Run: 2026-03-18-01KM07S3D8C3NC4ATF43J6E0P6

Run Details

Duration:
15.4s
Cost:
$0.014946
Provider:
OpenAI

Model input

System
You are an expert and award-winning novel writer in the dark Horror genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the horror genre. A character is alone in a strange, isolated place at night. They came here for a reason, but something feels off from the moment they arrive. The wrongness builds slowly — sounds that shouldn't be there, things that move at the edge of vision, a growing certainty that they are not alone. Build tension through restraint, not through gore. Use the codex entries above as your world reference for the character and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
Aurora Carter had one hand jammed against the standing stone and the other wrapped around the silver chain at her throat when the grove swallowed her. The oak trunks that marked the boundary stood like watchmen at the edge of a private kingdom, their roots knuckled over the earth. She had slipped between them without looking back, the Heartstone Pendant warming against her skin with each step, until the path behind her vanished under bracken and thorn. Ahead, the clearing opened in a crooked bowl of wildflowers and shadow, the dark pressing close around the pale stones. She released the pendant and let it drop against her chest. The crimson gem gave one faint pulse. Rory stared at it, jaw tight, then glanced over her shoulder. The gap she had come through no longer looked wide enough for her to fit back through. The trees had leaned together in a slow, patient way, branches tangled so thick they made a black wall. Her breath snagged once, then steadied. “Brilliant.” Her voice fell flat in the clearing and came back wrong, a half-beat late, as if the grove had repeated it with its mouth full. She held still. The pendant pulsed again, warm as a living thing. She lifted it on its chain and studied the glow. The Heartstone had gone faintly brighter since she crossed into the grove, its red centre flickering like a coal under ash. “So you do work,” she muttered. A thread of unease ran through her ribs. The pendant had guided her here before, once with a gentle thrum, once with a violent burn that had nearly seared her skin. Tonight it only hummed, steady and low, as if it recognised the place and disliked it. She moved deeper into the clearing, stepping around clusters of wildflowers that grew in dense, impossible patches between the stones. Their petals brushed her boots and left cold dew on the leather. The air carried a damp, green smell, the kind that clung to old earth and buried roots. Beneath it lay something sweeter, like bruised apples left too long in a bowl. Rory stopped at the centre of the grove and turned in a slow circle. Nothing. No path. No lantern. No sound beyond the soft drag of leaves against leaves. She reached into the pocket of her coat and closed her fingers around the small torch she had brought. Its casing felt reassuringly solid. She thumbed the switch, and the beam snapped on, clean white light cutting a narrow tunnel through the dark. For a second, it caught movement. Not a creature. Not a person. A shape in the flowers, low and quick, vanishing as soon as she looked directly at it. Rory trained the torch back there. Only stems, trembling. Her shoulders drew tight. She swept the beam around the ring of standing stones. Their surfaces looked weathered and moss-slick, each one split by veins of pale lichen that shone like old scars. A crude pattern of marks had been carved into the nearest stone, so worn by time that she could not read it at first. Then the torch settled, and she saw it. Not letters. Not symbols she knew. A repeated notch, almost like teeth. Her skin prickled. The pendant warmed again. She touched it with two fingers. “You dragged me to a creepy carving in the middle of nowhere. That the grand plan?” The grove answered with a small rustle. She looked up sharply. The sound came from behind one of the stones. Rory took one step sideways, letting the torch light slide across the trunks beyond the clearing. A pale face flashed between two oaks. She caught it only for an instant, a blur of white skin and a grin too wide for the shadow that held it. Then the torch beam swung and found nothing at all. Her pulse kicked hard against her throat. “Hello?” Silence. She did not like silence that arrived too quickly. It felt arranged. The pendant gave a short, nervous heat. Rory backed towards the nearest stone and kept her shoulders loose with effort. Panic helped no one. Panic got people killed, or dragged into bad decisions, or both. Evan had taught her that much, if nothing else. She swallowed the old memory before it could rise fully, and narrowed her eyes at the dark between the trees. “Whoever’s there, I’m not in the mood.” The grove breathed around her. That was the only word for it. A slow inhale moved through the flowers and leaves, bending stems towards the centre, then out again. The motion passed over her boots like the tide over shingle. Rory stared at it, the torch beam trembling in her hand. “No. Absolutely not.” She stepped forward, then froze. A footstep. Not hers. It came from the opposite side of the clearing, soft and careful, placing weight on the leaf litter with a deliberate patience that raised the fine hairs on her arms. She turned the torch in a snap. Nothing. Another sound. A small tap-tap, like knuckles against wood. Her gaze darted to the stones. The nearest one stood bare at first glance, but then the light grazed its flank and caught the outline of a handprint, pale and wet, as if someone had pressed a damp palm to the rock moments ago. Rory took a single breath through her nose. Copper. No, not copper. Iron, faint and old. She did not remember moving until her back hit stone. The warmth at her chest flared sharp enough to make her hiss. The pendant throbbed under her fingers, pulling her attention down. For one heartbeat the gemstone glowed from within, and she saw something in its crimson depths. A line of shadow. A doorway shape. A figure standing on the far side, too tall and too thin, head tilted as if listening. Then the glow dimmed. Rory snatched her hand away. “No.” The answer came from the flowers at her feet. “Rory.” Her name slid through the grove in a voice that wore Eva’s cadence and someone else’s throat. Rory’s stomach clenched so hard it hurt. She did not answer. The voice came again, a little closer. “Rory.” This time it sounded like her mother, soft and tired and disappointed in a way that could still pierce skin. She shut the torch off. Darkness rushed over her in a wet black sheet. For one wild instant, she regretted the decision. Then another part of her mind, colder and quicker, took hold. Light would only tell the thing where she looked. She pressed herself flat against the stone and listened. Leaves shifted. Something dragged across bark. Then, from somewhere above her, a small laugh. Rory tipped her face upwards. No light, no shape, only the sense of height. The sound had not come from the trees. It had come from the stone behind her. She swung around, arms raised. Her torch beam slammed back on. The stone stood empty. But a smear of wetness marked the lichen near eye level, and beneath it, a row of finger marks, too long and narrow for human hands, scored in the moss like it had gripped and climbed. Rory’s mouth went dry. “Nope.” She backed away from the stone, careful not to turn too fast, because fear had teeth and she knew how it bit. Her shoe struck something hard. She looked down and found a ribbon lying in the grass, faded blue silk tied in a knot. It moved. Not in the wind. It twitched once, as if something underneath had adjusted its body. Rory jumped back, then caught herself. The torch beam held steady on the ribbon. It stretched a fraction of an inch, then slipped under the flowers with a soft, gliding motion. “Show yourself.” The demand sounded ridiculous the moment she said it. A figure stepped into the edge of the light. Small. Barefoot. Its limbs bent at odd angles, too graceful and too stiff at once. It wore a dress that might once have been white, now grey with old dirt and plant stain. Its face stayed half-hidden behind a curtain of hair, but the grin she had seen before spread wider than it should have, showing too many thin, even teeth. Rory did not move. The thing lifted one hand and tilted its head. In the torchlight, the hand had six fingers. Then the face changed. Not fully, not like a mask coming off, but in layers. The grin widened. The nose flattened. The eyes, when they finally looked at her, had no whites, only deep wet black, reflecting the beam in pinpricks. Rory’s grip tightened until the torch creaked in her fist. The thing spoke in a voice that did not belong to any mouth she could trust. “You brought the red stone.” The pendant burned cold against her skin. “I came alone,” she said. The thing’s smile sharpened. “No one comes alone.” A branch cracked somewhere behind her. Rory snapped her head round. The torch beam raked across the far edge of the clearing, and for a blink she saw movement between the trees, several tall shapes shifting in and out behind trunks as if they were playing at being trees themselves. When she looked again, the grove stood empty. She turned back. The first thing had gone. Only the flowers remained, trembling in a ring around the place where it had stood. “Cowards,” Rory said, under her breath. A sound came from the standing stones to her left. Not footsteps this time. Scratching. Slow, deliberate. Stone on nail. She edged towards the nearest gap between trunks, keeping the beam low. The beam passed over a patch of earth and caught a second ribbon, then a third, both tied to roots that rose from the ground like fingers. Each strip had the same faded blue dye. Each one fluttered despite the air being still. Her breath shortened. She recognised one of the ribbons. Not the exact one, but the style. Eva had tied gifts like that years ago, around candle jars and cheap drinks at birthdays, her neat little habit of making things look intentional. Rory stared at the ribbon until her eyes stung. “Don’t.” The word came out in a whisper. The scratching stopped. Then, from directly beside her ear, another voice breathed, “Don’t what?” Rory spun and lashed out with the torch. Her strike hit nothing solid. The beam caught a face inches from her own, pale as wet milk, eyes huge and black. It smiled through the impact, lips splitting at the corners as though pain amused it. Her shoulder slammed into a branch as she stumbled away, and the thing laughed, high and thin and delighted. She ran. The clearing broke around her in a blur of white flowers and black trunks. Branches whipped her face. Roots grabbed at her boots. Behind her, something moved with a speed that did not fit its shape, padding over earth with soft, eager feet. Rory lunged between two stones and nearly dropped the torch as the pendant scorched hot against her skin, then the grove changed. The air thickened. The trees on her left stretched taller, their bark knotting into faces that opened and closed their mouths without sound. She skidded to a halt, chest heaving, and found herself at the edge of a narrow space she had not seen before. A break in the standing stones. A seam in the dark. The boundary. She had found it at last. Relief hit so hard it made her dizzy. Then she saw what waited on the other side. A second clearing. Exact in shape. Exact in size. But wrong in every detail. The wildflowers there had gone white and translucent, like fungus bleaching under a wall. The stones stood cleaner, brighter, as if they had been scrubbed by hands. And in the centre, under a tree with roots like ribs, a figure sat with its back to her, head bowed. The Heartstone Pendant flared in her hand. Rory went still. The seated figure lifted its head. Not enough to show a face. Only enough for her to see the outline of a crown of antlers, thin and branching, black against the pale flowers. From behind her came a wet, eager whisper. “Found you.” Rory’s torch snapped towards the voice. The thing from the flowers lunged, grin split wide, and the pendant blazed crimson in her fist, throwing red light across the grove as the antlered figure rose from its tree and turned to face her.
created_at"2026-03-18T10:27:36.002Z" 3/18/2026, 10:27:36 AM
model"openai/gpt-5.4-mini-20260317"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency2668
moderation_latency(null)
generation_time15316
tokens_prompt4560
tokens_completion3284
native_tokens_prompt4064
native_tokens_completion2644
native_tokens_completion_images0
native_tokens_reasoning52
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
usage0.014946
router(null)
provider_responses
0
endpoint_id"9ee065b2-3d1c-43bc-bdd7-28af3b148282"
id"resp_0a0d5c1505b735990169ba7e180d4c8196abfae911ee0210e3"
is_byokfalse
latency187
model_permaslug"openai/gpt-5.4-mini-20260317"
provider_name"OpenAI"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
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upstream_id"resp_0a0d5c1505b735990169ba7e180d4c8196abfae911ee0210e3"
total_cost0.014946
cache_discount(null)
upstream_inference_cost0
provider_name"OpenAI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags4
adverbTagCount0
adverbTags(empty)
dialogueSentences18
tagDensity0.222
leniency0.444
rawRatio0
effectiveRatio0
95.23% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2096
totalAiIsmAdverbs2
found
0
adverb"sharply"
count1
1
adverb"quickly"
count1
highlights
0"sharply"
1"quickly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
59.45% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2096
totalAiIsms17
found
0
word"pulse"
count2
1
word"pulsed"
count1
2
word"silence"
count2
3
word"absolutely"
count1
4
word"weight"
count1
5
word"warmth"
count1
6
word"throbbed"
count1
7
word"depths"
count1
8
word"stomach"
count1
9
word"sense of"
count1
10
word"silk"
count1
11
word"footsteps"
count1
12
word"fluttered"
count1
13
word"whisper"
count2
highlights
0"pulse"
1"pulsed"
2"silence"
3"absolutely"
4"weight"
5"warmth"
6"throbbed"
7"depths"
8"stomach"
9"sense of"
10"silk"
11"footsteps"
12"fluttered"
13"whisper"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences206
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount0
narrationSentences206
filterMatches
0"look"
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences220
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen39
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords2096
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions5
unquotedAttributions0
matches(empty)
98.53% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions29
wordCount2040
uniqueNames5
maxNameDensity1.03
worstName"Rory"
maxWindowNameDensity2
worstWindowName"Rory"
discoveredNames
Carter1
Heartstone3
Pendant2
Eva2
Rory21
persons
0"Carter"
1"Heartstone"
2"Pendant"
3"Eva"
4"Rory"
places(empty)
globalScore0.985
windowScore1
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences134
glossingSentenceCount2
matches
0"as if listening"
1"sounded like her mother, soft and tired an"
56.87% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches3
per1kWords1.431
wordCount2096
matches
0"Not fully, not like a mask coming off, but in layers"
1"not like a mask coming off, but in layers"
2"Not the exact one, but the style"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount2
totalSentences220
matches
0"roots that rose"
1"like that years"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs126
mean16.63
std18.17
cv1.092
sampleLengths
026
171
211
37
453
51
625
73
840
96
1047
1163
1214
131
1414
1543
166
176
1817
199
2057
218
226
236
243
2526
267
2713
2816
297
3033
317
321
331
3412
357
3657
377
385
3946
403
415
422
432
4437
451
469
4744
4816
4910
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount2
totalSentences206
matches
0"been carved"
1"been scrubbed"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs325
matches
0"were playing"
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount0
flaggedSentences0
totalSentences220
ratio0
matches(empty)
84.90% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount2044
adjectiveStacks2
stackExamples
0"deep wet black, reflecting"
1"same faded blue dye."
adverbCount89
adverbRatio0.04354207436399217
lyAdverbCount20
lyAdverbRatio0.009784735812133072
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences220
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences220
mean9.53
std7.67
cv0.805
sampleLengths
026
123
228
320
411
57
611
717
819
96
101
1125
123
139
1410
1521
166
178
1823
1916
2020
2112
2217
2314
2414
251
262
272
2810
2919
305
3119
326
333
343
3517
366
373
384
3910
4019
4124
428
432
444
456
463
474
486
4916
42.27% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats17
diversityRatio0.2636363636363636
totalSentences220
uniqueOpeners58
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount11
totalSentences186
matches
0"Only stems, trembling."
1"Then the torch settled, and"
2"Then the torch beam swung"
3"Then the glow dimmed."
4"Then another part of her"
5"Then, from somewhere above her,"
6"Then the face changed."
7"Only the flowers remained, trembling"
8"Then, from directly beside her"
9"Then she saw what waited"
10"Only enough for her to"
ratio0.059
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount51
totalSentences186
matches
0"She had slipped between them"
1"She released the pendant and"
2"Her breath snagged once, then"
3"Her voice fell flat in"
4"She held still."
5"She lifted it on its"
6"She moved deeper into the"
7"Their petals brushed her boots"
8"She reached into the pocket"
9"Its casing felt reassuringly solid."
10"She thumbed the switch, and"
11"Her shoulders drew tight."
12"She swept the beam around"
13"Their surfaces looked weathered and"
14"Her skin prickled."
15"She touched it with two"
16"She looked up sharply."
17"She caught it only for"
18"Her pulse kicked hard against"
19"She did not like silence"
ratio0.274
59.46% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount149
totalSentences186
matches
0"Aurora Carter had one hand"
1"The oak trunks that marked"
2"She had slipped between them"
3"She released the pendant and"
4"The crimson gem gave one"
5"Rory stared at it, jaw"
6"The gap she had come"
7"The trees had leaned together"
8"Her breath snagged once, then"
9"Her voice fell flat in"
10"She held still."
11"The pendant pulsed again, warm"
12"She lifted it on its"
13"The Heartstone had gone faintly"
14"A thread of unease ran"
15"The pendant had guided her"
16"Tonight it only hummed, steady"
17"She moved deeper into the"
18"Their petals brushed her boots"
19"The air carried a damp,"
ratio0.801
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences186
matches(empty)
ratio0
66.67% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences75
technicalSentenceCount8
matches
0"Her voice fell flat in the clearing and came back wrong, a half-beat late, as if the grove had repeated it with its mouth full."
1"Their surfaces looked weathered and moss-slick, each one split by veins of pale lichen that shone like old scars."
2"It came from the opposite side of the clearing, soft and careful, placing weight on the leaf litter with a deliberate patience that raised the fine hairs on her…"
3"The nearest one stood bare at first glance, but then the light grazed its flank and caught the outline of a handprint, pale and wet, as if someone had pressed a…"
4"A figure standing on the far side, too tall and too thin, head tilted as if listening."
5"Her name slid through the grove in a voice that wore Eva’s cadence and someone else’s throat."
6"The torch beam raked across the far edge of the clearing, and for a blink she saw movement between the trees, several tall shapes shifting in and out behind tru…"
7"Behind her, something moved with a speed that did not fit its shape, padding over earth with soft, eager feet."
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags4
uselessAdditionCount0
matches(empty)
38.89% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags4
fancyCount2
fancyTags
0"she muttered (mutter)"
1"another voice breathed (breathe)"
dialogueSentences18
tagDensity0.222
leniency0.444
rawRatio0.5
effectiveRatio0.222
86.7422%