light from a streetlamp above as he raised his hands. That Saint Christopher medallion swung from his neck, catching what little light existed down here. "Detective Quinn." His voice carried the soft lilt of Seville, clipped now with fear. "You shouldn't be here." "Neither should you." She approached slowly, hand hovering near her baton. "What were you doing at the Nest? Who gave you the package?" "Package?" He laughed once, short and bitter. "You see packages everywhere, don't you? Like the one your partner chased three years ago." The words hit like a slap. Quinn's fingers tightened. "Don't talk about Morris." Herrera's warm brown eyes met hers. "He saw too much. Like you. Always following the wrong threads." Movement behind him. The metal door creaked open. A figure in a hooded jacket stepped out, pressing something small into Herrera's palm. A bone token, pale and etched with symbols Quinn didn't recognise. "Go," the hooded figure whispered. Herrera bolted through the door. Quinn surged forward, but the hooded man blocked her path, arms spread wide. "Members only, Detective." She shoved him aside, hard enough that he stumbled into the wall. The door led to a set of concrete steps descending into darkness. Music thumped faintly from below, mixed with voices and the clink of glass. Not normal pub sounds. Something sharper. Older. Quinn hesitated at the top step. The rain hammered on the alley behind her. This wasn't protocol. No backup. No warrant. Just her and whatever waited down there. The Veil Market, her informants had called it in hushed tones. Moved every full moon. Required a bone token for entry. Sold things that shouldn't exist. Herrera's footsteps echoed downward. She thought of Morris again, his body never properly recovered, just scraps of cloth and blood that didn't look quite human. "Damn it." She descended, one hand on the damp wall for balance. The stairs twisted down further than they should, the air growing thicker, heavier with incense and something metallic. Copper stung her nostrils. Blood. Recent. At the bottom, a turnstile blocked the way. A woman with tattoos snaking up her neck eyed Quinn coldly. "Token." "I don't have one." "Then you don't pass." The woman smiled, revealing teeth filed to points. Quinn pulled out her warrant card, holding it up. "Metropolitan Police. Step aside." The woman's laugh echoed off the tiled walls of what looked like an abandoned Tube station. Camden, she realised. The old disused platforms beneath the market streets. How had they connected the alley to this? "Badges mean nothing here, Detective. Rules of the Market. Bone for entry. No exceptions." A commotion further in caught Quinn's eye. Herrera at a stall, arguing with a vendor over a small vial that glowed faint blue in the dim light. Enchanted goods, her gut told her. Banned alchemical substances. The very things that had taken Morris. She vaulted the turnstile before the tattooed woman could react. Shouts rose behind her. Quinn ran deeper into the market, past stalls draped in black cloth, selling everything from dried herbs that whispered when touched to knives that seemed to drink the light. Herrera spotted her. His short curly dark brown hair was plastered to his forehead now. He knocked over a table of what looked like crystal balls, sending them rolling across the platform. One shattered, releasing a cloud of purple smoke that made nearby shoppers cough and curse. "Stop running, Tomás!" Quinn called out, dodging a group of cloaked figures haggling over a map that moved on its own. "You don't understand what you're chasing!" He ducked behind a stall selling old maps similar to those on the walls of The Raven's Nest. "This isn't your world!" The market sprawled further than the station should allow. Arches led to more arches, platforms connected by makeshift bridges over what looked like bottomless tracks. Lanterns swung overhead, casting long shadows that seemed to move independently. Quinn's lungs burned. Her military precision kept her movements tight, efficient, but the terrain fought her at every turn. A vendor reached out, grabbing her sleeve. "Looking for answers about your partner, Detective? I've got memories for sale. Cheap." She wrenched free. "Not now." Herrera had reached a junction ahead. Three tunnels branched out. He paused, looking back at her. The Saint Christopher medallion caught the lantern light again, gleaming against his olive skin. "Go home, Quinn. Before you lose more than you already have." "What did you give those people at the Nest?" She advanced slowly now, reading his face. "What was in the package?" "Help." His voice dropped. "For people your lot can't or won't protect. The ones who end up like Morris when the wrong things notice them." A siren wailed in the distance. Not police. Something else. The market seemed to shift, stalls rearranging themselves as if alive. Patrons melted into side passages. Herrera gripped the vial from earlier. He looked at it, then at her. Conflict warred across his features. "You lost him because you followed the wrong scent. Don't make the same mistake." Quinn's hand went to her belt. No gun, not for this. But her baton felt heavy. She could take him in, question him properly under lights. Get answers about Morris. About the supernatural origins her reports had dismissed as delusions. Or she could let him go. Follow the threads he dangled. The market offered information, after all. If she could just get past the entry rules. The tattooed woman from the turnstile appeared with two burly men, all carrying what looked like enchanted truncheons that crackled with energy. "Intruder!" the woman shouted. "Market security!" Herrera made his choice. He tossed the bone token at her feet. It skittered across the tiles, coming to rest against her boot. "Use it wisely. Or don't. Your funeral, Detective." He disappeared down the left tunnel, coat swallowed by shadow. Quinn bent to retrieve the token. The bone felt warm, almost pulsing in her palm. Symbols carved into it seemed to writhe when she looked directly at them. The security men charged. She sprinted after Herrera, token clutched tight. The tunnel sloped downward, walls covered in the same old maps and black-and-white photographs as Silas's bar. Connections. Everything connected. "Tomás, wait!" Her voice echoed back mockingly. The air grew colder, carrying whispers that sounded too much like Morris's final screams. A stall at the tunnel's end sold exactly what she needed. Information on lost partners. The vendor, an old woman with eyes that didn't blink, smiled as Quinn approached. "Looking for answers, Detective? Cost you more than that token." Behind her, the security team closed in. Quinn could hear their footsteps, see their shadows stretching long across the curved walls. She turned to face them, token raised like a shield. The old woman cackled. "Better decide quick. Market's not kind to outsiders who linger." The lead security man raised his weapon. Energy crackled along its length. Quinn's grip tightened on the bone. Morris's face flashed in her mind, then Herrera's warning. The vial. The market. The truth that had cost her partner everything. She stepped closer to the stall. "What do you know about DS Morris's death?" The old woman's smile widened, showing too many teeth. "Everything. But truth has a price, Detective Quinn. And payment's due now." The security team reached her. One grabbed her shoulder, fingers digging in hard. "Trespassers pay in different ways," he growled. Quinn drove her elbow back, connecting with his jaw. He staggered. She spun, bringing the baton up, cracking it across another's knee. The third swung his crackling weapon. She ducked, feeling the heat singe her hair. The old woman watched, unconcerned. "Three minutes until the market moves again. Better hurry your choice." Quinn's eyes darted between the vendor and the recovering security. Herrera was gone. The package, whatever it contained, lost to the tunnels. But this stall promised answers. She slammed the bone token onto the counter. "Talk." The old woman snatched it up, biting into it with those too-many teeth. Satisfaction crossed her face. "Morris didn't die, Detective. Not exactly. He's still down here. Somewhere. With the others who saw too much." Quinn's blood ran cold. "Where?" "That information costs extra." The security men advanced again, weapons raised. Quinn backed against the stall, mind racing. She could fight them, maybe win, but then what? The market would shift. She'd lose her only lead. Or she could bargain. Play their game. "Fine. Name your price." The old woman's eyes gleamed. "Your watch. The one your partner gave you before that night. Brings luck, doesn't it? Or did it fail him?" Quinn's left wrist suddenly felt heavier. The worn leather watch Morris had pressed into her hand the day before he disappeared. *Keep time for both of us*, he'd said with that crooked smile. She unfastened it slowly. The security men paused, watching the transaction with interest. Market rules superseded their authority here. The old woman reached for the watch. A scream tore through the market from deeper in the tunnels. Herrera's voice, recognisable even distorted by distance and fear. "Quinn! Don't! It's a—" The sound cut off abruptly. Quinn yanked her hand back, watch still on her wrist. The old woman hissed, fingers closing on empty air. "Deal's a deal, Detective." "Deal's off." Quinn backed away, baton ready. "Tell me where Morris is. Now." The security men closed in from both sides. The old woman gestured, and the stall itself seemed to shift, shelves rearranging to block escape routes. "Payment first." Herrera's medallion. Quinn remembered it catching the light as he ran. He had dropped it, she realised. It lay on the ground near the tunnel entrance, half-hidden by a fallen lantern. She dove for it, rolling under the first security man's swing. Her fingers closed around the warm metal. Saint Christopher. Patron of travellers. Protection for the lost. The old woman lunged across her counter, nails like claws. Quinn held the medallion up. "This instead. From the man you just helped escape. Should be worth more." The woman paused, sniffing the air. "Herrera's. Tainted with hospital magic. Useful." She snatched it, retreating behind her counter. The security men hesitated, awaiting instruction. "Tell me," Quinn demanded. The old woman's smile returned, sharper now. "Lower levels. Where the tubes don't run anymore. Past the veil proper. But you'll need more than trinkets to bring him back. He's changed. They all change down there." Quinn's stomach twisted. Changed how? The supernatural origins she'd dismissed in official reports suddenly felt very real. The market rumbled. Lanterns swayed violently. Stalls began folding themselves with mechanical precision. "Time's up," the tattooed woman from the entrance called. "Market moves in one minute." Quinn ran toward the deeper tunnels, following the direction of Herrera's scream. The old woman called after her. "Remember, Detective! Some truths swallow you whole!" The platform gave way to rougher ground, tiles replaced by damp earth and stone. The air smelled of earth and ozone and something sweeter. Decay. Her boots splashed through puddles that reflected impossible things. Faces. Not hers. Not Herrera's. "Morris!" she called, voice echoing into the dark. A shape moved ahead. Not human. Too tall, joints wrong. It turned toward her, and for a moment she saw familiar features twisted into something else. "Quinn..." The voice was Morris's but layered with others. "You came." She stopped dead. The watch on her wrist suddenly felt ice cold against her skin. Behind her, the market's rumbling grew louder as it prepared to shift locations again. The tunnel entrance began to close, bricks sliding into place like teeth. The thing that had been Morris extended a hand that ended in too many fingers. "Run with me." Quinn raised her baton, but her arm trembled. The bone token in her pocket grew hot, burning through her clothes. She had seconds to decide. Follow this thing deeper, find out what happened to her partner, to Herrera, to all of them. Or fight her way back to the surface, pretend this night never happened. The tunnel sealed behind her with a grinding finality. The creature smiled with Morris's mouth. "Too late now." Quinn gripped the baton tighter, rain still dripping from her hair though no rain fell here. The market had moved. She was trapped beneath, with whatever this place truly was. "What are you?" she whispered. The answer came not from the creature but from all around her, whispers rising from the walls themselves. "We are what waits when you chase too far." Footsteps approached from the side tunnels. Multiple sets. Herrera's among them, she thought. Or what remained of him. Quinn backed against the sealed entrance, heart pounding against her ribs. Her sharp jaw set in determination even as fear clawed up her throat. The creature wearing Morris's face stepped closer. "Welcome to the real Veil, Detective. We've been expecting you." The first of the new figures emerged from the shadows, medallion glinting. Not Herrera's. This one had fresh blood on the chain. Quinn swung her baton in a wide arc, connecting with the nearest threat. The impact jarred her arms. Something inhuman howled. More came. She fought, precise and military, exactly as she'd been trained. But this wasn't training. This was the truth Morris had found. The one Herrera had tried to warn her about. The watch on her wrist stopped ticking entirely as the circle closed around her.
created_at"2026-03-12T21:20:41.227Z" 3/12/2026, 9:20:41 PM
model"x-ai/grok-4.20-beta-20260309"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency498
moderation_latency(null)
generation_time20339
tokens_prompt4663
tokens_completion4103
native_tokens_prompt4170
native_tokens_completion3239
native_tokens_completion_images0
native_tokens_reasoning0
native_tokens_cached64
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
usage0.0276588
router(null)
provider_responses
0
endpoint_id"33f49f24-a0de-4dcf-872d-ca514e83fbae"
id"4364059d-cb85-74b4-6205-13075d3c1420"
is_byokfalse
latency455
model_permaslug"x-ai/grok-4.20-beta-20260309"
provider_name"xAI"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
id"gen-1773350441-qAeCwN8Poim0RizdT5Fw"
upstream_id"4364059d-cb85-74b4-6205-13075d3c1420"
total_cost0.0276588
cache_discount0.0001152
upstream_inference_cost0
provider_name"xAI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags18
adverbTagCount3
adverbTags
0"She approached slowly [slowly]"
1"He laughed once [once]"
2"She advanced slowly [slowly]"
dialogueSentences65
tagDensity0.277
leniency0.554
rawRatio0.167
effectiveRatio0.092
78.22% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2525
totalAiIsmAdverbs11
found
0
adverb"sharply"
count1
1
adverb"slowly"
count3
2
adverb"coldly"
count1
3
adverb"very"
count2
4
adverb"suddenly"
count3
5
adverb"truly"
count1
highlights
0"sharply"
1"slowly"
2"coldly"
3"very"
4"suddenly"
5"truly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
48.51% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2525
totalAiIsms26
found
0
word"streaming"
count1
1
word"echoed"
count4
2
word"shattered"
count2
3
word"jaw clenched"
count1
4
word"glistening"
count1
5
word"lilt"
count1
6
word"etched"
count1
7
word"footsteps"
count3
8
word"crystal"
count1
9
word"efficient"
count1
10
word"gleaming"
count1
11
word"charged"
count1
12
word"racing"
count1
13
word"stomach"
count1
14
word"mechanical"
count1
15
word"echoing"
count1
16
word"familiar"
count1
17
word"trembled"
count1
18
word"pounding"
count1
19
word"glinting"
count1
highlights
0"streaming"
1"echoed"
2"shattered"
3"jaw clenched"
4"glistening"
5"lilt"
6"etched"
7"footsteps"
8"crystal"
9"efficient"
10"gleaming"
11"charged"
12"racing"
13"stomach"
14"mechanical"
15"echoing"
16"familiar"
17"trembled"
18"pounding"
19"glinting"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches2
maxInWindow1
found
0
label"blood ran cold"
count1
1
label"jaw/fists clenched"
count1
highlights
0"blood ran cold"
1"jaw clenched"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells3
narrationSentences265
matches
0"e with panic"
1"w with fear"
2"t in determination"
78.17% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount4
hedgeCount8
narrationSentences265
filterMatches
0"watch"
1"see"
hedgeMatches
0"seemed to"
1"began to"
2"happened to"
3"tried to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences312
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen29
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans2
markdownWords13
totalWords2525
ratio0.005
matches
0"Don't chase alone, Quinn. Not worth it."
1"Keep time for both of us"
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions12
unquotedAttributions0
matches(empty)
50.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions91
wordCount2111
uniqueNames14
maxNameDensity1.66
worstName"Quinn"
maxWindowNameDensity3.5
worstWindowName"Quinn"
discoveredNames
Quinn35
Brewer1
Street1
Herrera24
Morris13
Raven2
Nest2
Saint3
Christopher3
Seville1
Veil1
Market2
Tube1
Silas2
persons
0"Quinn"
1"Herrera"
2"Morris"
3"Raven"
4"Saint"
5"Christopher"
6"Market"
7"Silas"
places
0"Brewer"
1"Street"
2"Seville"
globalScore0.671
windowScore0.5
60.18% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences167
glossingSentenceCount6
matches
0"looked like an abandoned Tube station"
1"knives that seemed to drink the light"
2"looked like crystal balls, sending them r"
3"looked like bottomless tracks"
4"shadows that seemed to move independently"
5"looked like enchanted truncheons that cra"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches1
per1kWords0.396
wordCount2525
matches
0"not from the creature but from all around her, whispers rising from the walls themselv"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences312
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs136
mean18.57
std13.39
cv0.721
sampleLengths
056
16
246
356
476
531
67
741
818
923
1022
1113
1217
1333
145
1518
163
1744
1854
1925
202
2134
2219
231
244
2512
2613
2735
2814
2943
3043
3147
3221
3328
3436
3526
3613
375
3830
3911
4021
4125
4226
4318
4414
4540
4626
4722
486
4923
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount3
totalSentences265
matches
0"was plastered"
1"was gone"
2"been trained"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs419
matches
0"wasn't training"
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount0
flaggedSentences0
totalSentences312
ratio0
matches(empty)
94.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount2119
adjectiveStacks1
stackExamples
0"ice cold against her"
adverbCount76
adverbRatio0.03586597451628126
lyAdverbCount25
lyAdverbRatio0.011798017932987258
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences312
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences312
mean8.09
std5.19
cv0.641
sampleLengths
023
110
223
36
44
59
62
77
824
916
1010
114
128
1313
145
158
167
1713
185
193
209
2115
2216
233
244
2515
269
277
287
2919
3015
3114
324
3311
3412
357
3615
376
383
394
406
4111
423
435
4414
4511
465
475
4813
493
52.67% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats14
diversityRatio0.34294871794871795
totalSentences312
uniqueOpeners107
28.13% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences237
matches
0"Just her and whatever waited"
1"Too tall, joints wrong."
ratio0.008
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount51
totalSentences237
matches
0"She pushed harder, thighs burning,"
1"she shouted, voice raw"
2"He glanced back once, warm"
3"She followed, water streaming down"
4"Her sharp jaw clenched tight."
5"He'd been meeting someone at"
6"She'd watched from across the"
7"He turned, olive-skinned face glistening"
8"His voice carried the soft"
9"She approached slowly, hand hovering"
10"He laughed once, short and"
11"She shoved him aside, hard"
12"She thought of Morris again,"
13"She descended, one hand on"
14"She vaulted the turnstile before"
15"His short curly dark brown"
16"He knocked over a table"
17"He ducked behind a stall"
18"Her military precision kept her"
19"She wrenched free."
ratio0.215
35.95% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount201
totalSentences237
matches
0"Harlow Quinn's boots slapped against"
1"The suspect's silhouette darted ahead,"
2"She pushed harder, thighs burning,"
3"she shouted, voice raw"
4"The man didn't slow."
5"Tomás Herrera, she knew his"
6"Supplier to the wrong sort"
7"He glanced back once, warm"
8"She followed, water streaming down"
9"Morris's voice echoed in her"
10"Something she still couldn't name."
11"Herrera kicked over a bin"
12"Glass bottles shattered across the"
13"Quinn leaped over the debris,"
14"Her sharp jaw clenched tight."
15"This wasn't random."
16"He'd been meeting someone at"
17"Silas's bar with its distinctive"
18"She'd watched from across the"
19"The alley narrowed."
ratio0.848
21.10% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences237
matches
0"If she could just get"
ratio0.004
89.29% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences80
technicalSentenceCount6
matches
0"He glanced back once, warm brown eyes wide with panic, then veered sharply left down an alley that smelled of piss and rotting takeaways."
1"Herrera at a stall, arguing with a vendor over a small vial that glowed faint blue in the dim light."
2"Quinn ran deeper into the market, past stalls draped in black cloth, selling everything from dried herbs that whispered when touched to knives that seemed to dr…"
3"One shattered, releasing a cloud of purple smoke that made nearby shoppers cough and curse."
4"The market seemed to shift, stalls rearranging themselves as if alive."
5"The tattooed woman from the turnstile appeared with two burly men, all carrying what looked like enchanted truncheons that crackled with energy."
69.44% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags18
uselessAdditionCount2
matches
0"she shouted, voice raw"
1"she called, voice echoing into the dark"
26.92% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags10
fancyCount8
fancyTags
0"she shouted (shout)"
1"He laughed once (laugh)"
2"figure whispered (whisper)"
3"Quinn called out (call out)"
4"the woman shouted (shout)"
5"he growled (growl)"
6"Quinn demanded (demand)"
7"she whispered (whisper)"
dialogueSentences65
tagDensity0.154
leniency0.308
rawRatio0.8
effectiveRatio0.246
81.0860%