Run: 2026-07-25-01KYD7Z7XET3HZCNRG8HF0DDZ2

Run Details

Duration:
1m 18s
Cost:
$0.031856
Provider:
Moonshot AI

Model input

System
You are an expert novelist with a gift for vivid, immersive prose. You write in tight third-person limited point of view with a strong narrative voice. Your prose is clean, precise, and engaging — you favor strong verbs, concrete details, and natural-sounding dialogue. You will be given a story bible (codex) containing canonical details about characters, locations, items, and lore. Use these details to ground your writing in the established world. Stay consistent with the codex. Write only the prose of the scene. Do not include titles, chapter headings, markdown formatting, or any commentary before or after the scene.
User/Human
<codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> </codex> Write a fully fleshed out scene of at least 1000 words in the horror genre. A character is alone in a strange, isolated place at night. They came here for a reason, but something feels off from the moment they arrive. The wrongness builds slowly — sounds that shouldn't be there, things that move at the edge of vision, a growing certainty that they are not alone. Build tension through restraint, not through gore. Use the codex entries above as your world reference for the character and setting. Only include the prose of the scene without any markdown or commentary.

Model response

AI
The pendant had been warm against her sternum for three days, but tonight it burned. Rory pushed through the undergrowth at the edge of Richmond Park, her torch off, the moon enough. She'd told herself she was coming because of the warmth — because the Heartstone only did this, according to the few things she'd managed to learn, when it was near a portal. And if there was a portal, there might be answers. Who had given it to her. Why. What it wanted. What she hadn't told herself was why it had to be tonight. Why two in the morning. Why alone. The answer was simple and she knew it: no one else could know about any of this. Not Eva. Not Silas. Especially not them. The trees thickened ahead, and then — there was no other way to describe it — the park simply ended. One moment she was among ordinary oaks, damp November bracken crisping underfoot, and the next she stood before a ring of ancient stones that she was certain had not been on any map of Richmond she'd ever seen. They weren't stones, exactly. They were oaks, or had been once — vast trunks petrified into grey pillars, bark gone to something like granite, arranged in a rough circle around a clearing that glowed faintly in the dark. Wildflowers. Everywhere, wildflowers, white and pale blue and a violet so deep it was almost black. In November. Blooming as though it were the middle of May, their heads turned not toward the sky but toward the centre of the clearing, all of them, like a crowd watching something she couldn't see. Rory stood at the boundary and did not cross it. The pendant pulsed against her skin. Warm. Warm. Warm. Like a heartbeat that wasn't hers. "Hello?" she called, and immediately felt stupid, and then felt worse than stupid, because her voice came back wrong. Not an echo — the clearing swallowed it, flattened it, handed it back to her smaller than she'd sent it out, as if the air in there were thicker, reluctant to carry sound at all. She checked her phone. 2:14. No signal, which she'd expected. She pocketed it and stepped between two of the stone-oaks. The cold hit her firstnot colder air, but a colder kind of cold, the sort that lived in church crypts and deep water. Then the smell: green and sweet and underneath it something faintly metallic, like a coin held too long in a sweaty fist. Her boots sank into moss that gave under her weight with a soft, wet sigh. The clearing was perhaps forty feet across. At its centre grew a single tree, alive this one, enormous, its canopy knitting together overhead so completely that the moonlight came through in threads. Beneath it the flowers grew thickest, a pale carpet of them, and the pendant was pulsing so steadily now that Rory could feel it in her teeth. She crossed toward the tree, slowly, torch still off. That was the part she couldn't explain later — that she never turned the torch on. Some deep animal part of her understood that light would be an announcement. That it was better, here, to see less and be seen less. Halfway across, she stopped. There was a sound. Soft. Rhythmic. It took her a moment to place it because it was so out of context: breathing. Slow, deep, unhurried breathing, the sound of something very large asleep. She stood perfectly still and listened. It came from everywhere and nowhere — from the ground, she decided, after a long moment. From under the moss. The whole clearing breathed, in and out, patient as tides. The grove, Eva had told her once, months ago, drunk on Silas' good whiskey and loose-tongued with secrets she shouldn't have shared. Time moves differently there. An hour inside can be minutes or days outside. She'd said it like a warning and Rory had filed it away like a rumour. Rory looked back the way she'd come. The gap between the stones was there. She could see the dark November park beyond it, bare-branched and ordinary. But it looked wrong somehow — too still, like a photograph of a park rather than a park. She watched it for a long moment, waiting for a branch to move, a leaf to fall. Nothing did. The world beyond the stones had the quality of a held breath. She turned back toward the tree, and that was when she saw it: at the edge of her vision, at the boundary of the clearing, one of the stone-oaks was standing somewhere it hadn't been before. She was certain. She'd counted them when she arrived — eleven pillars, a gap in the ring where she'd entered. Now there were twelve, and the gap was narrower. Rory stood very still. Her heart was going hard enough that the pendant seemed to pulse in sympathy, or perhaps it was the other way around. Perhaps the stone had been beating against her chest all along like something trying to get out. It's the light, she told herself. The light in here is strange. You miscounted. She turned her head slowly, counting them again, lips moving. Twelve. And the gap — her gap, her way out — was narrower by the width of one great grey trunk, as though the ring had closed a door behind her while she wasn't looking. The breathing under the moss continued. In. Out. Then, beneath it, a new sound. So quiet she almost missed it. A voice — no, not a voice, the shape of a voice, the cadence of speech without any words in it, coming from the tree at the clearing's heart. It rose and fell like someone talking in their sleep in the next room. Like someone murmuring through a wall. Rory took one step toward it. Then another. The pendant was hot now, genuinely hot, and the crimson stone had begun to glow — a faint ember-light that she'd never seen it produce before, throwing the smallest red circle onto the moss at her feet. The murmuring stopped. The silence that followed had a quality of attention. That was the only way she could think of it: the clearing had noticed her. The flowers stood motionless, all facing the tree. The moss no longer sighed beneath her boots. Even the breathing of the ground had paused, mid-inhale, like a sleeper who has just woken and is lying very still, listening. Rory stopped walking. From the branches above came a soft sound — a shifting, a resettling of weight, the creak of an enormous limb adjusting itself. She did not look up. Every instinct she owned told her not to look up. She looked instead at her own feet, at the little red circle of light on the moss, and she watched, with a detachment that felt almost calm, as a shadow moved through it. Something had passed between her and the tree. Something on the ground. Low, and long, and moving without hurry. When she raised her eyes there was nothing there. The flowers stood as they had. The clearing was empty. But at the base of the great tree, where before there had been only bark and shadow, there was now a door. It had not opened. It had not appeared with any drama. It was simply there, the way the stones had rearranged themselves — as if it had always been there and she had only now been permitted to see it. Tall, narrow, made of wood so dark it drank the light. No handle. No seam. Just a door-shaped absence in the trunk, and from the other side of it, so faint she felt it more than heard it, the murmuring had resumed. And now it had words. She couldn't make them out. She didn't want to make them out. But the cadence had changed — it was no longer the murmur of sleep. It was the cadence of someone speaking her name, over and over, in a voice she almost recognised, patiently, the way you'd call a child in from the garden. The way you'd call something home. Rory. Rory. Rory. The pendant flared against her chest, hot enough to hurt, and the door in the tree swung open a crack, and light came through it — not moonlight, not lamplight, something grey and sourceless, like the first hour before dawn, like the light of a world where the sun had never risen. Behind her, very softly, the moss sighed. She did not turn around. She understood, with the same animal certainty that had kept her torch off, that whatever had been moving at the edge of her vision all this time had stopped pretending. It was standing at the boundary of the clearing now, between her and the gap in the stones. It had been herding her, gently, patiently, the whole way across. Every sound, every shifted trunk, every held breath — all of it steering her here, to this door, to this voice calling her name in a voice she almost recognised. Almost. That was the horror of it. Almost. Rory stood in the dark between the thing behind her and the door before her, the Heartstone burning like a coal against her heart, and she realised she could not remember how long she had been standing there. Minutes. Hours. Her phone was in her pocket and she could not bring herself to check it, because she understood now what the grove did with time, and some part of her already knew what she would see. From beyond the door, the voice said her name again, and this time it said it in her mother's voice, and her mother had been dead for six years. Rory took a step forward.
created_at"2026-07-25T18:18:03.06Z" 7/25/2026, 6:18:03 PM
model"moonshotai/kimi-k3-20260715"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency2967
moderation_latency(null)
generation_time77962
tokens_prompt792
tokens_completion2353
native_tokens_prompt840
native_tokens_completion2094
native_tokens_completion_images(null)
native_tokens_reasoning70
native_tokens_cached768
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
service_tier(null)
usage0.0318564
router(null)
provider_responses
0
endpoint_id"650c9b12-7b6d-444d-8d92-df8daef84d7a"
id"chatcmpl-6a64fdcbbc7863b43fea5c5e"
is_byokfalse
latency2967
model_permaslug"moonshotai/kimi-k3-20260715"
provider_name"Moonshot AI"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.18.0; linux; x64))"
http_referer(null)
request_id"req-1785003483-hb99cjQWKXwKpOyebO2C"
session_id(null)
preset_id(null)
api_type"completions"
id"gen-1785003483-b5iiPQwWqSTezBDj4Lib"
upstream_id"chatcmpl-6a64fdcbbc7863b43fea5c5e"
total_cost0.0318564
cache_discount0.0020736
upstream_inference_cost0
provider_name"Moonshot AI"
response_cache_source_id(null)
data_region"global"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags2
adverbTagCount0
adverbTags(empty)
dialogueSentences1
tagDensity1
leniency1
rawRatio0
effectiveRatio0
69.25% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1626
totalAiIsmAdverbs10
found
0
adverb"completely"
count1
1
adverb"slowly"
count2
2
adverb"very"
count4
3
adverb"perfectly"
count1
4
adverb"softly"
count1
5
adverb"gently"
count1
highlights
0"completely"
1"slowly"
2"very"
3"perfectly"
4"softly"
5"gently"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
72.32% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1626
totalAiIsms9
found
0
word"warmth"
count1
1
word"pulsed"
count1
2
word"echo"
count1
3
word"weight"
count2
4
word"could feel"
count1
5
word"rhythmic"
count1
6
word"pulse"
count1
7
word"silence"
count1
highlights
0"warmth"
1"pulsed"
2"echo"
3"weight"
4"could feel"
5"rhythmic"
6"pulse"
7"silence"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences139
matches
0"e in sympathy"
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount2
narrationSentences139
filterMatches(empty)
hedgeMatches
0"managed to"
1"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences139
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen51
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords1645
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions10
unquotedAttributions0
matches(empty)
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions29
wordCount1633
uniqueNames10
maxNameDensity0.8
worstName"Rory"
maxWindowNameDensity2
worstWindowName"Rory"
discoveredNames
Richmond2
Park1
Heartstone2
Eva2
Silas1
November3
May1
Rory13
Time1
Warm3
persons
0"Heartstone"
1"Eva"
2"Silas"
3"Rory"
4"Time"
places
0"Richmond"
1"Park"
2"November"
globalScore1
windowScore1
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences90
glossingSentenceCount1
matches
0"something like granite, arranged in a rough"
78.42% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches2
per1kWords1.216
wordCount1645
matches
0"not toward the sky but toward the centre of the clearing, all of them, like a crowd"
1"not colder air, but a colder kind of cold, the sort"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount1
totalSentences139
matches
0"understood that light"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs45
mean36.56
std26.52
cv0.725
sampleLengths
015
169
219
324
496
552
610
715
854
920
1062
1159
1250
134
1433
1536
1650
177
1868
1936
2029
2143
2214
2345
248
2561
2645
273
2862
293
3071
3119
3219
3322
3482
355
3661
373
3852
397
4094
418
4276
4329
445
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount1
totalSentences139
matches
0"been permitted"
43.14% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount6
totalVerbs255
matches
0"was coming"
1"was pulsing"
2"was standing"
3"was going"
4"wasn't looking"
5"was standing"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount19
semicolonCount0
flaggedSentences17
totalSentences139
ratio0.122
matches
0"She'd told herself she was coming because of the warmth — because the Heartstone only did this, according to the few things she'd managed to learn, when it was near a portal."
1"The trees thickened ahead, and then — there was no other way to describe it — the park simply ended."
2"They were oaks, or had been once — vast trunks petrified into grey pillars, bark gone to something like granite, arranged in a rough circle around a clearing that glowed faintly in the dark."
3"Not an echo — the clearing swallowed it, flattened it, handed it back to her smaller than she'd sent it out, as if the air in there were thicker, reluctant to carry sound at all."
4"The cold hit her first — not colder air, but a colder kind of cold, the sort that lived in church crypts and deep water."
5"That was the part she couldn't explain later — that she never turned the torch on."
6"It came from everywhere and nowhere — from the ground, she decided, after a long moment."
7"But it looked wrong somehow — too still, like a photograph of a park rather than a park."
8"She'd counted them when she arrived — eleven pillars, a gap in the ring where she'd entered."
9"And the gap — her gap, her way out — was narrower by the width of one great grey trunk, as though the ring had closed a door behind her while she wasn't looking."
10"A voice — no, not a voice, the shape of a voice, the cadence of speech without any words in it, coming from the tree at the clearing's heart."
11"The pendant was hot now, genuinely hot, and the crimson stone had begun to glow — a faint ember-light that she'd never seen it produce before, throwing the smallest red circle onto the moss at her feet."
12"From the branches above came a soft sound — a shifting, a resettling of weight, the creak of an enormous limb adjusting itself."
13"It was simply there, the way the stones had rearranged themselves — as if it had always been there and she had only now been permitted to see it."
14"But the cadence had changed — it was no longer the murmur of sleep."
15"The pendant flared against her chest, hot enough to hurt, and the door in the tree swung open a crack, and light came through it — not moonlight, not lamplight, something grey and sourceless, like the first hour before dawn, like the light of a world where the sun had never risen."
16"Every sound, every shifted trunk, every held breath — all of it steering her here, to this door, to this voice calling her name in a voice she almost recognised."
92.73% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount621
adjectiveStacks0
stackExamples(empty)
adverbCount30
adverbRatio0.04830917874396135
lyAdverbCount11
lyAdverbRatio0.017713365539452495
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences139
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences139
mean11.83
std10.87
cv0.919
sampleLengths
015
117
232
310
46
51
63
712
85
92
1017
112
122
133
1420
1538
164
1734
181
1915
202
2134
2210
236
241
251
261
276
2819
2935
304
311
325
3310
3425
3522
3615
377
3825
3927
409
4116
4213
4312
444
454
461
471
4816
4911
49.28% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats22
diversityRatio0.391304347826087
totalSentences138
uniqueOpeners54
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount8
totalSentences112
matches
0"Especially not them."
1"Everywhere, wildflowers, white and pale"
2"Then the smell: green and"
3"Perhaps the stone had been"
4"Then, beneath it, a new"
5"So quiet she almost missed"
6"Even the breathing of the"
7"Just a door-shaped absence in"
ratio0.071
98.57% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount34
totalSentences112
matches
0"She'd told herself she was"
1"They weren't stones, exactly."
2"They were oaks, or had"
3"she called, and immediately felt"
4"She checked her phone."
5"She pocketed it and stepped"
6"Her boots sank into moss"
7"She crossed toward the tree,"
8"It took her a moment"
9"She stood perfectly still and"
10"It came from everywhere and"
11"She'd said it like a"
12"She could see the dark"
13"She watched it for a"
14"She turned back toward the"
15"She was certain."
16"She'd counted them when she"
17"Her heart was going hard"
18"It's the light, she told"
19"She turned her head slowly,"
ratio0.304
100.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount75
totalSentences112
matches
0"The pendant had been warm"
1"Rory pushed through the undergrowth"
2"She'd told herself she was"
3"The answer was simple and"
4"The trees thickened ahead, and"
5"They weren't stones, exactly."
6"They were oaks, or had"
7"Rory stood at the boundary"
8"The pendant pulsed against her"
9"she called, and immediately felt"
10"She checked her phone."
11"She pocketed it and stepped"
12"The cold hit her first"
13"Her boots sank into moss"
14"The clearing was perhaps forty"
15"She crossed toward the tree,"
16"That was the part she"
17"Some deep animal part of"
18"That it was better, here,"
19"Halfway across, she stopped."
ratio0.67
44.64% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences112
matches
0"Now there were twelve, and"
ratio0.009
70.22% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences59
technicalSentenceCount6
matches
0"Not an echo — the clearing swallowed it, flattened it, handed it back to her smaller than she'd sent it out, as if the air in there were thicker, reluctant to c…"
1"The cold hit her first — not colder air, but a colder kind of cold, the sort that lived in church crypts and deep water."
2"And the gap — her gap, her way out — was narrower by the width of one great grey trunk, as though the ring had closed a door behind her while she wasn't looking…"
3"Even the breathing of the ground had paused, mid-inhale, like a sleeper who has just woken and is lying very still, listening."
4"She looked instead at her own feet, at the little red circle of light on the moss, and she watched, with a detachment that felt almost calm, as a shadow moved t…"
5"She understood, with the same animal certainty that had kept her torch off, that whatever had been moving at the edge of her vision all this time had stopped pr…"
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags2
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags1
fancyCount0
fancyTags(empty)
dialogueSentences1
tagDensity1
leniency1
rawRatio0
effectiveRatio0
87.2856%