Run: 2026-03-25-01KMJ8W67JDS0Q6QV7MVBZTJ01

Run Details

Duration:
34.7s
Cost:
$0.001955
Provider:
Alibaba

Model input

System
You are an expert and award-winning novel writer in the dark Thriller genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4417" name="Tomás Herrera" aliases="Tommy, Tomás, Herrera" pronouns="he/him" species="Human" storyRole="Support"> <eyeColor>warm brown</eyeColor> <hair>short curly dark brown</hair> <height>5'10"</height> <age>29</age> <skinTone>olive skin</skinTone> <scar>scar running along his left forearm from a knife attack</scar> <medallion>Saint Christopher medallion around his neck</medallion> <birthplace>Seville, Spain</birthplace> <description>A former paramedic who provides off-the-books medical care for the clique.</description> <backstory>Born in Seville, Spain. He moved to London to work for the NHS but lost his license after administering unauthorized treatments to supernatural patients.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the thriller genre. A detective is pursuing a suspect through rain-soaked city streets at night. The chase takes them from the street level down into an underground market. The detective must decide whether to follow the suspect into unfamiliar and potentially dangerous territory. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The pavement skidded beneath Quinn’s boots as she lunged forward, her hand closing around the suspect’s collar. Tomas Herrera twisted free with a snarl, his Saint Christopher medallion catching the neon glare from a flickering Soho sign before he vanished into the downpour. She didn’t stop. The chase had never been about the sprint. He’d taken three strides before she grabbed his wrist—saw the scar there, jagged and pale beneath the artificial light spilling from The Raven’s Nest. The bar’s green sign buzzed like a dying wasp. Herrera didn’t slow. Maybe he thought she wouldn’t follow. Maybe he didn’t know the Tube station beneath Camden was one of his own kind’s nests. The rain fell vertical, sharp enough to cut through wool and bone. Quinn ducked into an alley, her hand fumbling for the .380 in her jacket. Herrera materialised at the mouth of a drainage tunnel, his olive skin slick with water, his breath a fog in the cold. He brandished a bottle from his pocket—iodine, by the smell. A paramedic’s habit. A cheat’s crutch. “You’ve got ten seconds, Herrera. And I don’t stop counting when you run.” He pressed a hand to the brick wall. “You think you’ve got me,” he huffed. “You think this ends in a box room with a report and a cup of tea.” The wall beside his palm cracked, a seam splitting down its length. “Try again when you’ve got more than a pensioner’s reflexes.” The gap widened with a groan of rusted hinges. Below the alley, a spiral of iron rungs descended into blackness. Quinn’s stomach dropped as she leaned in. Herrera’s grin was a shard of white between grime-streaked brows. “You know what they say about the Thames?” he called. “It don’t just wash things away. It swallows ’em whole.” He vanished. The door slammed shut. Quinn’s thumb broke the seal of her police-issued tear gas canister. Useless, but it made her feel less like prey when she tossed it through the opening. A hiss echoed down the shaft, no alarm raised. No trap door. The underground moved. She dropped. The fall knocked the air from her lungs, her boots scraping over wet metal until her knees crumpled to the floor. Not a station. Not anymore. Ceiling beams hung with frayed cables, their bulbs casting a jaundiced pall over rotting brick tunnels, the scent of mildew and burnt tallow thick. Herrera’s footsteps faded ahead, so she followed a smear of iodine on the damp—a coward’s trail through a place that reeked of charred herbs and rusted secrets. Her watch ticked once. Ticked again. Each second a percussion beneath the silence. She adjusted her grip on the .380. The Veil Market’s bone token was somewhere in that pocket, cold and grinning. A lantern swung into view, its chain rattling. Herrera loitered beside a stack of crates piled with dried cholla cactus. A corner of his mind must’ve remembered she’d once caught him stitching up a wound in a parking garage, his gloves a mess of coagulated powder. He knew her methods. So did the others. That’s why they’d run here, not there. “You’re not even trying to deny it,” he said, turning. His voice was sharp—English learned through textbooks, vowels clipped like a Spaniard’s. “What’s your endgame, Quinn? Arrest me for smuggling blood samples? Charge you for stalking the supernatural?” She stopped three paces away. “You lost your NHS license,” she said. “Because you didn’t just treat the wounded. You tested them.” Her eyes traced a faded Latin slogan etched into the tunnel’s arch. *Viscera in veritate.* “The ones who shouldn’t have survived.” Herrera’s jaw tightened. For a moment, the alley cat fury behind his brown eyes thawed. He looked tired. Human enough to make her flinch. “You don’t get to play judge. Not after Morris.” The name was a gut punch. Quinn’s fingers found the holstered taser on her thigh. “What happened to you on that rooftop three years ago, Herrera? Why’d he wind up six blocks down the river?” Her voice was silk over a blade. “Morris could’ve waited for the ambulance you promised. But he *didn’t* wait, did he?” Herrera stepped back. The tunnel split now. A rusted iron grate covered one passage, another led to a corridor of velvet-draped stalls. A gong boomed somewhere. The Veil Market was shifting. Every full moon, they said, it swallowed one reality whole to cough up another. “You know the rules,” Herrera said, his hands flat. “No dead bodies. No knives in the back.” “Morris was dead by the time we fetched him,” Quinn muttered. “But you? You stitched up his chest in the line of *work*.” She advanced, the gun steady but loose in her grip. “Tossed him in a tube as if the Thames was your bloody fridge.” A sharp click answered. Quinn froze as Herrera’s thumb pressed against a vial of clear liquid in his palm. His left sleeve rode up, the medallion glinting. “You ever try to drown copper in wine?” he said. “Smell’s the same before it burns your throat.” The tunnel shuddered. From behind, the grate trembled and fell still. Quinn’s pulse beat in time with her watch. Herrera had a window closing. A child’s laugh crackled from the market corridor. Herrera vanished from her sightline but not her ears. “They’ll gut you for trespassin’,” came the voice of a woman through the rain’s hiss, tinny and high. “You know where to find a soul, but where’s the thing that carries it?” Quinn sprinted after the sound. The Veil Market was alive in a way the dead should not be. Banners embroidered with runes hung from corroded pipes, their red thread bleeding against the concrete. A vendor sold preserved moths in crystal vials, his scales balanced over a ledger scrawled in cursive. The air was thick with ozone and myrrh. Quinn’s shoes stuck to the cobbles. She had a plan—corner him at the edge of the market’s main concourse, flash the warrant for his off-book clinics. She’d built a career on the look of surprise when she did. Not tonight. “Detective Quinn.” She turned. A figure in a patched greatcoat regarded her over a tray of obsidian needles. Their hands were gloved in fishbowl-green silk. “You’re early,” the vendor said. “And you’re not listed on the guest register.” Quinn fished the bone token from her pocket. It felt like a finger joint. Herrera’s men had left it in the crime scenes as a dare. “I need to speak to Herrera about Morris’s injuries,” she said. The vendor’s smile was all teeth. “Ask nicely.” They gestured to a nearby vial—dried blood packed in a slurry of glittering ash. Quinn holstered the gun. “I’m requesting you direct me to the man I was following.” He tsked. “Requests die down here. Offers swim.” The market shifted as he said it. Stalls collapsed inward, the corridor narrowing. Quinn pivoted toward a sound—muffled voices. She pushed through a curtain of braided sage. Herrera waited with a woman in a blood-red dress. Their faces were tight with that shared tension of people who’ve tasted the inside of a lie too many times. The woman’s hair was a tangle of white and black, the same shade as the moth wings on the banners. “Time’s up,” Quinn said. Herrera rolled the vial between his palms. “That’s the second time you’ve said that today,” the woman said. Her nails were painted with a kind of quicksilver. “Such a dull thing for a hunter to say.” Quinn’s gaze locked on Herrera’s medallion. “You got me,” she said. “But this one—she’s not a paramedic.” “She’s not your partner either,” Herrera said, and the vial shattered. The concourse erupted in noise. Quinn’s wrist twisted toward her as the watch began to bleed liquid silver through the leather. Herrera’s eyes were gone behind the human mask now, pupils stretched into the dark. “That’s new,” he murmured. “Did you really think the Thames would let you take what you gave it?” Quinn’s mind backpedalled. Her partner dead, her own nights since spent combing through files that evaporated at sunrise. She’d believed Herrera’s clinic was just another dead-end. But this? This was the same cold she felt when DS Morris’s body surfaced with a crown of drowned flowers around his neck. “Morris’s notes,” she said. “He wrote about silver in the veins. About a—” A hand gripped her wrist from behind. Quinn spun but didn’t reach for the gun. The tunnel’s collapse had trapped her. The woman in red now hovered inches from her, the medallion warm in Herrera’s other hand. “Detective Quinn,” Herrera said. “Meet my supplier. Violette. She’s got an interest in what you’ve taken.” Violette’s laugh was a blade through silk. Her voice sharpened the air. “He says you’re tenacious. Says you won’t stop until you’ve found the truth.” She gestured to Quinn’s watch. “Let’s see if he lied.” The woman turned, and the room folded around her. Stalls vanished. Cobblestones became glass. Quinn saw her own reflection in the floor, eyes wide beneath salt-and-pepper brows. Herrera caught her arm. “Let her look,” he said. Violette’s dress rippled like a pool disturbed by stone. “You’re not ready for what’s below,” she said. “But your little clique, Detective? They’ll meet their Morris.” Quinn’s boots struck something spongy. Floorboards—old as the market. Beneath, a cellar pulsed with heat. Herrera’s grip on her wrist was iron. “Back off,” she said. He smirked. “You didn’t think the green light was a good time for you.” Violette knelt, her hand brushing Quinn’s left knee. “This,” she whispered, pressing something into Quinn’s hand. A watch key. “The men who killed your partner didn’t cut clean. Their mark is in your blood. Your body’s a ledger they can read.” Herrera tilted his head, scar pulling taut. “You’ve got the watch. She’s got the key. You’d be surprised how many monsters like to keep their debts in pocket watches.” Quinn’s fingers closed around the key, the silver cold now, then warm like a live coal. She turned. The woman in red had already gone. Herrera pressed his back to the cellar door. “I need to know,” she said, “what you’re trading for that iodine you carry.” “A second chance,” Herrera said. “You want to talk justice for Morris? Then tell me about the ones you bury. The ones who walk away from accidents with eyes too dark for any human.” Quinn’s watch ticked faster. “He was the only one.” “Liar.” Herrera’s voice dropped to something feline. “He saw your little friend. The one who visits you on the nights you don’t sleep. That’s why you’re hunting me—because you blame yourself. And you’re not just after proof. You want to drown it. Same as the Thames.” The cellar door creaked. A whisper of movement. Quinn’s hand flew to her holster. Herrera’s eyes followed. “Down,” she snapped. He dropped low. The shot was a man in a moth-eaten pinstripe, his chest blooming with blood as Quinn fired. His head tilted back as he died, a crown of moths lifting from his face like a shroud of white petals. Herrera’s breath caught. “Not my friend,” he said. “Wouldn’t be a friend if you saw it coming.” Quinn crouched. The man’s tie was silk but dyed with iron—*not blood, then*—the same shade as the vials of herbs sold in the market. “He was a customer.” Herrera’s face was a stone wall, but his hands trembled. He pushed past her to the cellar. “I warned you.” The door swung in. Quinn’s breath caught. Herrera stood frozen. The room was round, domed like a cathedral’s crypt. Candles glowed blue in iron sconces, their wax pooling over human bones set in the walls. A clock on the back wall had no numbers. A skeleton sat cross-legged at its base, a grin of broken glass where teeth should be. Herrera’s voice was gravel. “The first time I came here, I brought a man with a severed leg. I mended it. You don’t want to touch those bones now.” Quinn’s hand hovered by her taser. “Then what’s this one’s condition?” The skeleton’s head turned. She fired the taser at Herrera. The charge died in the air, sparks sputtering against a barrier Herrera raised in his palms, liquid silver pooling in the shape of a scalpel. “Morris should’ve asked about the cure,” he said. “He found the disease.” The skeleton rose. Quinn’s boots stuck in the wax, but Herrera’s medallion glowed in her direction. “Run,” he said, and she ran. The blue flames roared to life in the sconces as she climbed. Herrera’s laughter followed, tinny as the child’s earlier. She didn’t turn. Aboveground, the green neon of The Raven’s Nest was gone. The alley was dry. Herrera’s trail had been a lie. The iodine. The vial. The silver in her pocket. But in her hand, the key had grown warm. She looked down. A body lay sprawled against the bricks—male, young, tie dyed in blue candle. Quinn pressed her watch to his wrist, the leather cracking where the silver bled out. The watch face went dark. A phone blared nearby. She answered it. “Diagnosis: your friend just passed away,” came Herrera’s voice. “Congestion in the lungs, maybe? Or did you think the silver was a joke?” Quinn dropped the watch. It clanged on stone as a second hand sprouted from the glass, ticking clockwise and counter at once. She aimed the gun at the corpse’s chest. “Shoot the dummy,” Herrera said, “and you might learn how the Thames *really* counts.”
created_at"2026-03-25T10:33:05.529Z" 3/25/2026, 10:33:05 AM
model"qwen/qwen3-32b-04-28"
app_id182717
external_user(null)
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generation_time34668
tokens_prompt4686
tokens_completion4161
native_tokens_prompt4211
native_tokens_completion3647
native_tokens_completion_images(null)
native_tokens_reasoning432
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
usage0.001955096
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endpoint_id"344ccdcc-6e59-464d-89ab-8e5b92fe2adc"
id"chatcmpl-83016304-bd4b-93bf-bba3-b912dd004b8d"
is_byokfalse
latency760
model_permaslug"qwen/qwen3-32b-04-28"
provider_name"Alibaba"
status200
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Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags34
adverbTagCount0
adverbTags(empty)
dialogueSentences71
tagDensity0.479
leniency0.958
rawRatio0
effectiveRatio0
95.59% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2266
totalAiIsmAdverbs2
found
0
adverb"really"
count2
highlights
0"really"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
55.87% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2266
totalAiIsms20
found
0
word"stomach"
count1
1
word"echoed"
count1
2
word"footsteps"
count1
3
word"silence"
count1
4
word"traced"
count1
5
word"etched"
count1
6
word"silk"
count4
7
word"velvet"
count1
8
word"glinting"
count1
9
word"trembled"
count2
10
word"pulse"
count1
11
word"crystal"
count1
12
word"tension"
count1
13
word"shattered"
count1
14
word"pulsed"
count1
15
word"whisper"
count1
highlights
0"stomach"
1"echoed"
2"footsteps"
3"silence"
4"traced"
5"etched"
6"silk"
7"velvet"
8"glinting"
9"trembled"
10"pulse"
11"crystal"
12"tension"
13"shattered"
14"pulsed"
15"whisper"
66.67% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches2
maxInWindow2
found
0
label"stomach dropped/sank"
count1
1
label"air was thick with"
count1
highlights
0"stomach dropped"
1"The air was thick with"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences210
matches(empty)
95.24% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount6
hedgeCount1
narrationSentences210
filterMatches
0"feel"
1"watch"
hedgeMatches
0"began to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences243
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen40
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans5
markdownWords9
totalWords2255
ratio0.004
matches
0"Viscera in veritate."
1"didn’t"
2"work"
3"not blood, then"
4"really"
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions36
unquotedAttributions1
matches
0"Every full moon, they said, it swallowed one reality whole to cough up another."
16.67% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions94
wordCount1634
uniqueNames16
maxNameDensity2.39
worstName"Herrera"
maxWindowNameDensity4.5
worstWindowName"Quinn"
discoveredNames
Quinn33
Herrera39
Saint1
Christopher1
Soho1
Raven2
Nest2
Tube1
Camden1
Veil3
Market3
English1
Spaniard1
Latin1
Morris1
Violette3
persons
0"Quinn"
1"Herrera"
2"Saint"
3"Christopher"
4"Raven"
5"English"
6"Spaniard"
7"Morris"
8"Violette"
places
0"Soho"
1"Market"
globalScore0.307
windowScore0.167
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences117
glossingSentenceCount1
matches
0"felt like a finger joint"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount2255
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences243
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs76
mean29.67
std19.65
cv0.662
sampleLengths
054
158
264
313
453
557
648
72
877
933
1061
1138
1243
1333
1456
1545
1617
1746
1845
1924
2049
215
2293
232
2423
2513
2637
2722
2815
298
3027
3149
324
3336
3417
3511
3653
3749
3813
3937
4016
4135
4231
435
4426
4522
464
4714
4841
4929
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount3
totalSentences210
matches
0"were gloved"
1"were gone"
2"was gone"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs298
matches
0"was shifting"
25.28% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount11
semicolonCount0
flaggedSentences10
totalSentences243
ratio0.041
matches
0"He’d taken three strides before she grabbed his wrist—saw the scar there, jagged and pale beneath the artificial light spilling from The Raven’s Nest."
1"He brandished a bottle from his pocket—iodine, by the smell."
2"Herrera’s footsteps faded ahead, so she followed a smear of iodine on the damp—a coward’s trail through a place that reeked of charred herbs and rusted secrets."
3"His voice was sharp—English learned through textbooks, vowels clipped like a Spaniard’s."
4"She had a plan—corner him at the edge of the market’s main concourse, flash the warrant for his off-book clinics."
5"“Ask nicely.” They gestured to a nearby vial—dried blood packed in a slurry of glittering ash."
6"Quinn pivoted toward a sound—muffled voices."
7"Floorboards—old as the market."
8"The man’s tie was silk but dyed with iron—*not blood, then*—the same shade as the vials of herbs sold in the market."
9"A body lay sprawled against the bricks—male, young, tie dyed in blue candle."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1654
adjectiveStacks0
stackExamples(empty)
adverbCount26
adverbRatio0.015719467956469165
lyAdverbCount0
lyAdverbRatio0
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences243
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences243
mean9.28
std6.39
cv0.689
sampleLengths
017
126
23
38
424
59
63
76
816
912
1014
1122
1210
133
143
1513
168
177
1828
1910
209
2111
227
2310
2410
2510
262
274
2811
2916
309
313
323
332
3421
353
362
3724
3827
394
402
417
427
4313
448
4512
4626
474
484
497
45.88% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats10
diversityRatio0.25925925925925924
totalSentences243
uniqueOpeners63
37.88% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences176
matches
0"Maybe he thought she wouldn’t"
1"Maybe he didn’t know the"
ratio0.011
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount38
totalSentences176
matches
0"She didn’t stop."
1"He’d taken three strides before"
2"He brandished a bottle from"
3"He pressed a hand to"
4"Her watch ticked once."
5"She adjusted her grip on"
6"He knew her methods."
7"he said, turning"
8"His voice was sharp—English learned"
9"She stopped three paces away."
10"Her eyes traced a faded"
11"He looked tired."
12"Her voice was silk over"
13"She advanced, the gun steady"
14"His left sleeve rode up,"
15"She had a plan—corner him"
16"She’d built a career on"
17"Their hands were gloved in"
18"It felt like a finger"
19"They gestured to a nearby"
ratio0.216
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount162
totalSentences176
matches
0"The pavement skidded beneath Quinn’s"
1"Tomas Herrera twisted free with"
2"She didn’t stop."
3"The chase had never been"
4"He’d taken three strides before"
5"The bar’s green sign buzzed"
6"Herrera didn’t slow."
7"The rain fell vertical, sharp"
8"Quinn ducked into an alley,"
9"Herrera materialised at the mouth"
10"He brandished a bottle from"
11"A paramedic’s habit."
12"A cheat’s crutch."
13"He pressed a hand to"
14"The wall beside his palm"
15"The gap widened with a"
16"Quinn’s stomach dropped as she"
17"Herrera’s grin was a shard"
18"The door slammed shut."
19"Quinn’s thumb broke the seal"
ratio0.92
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences176
matches(empty)
ratio0
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences53
technicalSentenceCount1
matches
0"Their faces were tight with that shared tension of people who’ve tasted the inside of a lie too many times."
80.88% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags34
uselessAdditionCount3
matches
0"beside his palm cracked, a seam splitting down its length"
1"Herrera said, his hands flat"
2"Herrera said, and the vial shattered"
93.66% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags26
fancyCount4
fancyTags
0"Quinn muttered (mutter)"
1"he murmured (murmur)"
2"she whispered (whisper)"
3"she snapped (snap)"
dialogueSentences71
tagDensity0.366
leniency0.732
rawRatio0.154
effectiveRatio0.113
80.4538%