Run: 2026-10-06-01M48W0K76DG6AAFF0C81HK6KA

Run Details

Duration:
1m 2s
Cost:
$0.004707
Provider:
Mistral

Model input

System
You are an expert novelist with a gift for vivid, immersive prose. You write in tight third-person limited point of view with a strong narrative voice. Your prose is clean, precise, and engaging — you favor strong verbs, concrete details, and natural-sounding dialogue. You will be given a story bible (codex) containing canonical details about characters, locations, items, and lore. Use these details to ground your writing in the established world. Stay consistent with the codex. Write only the prose of the scene. Do not include titles, chapter headings, markdown formatting, or any commentary before or after the scene.
User/Human
<codex> <character id="4412" name="Aurora Carter" aliases="Rory, Laila, Aurora, Carter, Malphora" pronouns="she/her" species="Human" storyRole="Protagonist"> <eyeColor>bright blue</eyeColor> <hair>straight shoulder-length black</hair> <height>5'6"</height> <age>25</age> <scar>small crescent-shaped scar on her left wrist from a childhood accident</scar> <description>Aurora, referred to by her friends as Rory, is cool-headed, intelligent, and known for quick out-of-the-box thinking.</description> <backstory>Born in Cardiff to an Irish barrister father (Brendan Carter) and Welsh teacher mother (Jennifer Carter née Ellis), Rory reluctantly pursued Pre-Law at Cardiff University. She fled to London at the behest of her childhood friend Eva after leaving an abusive ex named Evan. By day, Rory works part-time as a delivery person for Yu-Fei Cheung's Golden Empress restaurant. She lives in a flat above Silas' bar.</backstory> </character> <location id="861" name="The Fae Grove" aliases="Isolde's grove, Richmond grove, the Grove" realm="Earth (Fae-touched)"> <parkLocation>Richmond Park</parkLocation> <standingStones>ancient oak standing stones mark the boundary</standingStones> <timeBehavior>time moves differently — an hour inside can be minutes or days outside</timeBehavior> <flora>wildflowers bloom year-round</flora> <description>A hidden clearing that exists in a pocket between Earth and the Fae realm.</description> </location> <item id="2001" name="Heartstone Pendant" aliases="the pendant, Heartstone" type="Artifact" origin="Dymas"> <gemstoneColor>deep crimson</gemstoneColor> <chainMaterial>silver chain</chainMaterial> <size>roughly the size of a thumbnail</size> <behavior>pulses faintly with warmth when near a Hel portal</behavior> <glow>faint inner glow</glow> <description>Given to Aurora by an unknown benefactor.</description> </item> </codex> Write a fully fleshed out scene of at least 1000 words in the horror genre. A character is alone in a strange, isolated place at night. They came here for a reason, but something feels off from the moment they arrive. The wrongness builds slowly — sounds that shouldn't be there, things that move at the edge of vision, a growing certainty that they are not alone. Build tension through restraint, not through gore. Use the codex entries above as your world reference for the character and setting. Only include the prose of the scene without any markdown or commentary.

Model response

AI
The last delivery of the night had taken Rory to the edge of Richmond Park, where the GPS had started lying three streets back. She'd found the address anyway—a converted stable, all black timber and warm light spilling from windows that shouldn't exist on any map she knew. The customer had paid in cash, exact change, left on the doorstep with a note in handwriting that made her stomach tighten: *For the girl who carries the heart. Don't be late.* She'd almost turned back. Almost. Now she stood at the tree line where the park surrendered to something older, and the air tasted of copper and honey. The Heartstone pendant at her throat had gone warm an hour ago, a slow pulse against her collarbone like a second heartbeat. She'd told herself it was the cold. She'd told herself a lot of things. The path ahead was wrong. Not missing—present, but *arranged*, as if someone had laid it out with deliberate care. Flagstones, moss-softened, winding between oaks that grew too close together, their branches knitting overhead into a tunnel of black wood. No streetlamps reached here. No sound of the city. Only the delivery bag at her hip, still holding the empty container from the stable, and the faint, rhythmic sound of water moving somewhere ahead—though no stream appeared on any map of Richmond Park. Rory's phone had died at the park boundary. She'd checked. Twice. She walked because the note had said *don't be late*, and because the pendant's warmth had become insistent, almost eager, and because turning back meant admitting that some part of her had known, from the moment she'd read those words on the doorstep, that this delivery was not a delivery at all. The trees thickened. The flagstones gave way to packed earth, then to something that crunched like bone underfoot. Rory told herself it was gravel. She told herself the shadows between the oaks were merely shadows, the way her mind supplied shapes to darkness, the way fear always dressed itself in the clothes of the rational. A sound came from her left. Not footsteps—something softer, something that dragged. She turned, and the darkness between two oaks held still, patient, *waiting* to see if she would look again. She did. It did not move. But she felt it watching, the way you feel a gaze on the back of your neck, and she understood with a cold certainty that whatever it was had no face to find, no eyes to meet, only the hunger of attention, of being witnessed. The pendant burned. Rory walked faster. The path curved, and ahead she saw light—not electric, not fire, but something that glowed with the soft luminescence of deep water, of things that lived where sunlight never reached. A clearing opened between the trees, and in its center stood stones. Seven of them, arranged in a circle, each taller than she was, each carved with spirals that seemed to turn when she wasn't looking directly at them. Wildflowers grew between the stones. Every variety she knew and dozens she didn't—bluebells in December, foxgloves with petals like bruised silk, something that glowed faintly white and turned its bloom to follow her movement. They should not have been blooming. It was winter. She could feel winter in her bones, in the thinness of the air, in the way her breath still clouded though the night was mild. She stepped into the clearing. The sound of water was louder here, though still no stream. It came from everywhere and nowhere, a susurrus like many voices speaking just below hearing, like the memory of a lullaby in a language she'd forgotten. Rory's hand found the pendant. The crimson stone pulsed against her palm, warm now, *alive*, and she understood with horrible clarity that it had brought her here. That it had been waiting for this place, this moment, and that whatever had given it to her—whoever had left it on her pillow three nights ago with no note, no explanation—had known exactly where it would lead. A shadow moved at the edge of the standing stones. Rory turned. The shadow was gone, or had never been, or was simply the space between two stones where the darkness pooled thicker than physics allowed. But she had seen it. She had *seen* it, and her mind, which had spent twenty-five years building walls against superstition, against the stories her mother told her about the old ways, against the whispered warnings of a childhood spent in a country where the veil wore thin—her mind was cracking now, hairline fractures spreading, and through them something was looking out. *Not alone*, said a voice that was not a voice. *Never alone here. The Grove remembers. The Grove waits.* She ran. Not toward the path—she couldn't find it, the trees had shifted, the clearing was larger now or she was smaller, the distances wrong in ways that made her stomach lurch. She ran toward the stones, toward the center, toward whatever power the pendant recognized, because the alternative was the dark between the oaks, and the dark was *hungry*, and she had felt its attention like a hand at her throat. The stones were cold. Colder than winter, colder than death, and when she pressed her palm against the nearest one—the one with spirals that turned, that *moved*, she was certain now, she could see them crawling like ants beneath the surface—the cold bit through her skin and into something deeper. A memory that wasn't hers. A woman's voice, singing, and the knowledge that this place had been a threshold for longer than human memory, longer than human *existence*, a door that opened both ways and never fully closed. The pendant blazed. Not warm now—*hot*, burning against her chest, and Rory screamed, or would have, but the sound came out wrong, layered, as if her voice had joined a chorus, as if the Grove itself was singing through her throat. The crimson light spilled from beneath her collar, painted the stones, painted the wildflowers, painted the darkness between the trees where things stirred and turned and *noticed* her at last. She saw them then. Not clearly—never clearly, that was the mercy and the horror of it—but in the periphery, in the corners where vision failed, shapes that had been waiting since before her grandmother's grandmother drew breath. Tall things, and small things, and things that wore shapes like stolen clothes, and all of them turned toward the light, toward *her*, toward the heartbeat that pulsed in time with the stone at her throat. *She carries the key*, they said, or she thought they said, or the wind said it through branches that had no leaves. *She carries the key, and the door is opening, and we have waited so long for someone to turn it.* Rory ran again, but the path had vanished. The clearing stretched in all directions, an impossible geometry of stone and flower and dark, and the things at its edges were closer now, their attention a physical weight, a pressure behind her eyes, a whisper that was almost *kind*, almost *welcoming*, the voice of a host who has prepared a feast and cannot understand why the guest would flee. She found the path by accident, or by desperation, or because the Grove allowed it—because it wanted her to leave, to carry the warmth of the pendant back into the world of streetlamps and delivery bags and the ordinary fears of ordinary nights. The flagstones appeared beneath her feet like a gift, like a joke, like a promise that could be broken at any moment. Behind her, the wildflowers turned. All of them, in unison, their blooms tracking her flight, and in their turning she heard the last thing, the thing that would keep her awake for nights to come, that would make her check the locks three times and still feel the cold of other hands on her wrists, the crescent scar there suddenly *meaning* something, suddenly *active*, a mark, a binding, a signature in a contract she had never read. *Come back*, they said. *The Grove is patient. The Grove always waits. And you—you will always carry the heart.* She ran until her lungs burned, until the trees thinned and the city sounds rushed back—a siren, a fox screaming, the ordinary music of a London night—and she did not stop, did not look back, did not dare to check whether the pendant had gone cold or was still pulsing, still warm, still *hers* or something else wearing her shape from the inside. She found her flat above Silas' bar by memory, by instinct, by the desperate animal need to be somewhere with walls and locks and other human beings. The stairs creaked. Her key turned. The door closed behind her and she leaned against it, gasping, and reached for the pendant— —and found it gone. Not missing. *Absent*. The chain still there, silver against her collarbone, but the crimson stone, the heart of it, the warmth, the *pulse*—gone. Taken. Left behind. Given, perhaps, or *claimed*, in a transaction she had not agreed to and could not reverse. Rory slid down the door. Sat on the floor of her entryway, the delivery bag still at her hip, still holding the empty container, still smelling of copper and honey. Her phone, miraculously, had charge. She could call Eva. She could call her mother. She could call anyone, explain nothing, ask for nothing, simply hear a human voice that did not come from stones or flowers or the dark between trees. Instead, she sat in the dark of her flat and listened to the silence, and in that silence she heard it—the sound of water moving, of many voices just below hearing, of something patient and ancient and *waiting* for her to understand that she had never been the delivery person at all. She had been the delivery. And the Grove, which remembers, which always waits, had finally received its due.
created_at"2026-10-06T15:06:17.712Z" 10/6/2026, 3:06:17 PM
model"mistralai/mistral-large-4-0-20261006"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency1591
moderation_latency(null)
generation_time61485
tokens_prompt792
tokens_completion2447
native_tokens_prompt767
native_tokens_completion2152
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached512
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
service_tier"default"
usage0.00470692
router(null)
user_agent"langchainjs-openai/1.0.0 ((node/v24.21.0; linux; x64))"
http_referer(null)
request_id"req-1791299177-nNbs2YmsE9Rk2YSwmrZC"
session_id(null)
preset_id(null)
api_type"completions"
id"gen-1791299177-G6NQS8p6MhuuzWtK46qg"
upstream_id"bfc8b240625e4ebfa6e19c937ddc891e"
provider_responses
0
endpoint_id"540e63db-cc7c-4556-bb67-d449579bcf1a"
id"bfc8b240625e4ebfa6e19c937ddc891e"
is_byokfalse
latency1591
model_permaslug"mistralai/mistral-large-4-0-20261006"
provider_name"Mistral"
status200
total_cost0.00470692
cache_discount0.00062464
upstream_inference_cost0
provider_name"Mistral"
response_cache_source_id(null)
data_region"global"
workspace_id"97e315e5-d303-487d-83c1-83180e8a13d4"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags1
adverbTagCount0
adverbTags(empty)
dialogueSentences0
tagDensity1
leniency1
rawRatio0
effectiveRatio0
94.07% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1685
totalAiIsmAdverbs2
found
0
adverb"suddenly"
count2
highlights
0"suddenly"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
40.65% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1685
totalAiIsms20
found
0
word"stomach"
count2
1
word"pulse"
count2
2
word"rhythmic"
count1
3
word"warmth"
count3
4
word"footsteps"
count1
5
word"electric"
count1
6
word"silk"
count1
7
word"could feel"
count1
8
word"pulsed"
count2
9
word"lurch"
count1
10
word"weight"
count1
11
word"whisper"
count1
12
word"the last thing"
count1
13
word"silence"
count2
highlights
0"stomach"
1"pulse"
2"rhythmic"
3"warmth"
4"footsteps"
5"electric"
6"silk"
7"could feel"
8"pulsed"
9"lurch"
10"weight"
11"whisper"
12"the last thing"
13"silence"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences101
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount1
narrationSentences101
filterMatches
0"feel"
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences101
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen72
ratio0
matches(empty)
99.16% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans27
markdownWords84
totalWords1666
ratio0.05
matches
0"For the girl who carries the heart. Don't be late."
1"arranged"
2"don't be late"
3"waiting"
4"alive"
5"seen"
6"Not alone"
7"Never alone here. The Grove remembers. The Grove waits."
8"hungry"
9"moved"
10"existence"
11"hot"
12"noticed"
13"her"
14"She carries the key"
15"She carries the key, and the door is opening, and we have waited so long for someone to turn it."
16"kind"
17"welcoming"
18"meaning"
19"active"
20"Come back"
21"The Grove is patient. The Grove always waits. And you—you will always carry the heart."
22"hers"
23"Absent"
24"pulse"
25"claimed"
26"waiting"
53.57% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions7
unquotedAttributions2
matches
0"*She carries the key*, they said, or she thought they said, or the wind said it through branches that had no leaves."
1"*Come back*, they said."
100.00% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions24
wordCount1644
uniqueNames8
maxNameDensity0.55
worstName"Rory"
maxWindowNameDensity1.5
worstWindowName"Grove"
discoveredNames
Rory9
Richmond2
Park2
Heartstone1
December1
Grove7
London1
Eva1
persons
0"Rory"
1"Grove"
2"Eva"
places
0"Richmond"
1"Park"
2"December"
3"London"
globalScore1
windowScore1
62.28% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences57
glossingSentenceCount2
matches
0"spirals that seemed to turn when she wasn't looking directly at them"
1"appeared beneath her feet like a gift, like a joke, like a promise that could be broken at any moment"
0.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches4
per1kWords2.401
wordCount1666
matches
0"Not missing—present, but *arranged*, as if someone had laid it out with deliberate ca"
1"not electric, not fire, but something"
2"not fire, but something"
3"Not warm now—*hot*, burning against her chest, and Rory screamed, or would have, but the sound came out wrong, layered, as if her voice had joine"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount2
totalSentences101
matches
0"admitting that some"
1"understand that she"
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs35
mean47.6
std31.09
cv0.653
sampleLengths
080
15
258
382
411
552
655
782
83
972
1068
115
12102
1310
1488
1519
162
1770
1888
193
2068
2173
2242
2368
2465
2577
2619
2763
2849
294
3042
3171
3252
335
3413
98.32% Passive voice overuse
Target: ≤2% passive sentences
passiveCount2
totalSentences101
matches
0"was had"
1"being witnessed"
2"was gone"
77.90% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount5
totalVerbs273
matches
0"wasn't looking"
1"was cracking"
2"was looking"
3"was singing"
4"was still pulsing"
0.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount23
semicolonCount0
flaggedSentences19
totalSentences101
ratio0.188
matches
0"She'd found the address anyway—a converted stable, all black timber and warm light spilling from windows that shouldn't exist on any map she knew."
1"Not missing—present, but *arranged*, as if someone had laid it out with deliberate care."
2"Only the delivery bag at her hip, still holding the empty container from the stable, and the faint, rhythmic sound of water moving somewhere ahead—though no stream appeared on any map of Richmond Park."
3"Not footsteps—something softer, something that dragged."
4"The path curved, and ahead she saw light—not electric, not fire, but something that glowed with the soft luminescence of deep water, of things that lived where sunlight never reached."
5"Every variety she knew and dozens she didn't—bluebells in December, foxgloves with petals like bruised silk, something that glowed faintly white and turned its bloom to follow her movement."
6"That it had been waiting for this place, this moment, and that whatever had given it to her—whoever had left it on her pillow three nights ago with no note, no explanation—had known exactly where it would lead."
7"She had *seen* it, and her mind, which had spent twenty-five years building walls against superstition, against the stories her mother told her about the old ways, against the whispered warnings of a childhood spent in a country where the veil wore thin—her mind was cracking now, hairline fractures spreading, and through them something was looking out."
8"Not toward the path—she couldn't find it, the trees had shifted, the clearing was larger now or she was smaller, the distances wrong in ways that made her stomach lurch."
9"Colder than winter, colder than death, and when she pressed her palm against the nearest one—the one with spirals that turned, that *moved*, she was certain now, she could see them crawling like ants beneath the surface—the cold bit through her skin and into something deeper."
10"Not warm now—*hot*, burning against her chest, and Rory screamed, or would have, but the sound came out wrong, layered, as if her voice had joined a chorus, as if the Grove itself was singing through her throat."
11"Not clearly—never clearly, that was the mercy and the horror of it—but in the periphery, in the corners where vision failed, shapes that had been waiting since before her grandmother's grandmother drew breath."
12"She found the path by accident, or by desperation, or because the Grove allowed it—because it wanted her to leave, to carry the warmth of the pendant back into the world of streetlamps and delivery bags and the ordinary fears of ordinary nights."
13"And you—you will always carry the heart.*"
14"She ran until her lungs burned, until the trees thinned and the city sounds rushed back—a siren, a fox screaming, the ordinary music of a London night—and she did not stop, did not look back, did not dare to check whether the pendant had gone cold or was still pulsing, still warm, still *hers* or something else wearing her shape from the inside."
15"The door closed behind her and she leaned against it, gasping, and reached for the pendant—"
16"—and found it gone."
17"The chain still there, silver against her collarbone, but the crimson stone, the heart of it, the warmth, the *pulse*—gone."
18"Instead, she sat in the dark of her flat and listened to the silence, and in that silence she heard it—the sound of water moving, of many voices just below hearing, of something patient and ancient and *waiting* for her to understand that she had never been the delivery person at all."
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1455
adjectiveStacks0
stackExamples(empty)
adverbCount50
adverbRatio0.03436426116838488
lyAdverbCount12
lyAdverbRatio0.008247422680412371
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences101
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences101
mean16.5
std16.28
cv0.987
sampleLengths
024
124
229
33
44
51
622
722
87
97
105
1114
1220
134
145
1534
168
172
181
1952
203
2115
226
2331
246
256
2619
272
284
2945
303
313
3230
3312
3427
355
3629
376
383
3925
405
4111
4226
435
4422
4538
4610
472
4824
495
42.57% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats12
diversityRatio0.32673267326732675
totalSentences101
uniqueOpeners33
73.26% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences91
matches
0"Only the delivery bag at"
1"Instead, she sat in the"
ratio0.022
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount27
totalSentences91
matches
0"She'd found the address anyway—a"
1"She'd almost turned back."
2"She'd told herself it was"
3"She'd told herself a lot"
4"She walked because the note"
5"She told herself the shadows"
6"She turned, and the darkness"
7"It did not move."
8"They should not have been"
9"It was winter."
10"She could feel winter in"
11"She stepped into the clearing."
12"It came from everywhere and"
13"She had *seen* it, and"
14"She ran toward the stones,"
15"She saw them then."
16"*She carries the key*, they"
17"*She carries the key, and"
18"She found the path by"
19"She ran until her lungs"
ratio0.297
100.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount64
totalSentences91
matches
0"The last delivery of the"
1"She'd found the address anyway—a"
2"The customer had paid in"
3"She'd almost turned back."
4"The Heartstone pendant at her"
5"She'd told herself it was"
6"She'd told herself a lot"
7"The path ahead was wrong."
8"Rory's phone had died at"
9"She walked because the note"
10"The trees thickened."
11"The flagstones gave way to"
12"Rory told herself it was"
13"She told herself the shadows"
14"A sound came from her"
15"She turned, and the darkness"
16"It did not move."
17"The pendant burned."
18"Rory walked faster."
19"The path curved, and ahead"
ratio0.703
100.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount2
totalSentences91
matches
0"Now she stood at the"
1"—and found it gone."
ratio0.022
0.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences48
technicalSentenceCount14
matches
0"She'd found the address anyway—a converted stable, all black timber and warm light spilling from windows that shouldn't exist on any map she knew."
1"Not missing—present, but *arranged*, as if someone had laid it out with deliberate care."
2"Flagstones, moss-softened, winding between oaks that grew too close together, their branches knitting overhead into a tunnel of black wood."
3"The flagstones gave way to packed earth, then to something that crunched like bone underfoot."
4"The path curved, and ahead she saw light—not electric, not fire, but something that glowed with the soft luminescence of deep water, of things that lived where …"
5"Every variety she knew and dozens she didn't—bluebells in December, foxgloves with petals like bruised silk, something that glowed faintly white and turned its …"
6"She had *seen* it, and her mind, which had spent twenty-five years building walls against superstition, against the stories her mother told her about the old wa…"
7"Colder than winter, colder than death, and when she pressed her palm against the nearest one—the one with spirals that turned, that *moved*, she was certain now…"
8"A woman's voice, singing, and the knowledge that this place had been a threshold for longer than human memory, longer than human *existence*, a door that opened…"
9"Not warm now—*hot*, burning against her chest, and Rory screamed, or would have, but the sound came out wrong, layered, as if her voice had joined a chorus, as …"
10"Not clearly—never clearly, that was the mercy and the horror of it—but in the periphery, in the corners where vision failed, shapes that had been waiting since …"
11"Tall things, and small things, and things that wore shapes like stolen clothes, and all of them turned toward the light, toward *her*, toward the heartbeat that…"
12"The clearing stretched in all directions, an impossible geometry of stone and flower and dark, and the things at its edges were closer now, their attention a ph…"
13"All of them, in unison, their blooms tracking her flight, and in their turning she heard the last thing, the thing that would keep her awake for nights to come,…"
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags1
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags0
81.3926%