Run: 2026-06-01-01KT1GE4WM2PK0A7K5TPED3650

Run Details

Duration:
2m 1s
Cost:
$0.003002
Provider:
Minimax

Model input

System
You are an expert novelist with a gift for vivid, immersive prose. You write in tight third-person limited point of view with a strong narrative voice. Your prose is clean, precise, and engaging — you favor strong verbs, concrete details, and natural-sounding dialogue. You will be given a story bible (codex) containing canonical details about characters, locations, items, and lore. Use these details to ground your writing in the established world. Stay consistent with the codex. Write only the prose of the scene. Do not include titles, chapter headings, markdown formatting, or any commentary before or after the scene.
User/Human
<codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> </codex> Write a fully fleshed out scene of at least 1000 words in the horror genre. A character is alone in a strange, isolated place at night. They came here for a reason, but something feels off from the moment they arrive. The wrongness builds slowly — sounds that shouldn't be there, things that move at the edge of vision, a growing certainty that they are not alone. Build tension through restraint, not through gore. Use the codex entries above as your world reference for the character and setting. Only include the prose of the scene without any markdown or commentary.

Model response

AI
The oak stones rose from the undergrowth like the broken teeth of something old enough to have forgotten how to bite. Aurora counted them in the dark — seven, maybe eight — their silhouettes jagged against a sky that had gone the color of a fresh bruise. She should not have been able to see them at all. The moon was a smudge behind cloud, and the only real light came from the pendant. It had been pulsing all the way across the park. Now, standing at the edge of the clearing, it was doing something worse. It was *pulling*. The silver chain lay cool against the hollow of her throat, and the crimson stone — no bigger than her thumbnail, no brighter than a candle's last gasp — tugged toward the grove's center the way a compass needle finds north. Aurora's fingers went to it without thinking. The metal was warm. Not hot. Not quite. Warm the way skin is warm. Warm the way something alive is warm. She had told no one where she was going. She had, in fact, told herself she was not going. She had walked to Richmond Park to clear her head after Eva's third unanswered phone call, and then the pendant had begun its nonsense, and her feet had followed a path she did not remember choosing, and now here she was. Alone. At night. In a clearing full of wildflowers that should not, by any honest accounting, have been blooming in October. They crowded the ground in a carpet so thick it looked arranged. White, violet, a yellow so pale it was almost green. Their petals were open, despite the hour, despite the cold. They gave off a sweetness that did not belong to any flower she could name. It sat at the back of her throat like a word she could not quite swallow. Aurora Carter was not a woman who frightened easily. She had learned the trick of it in a flat in Cathays, learning the sound of footsteps on stairs and what they meant, and what to do with her hands when they came closer. Fright was a luxury. Fright was something people who had not been hit could afford. So she did not feel fright now, standing at the threshold of the stones. What she felt was the absence of something — a small clean hole in the center of her chest, the place where certainty ought to have lived. She stepped through. The air changed. That was the first wrongness, and it was so subtle she almost missed it — the way you almost miss the moment a song changes key. The sweetness of the flowers intensified, then flattened, then vanished, as if someone had closed a door inside her nose. The temperature did not drop. It *settled*. Like a held breath. The pendant flared. For one heartbeat the clearing was washed in red, the standing stones throwing long shadows that pointed every direction at once, the flowers briefly illuminated from beneath as if the ground were on fire. Then it dimmed. The shadows snapped back into place. The pulse faded to a faint and sullen glow, the color of a wound. Aurora's hand tightened around the stone. *What are you showing me?* No answer. The grove had the hush of a room after a clock has stopped. No insect hum. No rustle in the brush at the perimeter. No distant rumble of the city that ought to have been there, six miles and a world away. The silence had a weight. It pressed against her ears. She took another step. Then another. The flowers closed softly under her boots, releasing nothing — no scent, no sound, no protest. *Something is here.* The thought arrived fully formed, not as a suspicion but as a fact, the way you know a room is occupied before you see the occupant. She stopped. Listened. The pendant warmed a fraction more against her palm. There — to her left, at the edge of vision, beyond the nearest standing stone. A movement. Not fast. Not slow. The patient drift of something large passing between the trees, taking its time because it knew she could not follow. She turned her head. Nothing. Of course nothing. The trees stood in their rows, ancient and indifferent, their branches knit together overhead in a canopy so thick the night had to be invited in. She scanned the line of them. Oak, she thought. Oak, though the bark was the wrong gray, and the leaves — she squinted — the leaves were not moving, and yet she had seen something move. *Eyes,* she thought, and the thought was not hers, or if it was, it had come from a part of her she did not usually consult. She turned back to the clearing. The pendant had stopped pulling. It sat against her chest like a small dead thing, its glow guttering, its warmth a memory. *That's worse,* she thought. *That's much worse.* She began to walk again, because standing still in a place like this was the kind of decision you only got to regret later. She kept her steps measured. She kept her breathing even. She kept her eyes moving — left, right, ahead, behind, the rhythm of a woman who had once taught herself to track reflections in windows so she would always know what was coming up the hall. The grove was not large. Perhaps fifty paces across. The standing stones formed a rough circle at its heart, and within that circle the ground rose slightly into a low mound, and on the mound — she stopped again. On the mound there was a chair. It was a wooden chair, plain, the kind you might find in any kitchen in Cardiff. It was empty. It was, somehow, the most alarming thing in the clearing. No one had mentioned a chair. No one had mentioned the grove at all until three nights ago, and the woman who had spoken of it had spoken quickly and in a doorway and had not stopped to describe the furniture. *It's been put here for you,* the unconsulted part of her said, and she did not like the grammar of that sentence at all. *For you to sit in. For you to wait.* The wildflowers at the base of the mound were different from the others. Larger. Their petals were the deep bruised purple of the sky above, and their centers were black, and they were all turned toward the chair. Aurora took a step back. Her boot caught a root she had not seen. She did not fall. She caught herself with the hand that was not holding the pendant, and as she did, her sleeve rode up and the crescent scar on her left wrist caught the faint crimson light, and for an instant she could have sworn the scar pulsed too, in sympathy, in answer, in greeting. Above her, in the canopy, something exhaled. It was not wind. Wind does not have a shape. This had a shape. It had a long, slow shape, the shape of a breath drawn through a mouth that was not a mouth, and it moved through the leaves without moving them, and it came from directly overhead, and it smelled of honey and of something older than honey, something that had been sweet once and had gone over. Aurora did not look up. She looked up. There was nothing there. Of course there was nothing there. The branches wove their patient lattice. The leaves held their poses. The dark between them was simply dark, the same dark it had been a moment ago, the same dark it had been an hour ago, the same dark it had been for however many centuries this place had been waiting. But the air above her was warm. Warmer than the air at her shoulders. Warmer than the air at her feet. As if something vast had been lying in wait just above the visible, and had lifted its head at her approach, and was considering her now with the patient attention of a thing that had all the time there ever was. Time. The word surfaced in her mind with a sudden, sickening weight. *Time moves differently here.* She had read that. She had believed it the way you believe a fact in a book. Now she felt it, in the way the silence had stretched between one heartbeat and the next, in the way the last few minutes seemed to have lasted longer than minutes had any right to last, in the way the pendant against her chest had begun again its slow, insistent warmth, as if reminding her of a debt she had not yet agreed to pay. She took another step back. The flowers did not close under her boot this time. They parted. They made way. *For you to leave,* said the unconsulted part. *Or for you to stay. It does not care which. It has waited before. It will wait again.* The chair on the mound sat in its patient emptiness. The wildflowers watched it. The standing stones watched her. And somewhere above, in the dark that was not quite empty, something continued to breathe, slow and sweet and older than the park, older than the city, older than the small crescent scar on her wrist that had, in this place, begun to ache as if it remembered something she had been too young to keep. Aurora Carter stood very still. She had learned, long ago, that stillness was sometimes the only honest answer a body could give. The grove waited to see what kind of woman she was.
created_at"2026-06-01T11:52:19.609Z" 6/1/2026, 11:52:19 AM
model"minimax/minimax-m3-20260531"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency2006
moderation_latency(null)
generation_time120698
tokens_prompt812
tokens_completion2900
native_tokens_prompt894
native_tokens_completion2454
native_tokens_completion_images(null)
native_tokens_reasoning649
native_tokens_cached880
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
service_tier(null)
usage0.0030018
router(null)
provider_responses
0
endpoint_id"6851b352-a7e2-45ad-a69e-67ed1208a416"
id"066ca573df9c5d28c14c9039ae1e446f"
is_byokfalse
latency2006
model_permaslug"minimax/minimax-m3-20260531"
provider_name"Minimax"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.16.0; linux; x64))"
http_referer(null)
request_id"req-1780314739-eRZ2RLXqQXMj5WvDz2Q7"
session_id(null)
preset_id(null)
api_type"completions"
id"gen-1780314739-tUaalZ4ewUppGv3UU5pC"
upstream_id"066ca573df9c5d28c14c9039ae1e446f"
total_cost0.0030018
cache_discount0.0004224
upstream_inference_cost0
provider_name"Minimax"
response_cache_source_id(null)

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags0
87.57% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1609
totalAiIsmAdverbs4
found
0
adverb"softly"
count1
1
adverb"slightly"
count1
2
adverb"quickly"
count1
3
adverb"very"
count1
highlights
0"softly"
1"slightly"
2"quickly"
3"very"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
65.82% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1609
totalAiIsms11
found
0
word"footsteps"
count1
1
word"pulse"
count1
2
word"silence"
count2
3
word"weight"
count2
4
word"scanned"
count1
5
word"warmth"
count2
6
word"measured"
count1
7
word"pulsed"
count1
highlights
0"footsteps"
1"pulse"
2"silence"
3"weight"
4"scanned"
5"warmth"
6"measured"
7"pulsed"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences138
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount2
hedgeCount2
narrationSentences138
filterMatches
0"know see"
hedgeMatches
0"began to"
1"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences138
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen65
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans12
markdownWords57
totalWords1621
ratio0.035
matches
0"pulling"
1"settled"
2"What are you showing me?"
3"Something is here."
4"Eyes,"
5"That's worse,"
6"That's much worse."
7"It's been put here for you,"
8"For you to sit in. For you to wait."
9"Time moves differently here."
10"For you to leave,"
11"Or for you to stay. It does not care which. It has waited before. It will wait again."
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions1
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions15
wordCount1621
uniqueNames8
maxNameDensity0.43
worstName"Aurora"
maxWindowNameDensity1
worstWindowName"Aurora"
discoveredNames
Richmond1
Park1
Eva1
October1
Carter2
Cathays1
Cardiff1
Aurora7
persons
0"Eva"
1"Carter"
2"Aurora"
places
0"Richmond"
1"Park"
2"October"
3"Cardiff"
globalScore1
windowScore1
52.60% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences77
glossingSentenceCount3
matches
0"not quite swallow"
1"as if reminding her of a debt she had not yet agreed to pay"
2"not quite empty, something continued to breathe, slow and sweet and older than the park, older than the city, older than the small crescent scar on her wrist that had, in this place, begun to ache as if it remembered something she had been too young to keep"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches1
per1kWords0.617
wordCount1621
matches
0"not as a suspicion but as a fact, the way you know a room is occupied before you se"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences138
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs42
mean38.6
std28.48
cv0.738
sampleLengths
074
110
216
369
481
563
699
73
860
93
1057
1111
1254
1322
143
1538
1645
171
1865
1926
2028
217
2270
2346
2429
2541
2633
2738
2869
297
3070
315
323
3361
3462
351
3697
3720
3826
3975
4022
4111
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount2
totalSentences138
matches
0"was washed"
1"is occupied"
22.56% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount7
totalVerbs263
matches
0"was doing"
1"was *pulling"
2"was going"
3"was not going"
4"was coming"
5"was not holding"
6"was considering"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount12
semicolonCount0
flaggedSentences9
totalSentences138
ratio0.065
matches
0"Aurora counted them in the dark — seven, maybe eight — their silhouettes jagged against a sky that had gone the color of a fresh bruise."
1"The silver chain lay cool against the hollow of her throat, and the crimson stone — no bigger than her thumbnail, no brighter than a candle's last gasp — tugged toward the grove's center the way a compass needle finds north."
2"What she felt was the absence of something — a small clean hole in the center of her chest, the place where certainty ought to have lived."
3"That was the first wrongness, and it was so subtle she almost missed it — the way you almost miss the moment a song changes key."
4"The flowers closed softly under her boots, releasing nothing — no scent, no sound, no protest."
5"There — to her left, at the edge of vision, beyond the nearest standing stone."
6"Oak, though the bark was the wrong gray, and the leaves — she squinted — the leaves were not moving, and yet she had seen something move."
7"She kept her eyes moving — left, right, ahead, behind, the rhythm of a woman who had once taught herself to track reflections in windows so she would always know what was coming up the hall."
8"The standing stones formed a rough circle at its heart, and within that circle the ground rose slightly into a low mound, and on the mound — she stopped again."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1609
adjectiveStacks0
stackExamples(empty)
adverbCount60
adverbRatio0.037290242386575516
lyAdverbCount13
lyAdverbRatio0.008079552517091361
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences138
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences138
mean11.75
std12.44
cv1.059
sampleLengths
021
126
211
316
410
513
63
741
87
94
102
112
126
137
149
1510
1641
171
182
1918
2012
2110
2210
2315
2416
259
2634
274
2811
2914
3027
313
323
3326
3420
355
362
374
383
3934
403
416
4214
436
445
452
4613
473
488
4918
30.43% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats28
diversityRatio0.30434782608695654
totalSentences138
uniqueOpeners42
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount4
totalSentences122
matches
0"Then it dimmed."
1"Of course nothing."
2"Perhaps fifty paces across."
3"Of course there was nothing"
ratio0.033
88.85% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount40
totalSentences122
matches
0"She should not have been"
1"It had been pulsing all"
2"It was *pulling*."
3"She had told no one"
4"She had, in fact, told"
5"She had walked to Richmond"
6"They crowded the ground in"
7"Their petals were open, despite"
8"They gave off a sweetness"
9"It sat at the back"
10"She had learned the trick"
11"She stepped through."
12"It pressed against her ears."
13"She took another step."
14"She turned her head."
15"She scanned the line of"
16"She turned back to the"
17"It sat against her chest"
18"She began to walk again,"
19"She kept her steps measured."
ratio0.328
99.34% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount88
totalSentences122
matches
0"The oak stones rose from"
1"Aurora counted them in the"
2"She should not have been"
3"The moon was a smudge"
4"It had been pulsing all"
5"It was *pulling*."
6"The silver chain lay cool"
7"Aurora's fingers went to it"
8"The metal was warm."
9"She had told no one"
10"She had, in fact, told"
11"She had walked to Richmond"
12"They crowded the ground in"
13"Their petals were open, despite"
14"They gave off a sweetness"
15"It sat at the back"
16"Aurora Carter was not a"
17"She had learned the trick"
18"Fright was a luxury."
19"Fright was something people who"
ratio0.721
100.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount4
totalSentences122
matches
0"Now, standing at the edge"
1"As if something vast had"
2"Now she felt it, in"
3"*Or for you to stay."
ratio0.033
23.81% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences54
technicalSentenceCount9
matches
0"In a clearing full of wildflowers that should not, by any honest accounting, have been blooming in October."
1"The sweetness of the flowers intensified, then flattened, then vanished, as if someone had closed a door inside her nose."
2"For one heartbeat the clearing was washed in red, the standing stones throwing long shadows that pointed every direction at once, the flowers briefly illuminate…"
3"She kept her eyes moving — left, right, ahead, behind, the rhythm of a woman who had once taught herself to track reflections in windows so she would always kno…"
4"She caught herself with the hand that was not holding the pendant, and as she did, her sleeve rode up and the crescent scar on her left wrist caught the faint c…"
5"It had a long, slow shape, the shape of a breath drawn through a mouth that was not a mouth, and it moved through the leaves without moving them, and it came fr…"
6"As if something vast had been lying in wait just above the visible, and had lifted its head at her approach, and was considering her now with the patient attent…"
7"Now she felt it, in the way the silence had stretched between one heartbeat and the next, in the way the last few minutes seemed to have lasted longer than minu…"
8"And somewhere above, in the dark that was not quite empty, something continued to breathe, slow and sweet and older than the park, older than the city, older th…"
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags0
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags0
85.6995%