Run: 2026-09-03-01M1K9VDTEPVNVWZ477NKHBVXR

Run Details

Duration:
3m 2s
Cost:
$0.002281
Provider:
Together

Model input

System
You are an expert novelist with a gift for vivid, immersive prose. You write in tight third-person limited point of view with a strong narrative voice. Your prose is clean, precise, and engaging — you favor strong verbs, concrete details, and natural-sounding dialogue. You will be given a story bible (codex) containing canonical details about characters, locations, items, and lore. Use these details to ground your writing in the established world. Stay consistent with the codex. Write only the prose of the scene. Do not include titles, chapter headings, markdown formatting, or any commentary before or after the scene.
User/Human
<codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <character id="4413" name="Silas Blackwood" aliases="Silas, Si, the Spymaster" pronouns="he/him" species="Human" storyRole="Mentor"> <eyeColor>hazel</eyeColor> <hair>grey-streaked auburn</hair> <height>6'1"</height> <age>58</age> <beard>neatly trimmed, matching his grey-streaked auburn hair</beard> <limp>slight limp in his left leg from an old knee injury</limp> <signetRing>silver signet ring, always worn on his right hand</signetRing> <description>Silas is a retired intelligence operative turned bar owner. He carries himself with quiet authority.</description> <backstory>Former MI6 field agent who retired after a botched operation in Prague left him with a permanent knee injury. He opened "The Raven's Nest" bar in Soho as a front for his network of contacts.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> </codex> Write a fully fleshed out scene of at least 1000 words in the literary fiction genre. Two old friends who haven't seen each other in years run into each other unexpectedly at a bar. One of them has changed significantly. Through their conversation and the tension between who they were and who they've become, reveal the weight of time and unspoken regret. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary.

Model response

AI
The Raven's Nest was quiet for a Tuesday, which meant the usual three drunks at the far end and a couple in the corner who hadn't stopped arguing since they'd ordered their first round. Aurora had claimed the stool nearest the bookshelf, the one with the good view of the door, and was nursing a Coke she hadn't asked for but Silas had set down in front of her anyway. "You're off the clock," he'd said, not looking up from the glass he was polishing. "You don't have to sit there like you're waiting for a signal." "I like the light," she'd said, which was a lie, but he'd let it go. The door opened at 9:47. Aurora clocked the woman immediately—the way you do when someone enters a room with intent. She was tall, or maybe it was the posture. Silver-blonde hair cut short and sharp. A dark coat that cost more than a month of Aurora's delivery wages. She stood in the doorway a beat too long, letting her eyes adjust, and then she found Silas with the accuracy of someone who had known exactly where to look. Silas's hand stopped mid-polish. The glass caught the green light from the sign outside, held it, and then he set it down with a care that was almost theatrical. "Well," the woman said. Her voice was low, roughened by something—age, or smoke, or both. "You've gone grey, Si." "And you've gone expensive, Lena." Aurora watched the woman cross the room. She moved like someone who had once been taught to move and had never quite unlearned it. She took the stool two down from Aurora, leaving one empty between them, and set her bag on the bar with a soft, deliberate thud. Silas didn't move to pour her anything. He just stood there, one hand resting on the edge of the bar, the other at his side. The silver signet ring caught the light. "I was in London," the woman said. "Thought I'd see if you were still alive." "Disappointed?" "Undecided." There was a beat. Aurora felt the air change—the way it does before a storm, that pressure drop you feel in your teeth. She picked up her Coke and took a sip, keeping her eyes on the maps on the wall, the photographs, anything that wasn't the two of them. Silas reached for a bottle of whiskey—the good one, the one he kept on the top shelf for people he didn't like—and poured two glasses without asking. He slid one across the bar. The woman caught it, didn't drink. "Fifteen years," she said. "Fourteen. You left in March." She smiled at that, but it didn't reach her eyes. "You kept count." "I kept a lot of things." He raised his glass. "To Prague." She didn't raise hers. The name hung in the air between them, heavy as smoke. Aurora had heard about Prague. Not from Silas—Silas didn't talk about Prague. But the bar had a way of collecting stories, and the regulars had a way of telling them when they thought she wasn't listening. A botched operation. A knee that never healed. A partner who'd been taken and come back wrong. The details were always fuzzy, the way details get when they're passed through the filter of men who've had too much to drink. But looking at the woman now—at the way her fingers were wrapped around the glass, at the careful blankness of her face—Aurora thought she understood something about the word *wrong*. "You look good," Silas said. It sounded like an accusation. "I look like I've made peace with things." The woman took a sip of the whiskey. "You look like you're still fighting them." "I own a bar, Lena. I pour drinks and I listen to people lie to me. There's no fighting involved." "You're still lying to me, so there must be." The silence stretched. Aurora shifted on her stool, and the woman's eyes flicked to her—a quick, assessing glance, the kind that catalogued and dismissed in the same breath. Then back to Silas. "Who's the kid?" "Rory. She lives upstairs." "Tenant, or—" "Friend." Silas said it flatly, and the word landed like a door closing. "She's a friend." The woman nodded slowly. She turned the glass in her hands, watching the amber liquid catch the light. "I used to be your friend." "You used to be a lot of things." "Si." Her voice cracked on the syllable—just barely, just for a second, but Aurora heard it. "I didn't come here to fight." "Then why did you come?" The woman was quiet for a long moment. When she spoke, her voice was different. Softer. The polish had worn through in places, and underneath was something raw. "I was in Vienna last month. There was a man—an asset, a handler, I don't know what he was anymore. He recognized me. Knew my name. Knew what I'd been." She paused. "He asked about you. Said he'd heard you'd gotten out. Said he was sorry about your leg." Silas's jaw tightened. "I didn't know what to tell him," she went on. "I didn't know if you were alive. I didn't know if you'd forgiven me. I didn't know if you'd ever—" She stopped. Took a breath. "I've spent fourteen years not knowing if you'd ever forgiven me, Si." "There's nothing to forgive." "Bullshit." The word cracked through the bar like a gunshot. The couple in the corner looked up, then looked away. The drunks at the far end didn't stir. "There's everything to forgive," she said, quieter now. "I left you. I left you in that warehouse with a bullet in your knee and I walked out and I didn't look back. I didn't call. I didn't write. I let you think—" She broke off, pressed a hand to her mouth. Silas was very still. The green light from the sign outside painted one side of his face, leaving the other in shadow. "You did what you had to do," he said. "I did what I was told to do. That's not the same thing." "It was the same thing for us. It was always the same thing." "No." She shook her head. "No, it wasn't. You would have stayed. You would have—" She stopped again. Swallowed. "You would have died for me, Si. And I walked out." Aurora wanted to leave. She wanted to be anywhere but on this stool, listening to something that wasn't hers to hear. But she was pinned there, caught in the gravity of it, the way you're caught by a car crash or a confession. Silas picked up his glass. He drank. He set it down. "I would have died for you," he said. "And you would have let me. That's the difference between us, Lena. That's always been the difference." The woman flinched. It was small—a tightening around the eyes, a breath caught and held—but it was there. "Is that what you've been telling yourself for fourteen years?" she asked. "That I would have let you die?" "It's what I know." "You don't know anything." She slid off the stool. Her coat swung open, and Aurora caught a glimpse of something at her waist—a shape too angular to be anything but a holster. "You don't know what they told me. You don't know what I was ordered to do. You don't know what I—" "Then tell me." The words came out quiet. Almost gentle. Silas's hand was resting on the bar, palm up, like he was offering something. The woman stared at it. For a long moment, Aurora thought she might take it. Then she laughed—a short, bitter sound that had nothing to do with humor. "Fourteen years, Si. You had fourteen years to ask me that." "You're the one who left." "And you're the one who never came after me." She picked up her bag. Her voice was steady now, the crack sealed over. "I used to think about that. About what would have happened if you'd come after me. If you'd called. If you'd written. I used to think about it every day." "And now?" "Now I don't think about it at all." She looked at him—really looked, for the first time since she'd walked in. "That's the worst part. I don't think about it at all." She turned and walked to the door. Silas didn't move. He stood behind the bar, one hand still palm-up on the wood, the green light from the sign painting him in stripes of color and shadow. At the door, the woman paused. She didn't turn around. "I'm glad you're alive, Si." The door closed behind her. The bell above it chimed, a small, cheerful sound that seemed obscene in the silence that followed. Aurora sat very still. She didn't know what to say. She didn't know if there was anything to say. Silas picked up the glass the woman had left. He looked at it for a moment—at the inch of whiskey still in the bottom, at the faint smudge of lipstick on the rim. Then he poured it into the sink and set the glass in the rack with the others. "Get some sleep, Rory," he said, without looking at her. "You've got deliveries in the morning." He limped toward the back room, the bookshelf, the hidden door. Aurora watched him go. She thought about the woman's hand on the door, the pause, the words she hadn't said. She thought about the way Silas had said *friend*—like it was a word he was still learning to use. The bar was quiet. The green sign hummed. Somewhere upstairs, Aurora's phone buzzed with a delivery order she'd already forgotten. She sat there for a long time, holding her Coke, watching the door.
created_at"2026-09-03T09:33:27.26Z" 9/3/2026, 9:33:27 AM
model"deepseek/deepseek-v4-flash-20260731"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency9519
moderation_latency(null)
generation_time181907
tokens_prompt846
tokens_completion8334
native_tokens_prompt895
native_tokens_completion7698
native_tokens_completion_images(null)
native_tokens_reasoning5531
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
service_tier(null)
usage0.00228074
router(null)
user_agent"langchainjs-openai/1.0.0 ((node/v24.19.0; linux; x64))"
http_referer(null)
request_id"req-1788428007-fqmY2z5fd6aWBFF4BCU0"
session_id(null)
preset_id(null)
api_type"completions"
id"gen-1788428007-5tqOGp8832tAdYQTRkI3"
upstream_id"62c96ddc-aws_ue2"
provider_responses
0
endpoint_id"604391ba-7c17-4f8b-8a18-b38c5b45ac52"
id"62c96ddc-aws_ue2"
is_byokfalse
latency9519
model_permaslug"deepseek/deepseek-v4-flash-20260731"
provider_name"Together"
status200
total_cost0.00228074
cache_discount(null)
upstream_inference_cost0
provider_name"Together"
response_cache_source_id(null)
data_region"global"
workspace_id"97e315e5-d303-487d-83c1-83180e8a13d4"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags24
adverbTagCount1
adverbTags
0"She stopped again [again]"
dialogueSentences63
tagDensity0.381
leniency0.762
rawRatio0.042
effectiveRatio0.032
87.85% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1646
totalAiIsmAdverbs4
found
0
adverb"slowly"
count1
1
adverb"very"
count2
2
adverb"really"
count1
highlights
0"slowly"
1"very"
2"really"
100.00% AI-ism character names
Target: 0 AI-default names (16 tracked, −20% each)
codexExemptions
0"Blackwood"
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
90.89% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1646
totalAiIsms3
found
0
word"silence"
count2
1
word"flicked"
count1
highlights
0"silence"
1"flicked"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches1
maxInWindow1
found
0
label"hung in the air"
count1
highlights
0"hung in the air"
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences113
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount0
narrationSentences113
filterMatches
0"feel"
hedgeMatches(empty)
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences152
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen43
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans2
markdownWords2
totalWords1629
ratio0.001
matches
0"wrong"
1"friend"
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions27
unquotedAttributions0
matches(empty)
75.04% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions43
wordCount1134
uniqueNames9
maxNameDensity1.5
worstName"Silas"
maxWindowNameDensity2.5
worstWindowName"Silas"
discoveredNames
Raven1
Nest1
Tuesday1
Coke3
Silas17
Aurora16
Prague2
Took1
Swallowed1
persons
0"Raven"
1"Coke"
2"Silas"
3"Aurora"
places
0"Prague"
globalScore0.75
windowScore0.833
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences66
glossingSentenceCount1
matches
0"seemed obscene in the silence that followed"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches0
per1kWords0
wordCount1629
matches(empty)
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences152
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs74
mean22.01
std18.08
cv0.821
sampleLengths
070
127
215
378
429
519
65
749
832
915
101
111
1250
1339
144
155
1613
1712
1815
1976
2030
2110
2223
2320
249
2532
263
274
282
2916
3024
318
3222
335
3428
3549
363
3747
384
391
4027
4151
4222
439
4413
4513
4630
4743
4811
4925
89.74% Passive voice overuse
Target: ≤2% passive sentences
passiveCount5
totalSentences113
matches
0"been taught"
1"been taken"
2"passed"
3"were wrapped"
4"was pinned"
5"caught"
15.67% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount6
totalVerbs217
matches
0"was nursing"
1"was polishing"
2"wasn't listening"
3"was resting"
4"was offering"
5"was still learning"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount17
semicolonCount0
flaggedSentences14
totalSentences152
ratio0.092
matches
0"Aurora clocked the woman immediately—the way you do when someone enters a room with intent."
1"Her voice was low, roughened by something—age, or smoke, or both."
2"Aurora felt the air change—the way it does before a storm, that pressure drop you feel in your teeth."
3"Silas reached for a bottle of whiskey—the good one, the one he kept on the top shelf for people he didn't like—and poured two glasses without asking."
4"Not from Silas—Silas didn't talk about Prague."
5"But looking at the woman now—at the way her fingers were wrapped around the glass, at the careful blankness of her face—Aurora thought she understood something about the word *wrong*."
6"Aurora shifted on her stool, and the woman's eyes flicked to her—a quick, assessing glance, the kind that catalogued and dismissed in the same breath."
7"\"Si.\" Her voice cracked on the syllable—just barely, just for a second, but Aurora heard it."
8"It was small—a tightening around the eyes, a breath caught and held—but it was there."
9"Her coat swung open, and Aurora caught a glimpse of something at her waist—a shape too angular to be anything but a holster."
10"Then she laughed—a short, bitter sound that had nothing to do with humor."
11"\"Now I don't think about it at all.\" She looked at him—really looked, for the first time since she'd walked in."
12"He looked at it for a moment—at the inch of whiskey still in the bottom, at the faint smudge of lipstick on the rim."
13"She thought about the way Silas had said *friend*—like it was a word he was still learning to use."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1153
adjectiveStacks0
stackExamples(empty)
adverbCount41
adverbRatio0.03555941023417172
lyAdverbCount6
lyAdverbRatio0.005203816131830009
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences152
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences152
mean10.72
std8.22
cv0.767
sampleLengths
034
136
215
312
415
55
615
79
86
913
1030
114
1225
134
1411
154
165
177
1817
1925
207
2118
227
237
248
251
261
274
2819
2927
3027
316
326
334
345
3510
363
3710
382
394
4011
415
427
4324
443
455
469
4723
4830
495
41.45% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats13
diversityRatio0.27631578947368424
totalSentences152
uniqueOpeners42
100.00% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount4
totalSentences102
matches
0"Then back to Silas."
1"Then she laughed—a short, bitter"
2"Then he poured it into"
3"Somewhere upstairs, Aurora's phone buzzed"
ratio0.039
63.14% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount40
totalSentences102
matches
0"he'd said, not looking up"
1"she'd said, which was a"
2"She was tall, or maybe"
3"She stood in the doorway"
4"Her voice was low, roughened"
5"She moved like someone who"
6"She took the stool two"
7"He just stood there, one"
8"She picked up her Coke"
9"He slid one across the"
10"She smiled at that, but"
11"He raised his glass"
12"She didn't raise hers."
13"It sounded like an accusation."
14"She turned the glass in"
15"Her voice cracked on the"
16"she went on"
17"she said, quieter now"
18"She broke off, pressed a"
19"She shook her head"
ratio0.392
28.63% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount88
totalSentences102
matches
0"The Raven's Nest was quiet"
1"Aurora had claimed the stool"
2"he'd said, not looking up"
3"she'd said, which was a"
4"The door opened at 9:47."
5"Aurora clocked the woman immediately—the"
6"She was tall, or maybe"
7"A dark coat that cost"
8"She stood in the doorway"
9"Silas's hand stopped mid-polish."
10"The glass caught the green"
11"the woman said"
12"Her voice was low, roughened"
13"Aurora watched the woman cross"
14"She moved like someone who"
15"She took the stool two"
16"Silas didn't move to pour"
17"He just stood there, one"
18"The silver signet ring caught"
19"the woman said"
ratio0.863
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences102
matches(empty)
ratio0
51.28% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences39
technicalSentenceCount5
matches
0"The Raven's Nest was quiet for a Tuesday, which meant the usual three drunks at the far end and a couple in the corner who hadn't stopped arguing since they'd o…"
1"The glass caught the green light from the sign outside, held it, and then he set it down with a care that was almost theatrical."
2"Aurora shifted on her stool, and the woman's eyes flicked to her—a quick, assessing glance, the kind that catalogued and dismissed in the same breath."
3"The bell above it chimed, a small, cheerful sound that seemed obscene in the silence that followed."
4"She sat there for a long time, holding her Coke, watching the door."
83.33% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags24
uselessAdditionCount2
matches
0"Silas said, and the word landed like a door closing"
1"he said, without looking at her"
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags12
fancyCount2
fancyTags
0"he'd (would)"
1"she'd (would)"
dialogueSentences63
tagDensity0.19
leniency0.381
rawRatio0.167
effectiveRatio0.063
80.9005%