Run: 2026-10-07-01M4ATNP0GP2D70CH2ZWPPKPFP

Run Details

Duration:
18.5s
Cost:
$0.022305
Provider:
Mistral

Model input

System
You are an expert and award-winning novel writer in the dark Thriller genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4417" name="Tomás Herrera" aliases="Tommy, Tomás, Herrera" pronouns="he/him" species="Human" storyRole="Support"> <eyeColor>warm brown</eyeColor> <hair>short curly dark brown</hair> <height>5'10"</height> <age>29</age> <skinTone>olive skin</skinTone> <scar>scar running along his left forearm from a knife attack</scar> <medallion>Saint Christopher medallion around his neck</medallion> <birthplace>Seville, Spain</birthplace> <description>A former paramedic who provides off-the-books medical care for the clique.</description> <backstory>Born in Seville, Spain. He moved to London to work for the NHS but lost his license after administering unauthorized treatments to supernatural patients.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the thriller genre. A detective is pursuing a suspect through rain-soaked city streets at night. The chase takes them from the street level down into an underground market. The detective must decide whether to follow the suspect into unfamiliar and potentially dangerous territory. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
The pavement spat rainwater under Harlow Quinn’s boots as she rounded the corner, the leather watch on her wrist glinting under the flicker of a dying streetlamp. Her breath came steady, measured—eighteen years of chasing shadows had taught her that much. The suspect, a wiry figure in a dark hoodie, darted between the skeletal frames of Soho’s back alleys, his silhouette swallowed by the neon glow of a distant sign. The Raven’s Nest. Of course. Silas’ bar had been a thorn in her side for months, its green neon sign a beacon for the kind of people who slipped through the cracks of the law. She pushed harder, her sharp jaw set. The rain had turned the cobblestones into a treacherous mirror, but she didn’t slow. The suspect’s foot caught on a loose stone, sending him stumbling into the mouth of an alley so narrow it seemed to breathe. Harlow followed, her fingers brushing the cold brick as she squeezed through. The alley spat her out into a courtyard, the kind London forgot about—puddles reflecting the bruised sky, the stench of damp and old beer thick in the air. The suspect was gone. A door, half-hidden behind a stack of rotting crates, hung ajar. The wood was warped, the paint peeling like sunburnt skin. A bone token lay on the threshold, its surface carved with symbols that made her teeth ache. The Veil Market. She’d heard whispers of it—an underground bazaar that moved with the moon, a place where the city’s underbelly traded in things that shouldn’t exist. The token was an invitation, or a warning. Either way, it was fresh. Harlow hesitated. The last time she’d followed a lead into the unknown, Morris had ended up in a morgue with no explanation but the cold certainty that something unnatural had carved him open. She flexed her fingers, the memory of his laughter—cut short—flashing behind her eyes. But the suspect was here. She could feel it, the same way she felt the weight of her service piece at her hip. The stairs descended into blackness, the air thickening with each step. The walls were slick, the stone worn smooth by centuries of secrets. A low hum vibrated through the soles of her boots, the kind of sound that settled in your bones and refused to leave. Then, light. Flickering, golden, alive. The tunnel opened into a cavern so vast it defied the city above. Stalls lined the space, their wares glowing under the dim light of lanterns that burned with flames too blue, too green, too *wrong*. A woman with eyes like polished obsidian offered her a vial of something that pulsed like a heartbeat. A man with too many teeth grinned as he displayed a necklace of blackened bones. The scent of spices and something metallic—copper, maybe, or old blood—clogged her throat. Harlow kept her hand near her weapon, her gaze scanning the crowd. The suspect was here. She could smell his fear, sharp and acrid. Then she saw him. He was hunched over a stall, his hoodie discarded, revealing a scarred forearm as he handed over a wad of cash. The vendor, a gaunt figure with fingers like spider legs, slid a small, cloth-wrapped bundle across the counter. Harlow’s pulse spiked. That was no ordinary transaction. The bundle twitched. She moved before she could second-guess herself, shouldering through the crowd. The suspect’s head snapped up, his eyes locking onto hers. Recognition flared, then panic. He bolted, knocking over a display of glass jars. The vendor hissed, but Harlow was already after him, her boots splashing through puddles of god-knows-what. The market blurred around her, a kaleidoscope of shadows and light. She lost sight of him near a stall selling what looked like preserved nightmares in jars. A hand clamped down on her arm, spinning her around. “You’re either very brave or very stupid,” a voice drawled. Tomás Herrera stood there, his Saint Christopher medallion glinting under the eerie light. His olive skin was slick with sweat, his dark curls plastered to his forehead. “This isn’t your beat, Detective.” Harlow shook him off. “He’s my suspect. And he just bought something that *moved*.” Tomás’ gaze flicked to the stall where the suspect had been. “That’s not just something. That’s a *someone*.” “Explain later.” She sidestepped him, but Tomás grabbed her wrist, his grip firm. “You don’t understand what you’re walking into. The Market doesn’t like cops.” “And it doesn’t like traitors, either.” She nodded toward the scar on his forearm, the one he’d gotten the night he lost his license. “You’re here for a reason. Help me, or get out of my way.” His jaw tightened, but he released her. “Fine. But we do this *my* way. No guns, no badges, no heroics.” Harlow didn’t answer. She was already moving, weaving through the stalls, her senses on fire. The suspect had disappeared into the labyrinth, but the Market had a rhythm, a pulse. She could feel him, like a splinter under her skin. A scream tore through the hum of the Market. Not human. Not entirely. The crowd parted like water, revealing a scene that made her stomach clench. The suspect lay sprawled on the ground, his body twitching, his mouth open in a silent scream. The bundle he’d bought was unraveling, something dark and glistening spilling out onto the stone. It *moved*, a writhing mass of shadows with too many eyes, too many teeth. The vendor from earlier stood over him, his spider-fingers twitching. “Thief,” he hissed. “Thief takes, thief *pays*.” Harlow’s hand went to her gun. Tomás grabbed her wrist again, his voice a growl. “Don’t. You shoot that, and every stall in this place will turn on you.” The shadows coiled around the suspect’s legs, dragging him toward the vendor. The man’s screams turned wet, gurgling. Harlow’s fingers twitched. She’d seen horrors, but this—this was something else. Something that defied every rule she’d ever known. Tomás leaned in, his breath hot against her ear. “We can’t save him. But we can get the hell out of here before they decide *we’re* next.” The vendor’s head snapped toward them, his grin widening. “Ah. Fresh meat.” Harlow made her choice. She lunged, not for her gun, but for the suspect, grabbing his arm and yanking him back. The shadows shrieked, a sound like tearing metal, and recoiled. The vendor snarled, but the crowd was already closing in, their faces twisted with hunger, with curiosity, with something far worse. Tomás cursed, but he was beside her, his voice a whip. “Run.” They ran. The Market became a blur of colour and chaos, the air thick with the stench of magic and blood. The suspect stumbled between them, his breath ragged, his eyes wide with terror. Harlow’s lungs burned, but she didn’t stop. Not when the walls seemed to press in, not when the lanterns flickered like dying stars. Ahead, a sliver of light. The exit. Freedom. Then the ground trembled. The stalls groaned, their structures twisting as if alive. The Market was *moving*, shifting, the tunnels rearranging themselves like a living thing. The exit vanished. Tomás skidded to a halt, his chest heaving. “They’re locking us in.” Harlow turned, her back pressing against the wall. The crowd advanced, their steps slow, deliberate. The vendor was at the front, his smile a knife slash in the dim light. “You shouldn’t have come, Detective. The Market *hungers*.” The suspect whimpered, his body still twitching from whatever was inside him. Harlow’s mind raced. She had one bullet left. One chance. Tomás’ hand found hers, his grip steady. “Whatever you’re thinking, don’t.” She met his gaze, then looked at the crowd, at the shadows that danced at their feet. The Market wanted blood. Fine. She’d give it something else. Harlow raised her gun and fired. The bullet shattered a lantern, sending a cascade of blue fire raining down. The Market *screamed*, a sound that shook the very air, and the shadows recoiled, hissing. The crowd scattered like roaches, the vendor’s grin twisting into a snarl. “Move!” Tomás dragged her forward, the suspect stumbling after them. The tunnels were shifting again, the walls groaning as they twisted into new shapes. But the exit was there, a jagged tear in the darkness. They burst into the alley, the rain a cold slap against Harlow’s skin. The suspect collapsed, his body convulsing as the shadows inside him writhed, then stilled. Dead. Or worse. Tomás bent over him, his fingers pressing to the man’s neck. “He’s gone.” Harlow holstered her gun, her hands shaking. The bone token lay on the ground, cracked down the middle. The Market’s hum was a distant memory, but the weight of what she’d seen pressed down on her like a tombstone. Tomás stood, his expression grim. “You just made an enemy you can’t arrest, Detective.” She looked at the token, then at the body. The rain washed the blood into the gutters, as if the city itself wanted to forget. “No,” she said, her voice steady despite the storm inside her. “I just found my case.”
created_at"2026-10-07T09:21:20.419Z" 10/7/2026, 9:21:20 AM
model"mistralai/mistral-medium-3.5-20260430"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency492
moderation_latency(null)
generation_time18418
tokens_prompt4484
tokens_completion2330
native_tokens_prompt4300
native_tokens_completion2114
native_tokens_completion_images(null)
native_tokens_reasoning0
native_tokens_cached4224
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
num_fetches(null)
web_search_engine(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"stop"
service_tier"default"
usage0.022305
router(null)
user_agent"langchainjs-openai/1.0.0 ((node/v24.21.0; linux; x64))"
http_referer(null)
request_id"req-1791364880-WOxwQLnmxQ4E5KQ6a3uK"
session_id(null)
preset_id(null)
api_type"completions"
id"gen-1791364880-alYq0vpJbjEXr5ixUpKo"
upstream_id"798169ac47f3474bbdf862cb43be9d23"
provider_responses
0
endpoint_id"d21d316f-d540-4718-b36e-3beff85d0cf9"
id"798169ac47f3474bbdf862cb43be9d23"
is_byokfalse
latency492
model_permaslug"mistralai/mistral-medium-3.5-20260430"
provider_name"Mistral"
status200
total_cost0.022305
cache_discount(null)
upstream_inference_cost0
provider_name"Mistral"
response_cache_source_id(null)
data_region"global"
workspace_id"97e315e5-d303-487d-83c1-83180e8a13d4"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags6
adverbTagCount0
adverbTags(empty)
dialogueSentences23
tagDensity0.261
leniency0.522
rawRatio0
effectiveRatio0
90.14% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount1522
totalAiIsmAdverbs3
found
0
adverb"very"
count3
highlights
0"very"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
21.16% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount1522
totalAiIsms24
found
0
word"glinting"
count2
1
word"flicker"
count1
2
word"measured"
count1
3
word"beacon"
count1
4
word"treacherous"
count1
5
word"could feel"
count2
6
word"weight"
count2
7
word"vibrated"
count1
8
word"pulsed"
count1
9
word"scanning"
count1
10
word"pulse"
count2
11
word"kaleidoscope"
count1
12
word"flicked"
count1
13
word"stomach"
count1
14
word"unraveling"
count1
15
word"glistening"
count1
16
word"flickered"
count1
17
word"trembled"
count1
18
word"raced"
count1
19
word"shattered"
count1
highlights
0"glinting"
1"flicker"
2"measured"
3"beacon"
4"treacherous"
5"could feel"
6"weight"
7"vibrated"
8"pulsed"
9"scanning"
10"pulse"
11"kaleidoscope"
12"flicked"
13"stomach"
14"unraveling"
15"glistening"
16"flickered"
17"trembled"
18"raced"
19"shattered"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells1
narrationSentences127
matches
0"e with terror"
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount1
hedgeCount2
narrationSentences127
filterMatches
0"watch"
hedgeMatches
0"seemed to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences147
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
repeatedSegmentCount0
maxSentenceWordsSeen31
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans10
markdownWords10
totalWords1514
ratio0.007
matches
0"wrong"
1"moved"
2"someone"
3"my"
4"moved"
5"pays"
6"we’re"
7"moving"
8"hungers"
9"screamed"
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions10
unquotedAttributions0
matches(empty)
85.41% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions44
wordCount1316
uniqueNames13
maxNameDensity1.29
worstName"Harlow"
maxWindowNameDensity2
worstWindowName"Harlow"
discoveredNames
Harlow17
Quinn1
Soho1
Raven1
Nest1
London1
Veil1
Market8
Morris1
Tomás9
Herrera1
Saint1
Christopher1
persons
0"Harlow"
1"Quinn"
2"Raven"
3"Market"
4"Morris"
5"Tomás"
6"Herrera"
7"Saint"
8"Christopher"
places
0"Soho"
1"London"
globalScore0.854
windowScore1
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences89
glossingSentenceCount1
matches
0"looked like preserved nightmares in jars"
67.90% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches2
per1kWords1.321
wordCount1514
matches
0"no explanation but"
1"not for her gun, but for the suspect, grabbing his arm"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences147
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs43
mean35.21
std24.48
cv0.695
sampleLengths
0105
184
24
378
469
587
670
74
850
950
1037
1142
1214
1318
1425
1537
1620
1740
1872
1917
2029
2137
2227
2312
2452
2512
2657
278
2829
2912
3038
3122
3211
3327
346
3540
3635
3730
3813
3939
4014
4125
4216
96.97% Passive voice overuse
Target: ≤2% passive sentences
passiveCount3
totalSentences127
matches
0"was gone"
1"was warped"
2"was hunched"
80.95% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount4
totalVerbs224
matches
0"was already moving"
1"was unraveling"
2"was already closing"
3"were shifting"
26.24% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount8
semicolonCount0
flaggedSentences6
totalSentences147
ratio0.041
matches
0"Her breath came steady, measured—eighteen years of chasing shadows had taught her that much."
1"The alley spat her out into a courtyard, the kind London forgot about—puddles reflecting the bruised sky, the stench of damp and old beer thick in the air."
2"She’d heard whispers of it—an underground bazaar that moved with the moon, a place where the city’s underbelly traded in things that shouldn’t exist."
3"She flexed her fingers, the memory of his laughter—cut short—flashing behind her eyes."
4"The scent of spices and something metallic—copper, maybe, or old blood—clogged her throat."
5"She’d seen horrors, but this—this was something else."
97.16% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount185
adjectiveStacks0
stackExamples(empty)
adverbCount8
adverbRatio0.043243243243243246
lyAdverbCount0
lyAdverbRatio0
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences147
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences147
mean10.3
std6.6
cv0.641
sampleLengths
027
114
229
33
42
530
67
714
823
912
1028
114
1211
1310
1417
153
1624
178
185
192
2031
2113
225
2318
2411
2512
2623
272
283
2913
3023
3118
3215
3313
3412
354
368
374
3821
3918
403
415
423
4311
4410
454
469
4716
4811
4916
37.07% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats19
diversityRatio0.272108843537415
totalSentences147
uniqueOpeners40
58.48% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount2
totalSentences114
matches
0"Then she saw him."
1"Then the ground trembled."
ratio0.018
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount25
totalSentences114
matches
0"Her breath came steady, measured—eighteen"
1"She pushed harder, her sharp"
2"She’d heard whispers of it—an"
3"She flexed her fingers, the"
4"She could feel it, the"
5"She could smell his fear,"
6"He was hunched over a"
7"She moved before she could"
8"He bolted, knocking over a"
9"She lost sight of him"
10"His olive skin was slick"
11"She sidestepped him, but Tomás"
12"She nodded toward the scar"
13"His jaw tightened, but he"
14"She was already moving, weaving"
15"She could feel him, like"
16"It *moved*, a writhing mass"
17"She’d seen horrors, but this—this"
18"She lunged, not for her"
19"She had one bullet left."
ratio0.219
0.00% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount106
totalSentences114
matches
0"The pavement spat rainwater under"
1"Her breath came steady, measured—eighteen"
2"The suspect, a wiry figure"
3"The Raven’s Nest."
4"She pushed harder, her sharp"
5"The rain had turned the"
6"The suspect’s foot caught on"
7"Harlow followed, her fingers brushing"
8"The alley spat her out"
9"The suspect was gone."
10"A door, half-hidden behind a"
11"The wood was warped, the"
12"A bone token lay on"
13"The Veil Market."
14"She’d heard whispers of it—an"
15"The token was an invitation,"
16"The last time she’d followed"
17"She flexed her fingers, the"
18"She could feel it, the"
19"The stairs descended into blackness,"
ratio0.93
43.86% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount1
totalSentences114
matches
0"Either way, it was fresh."
ratio0.009
98.21% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences64
technicalSentenceCount4
matches
0"A bone token lay on the threshold, its surface carved with symbols that made her teeth ache."
1"She’d heard whispers of it—an underground bazaar that moved with the moon, a place where the city’s underbelly traded in things that shouldn’t exist."
2"Stalls lined the space, their wares glowing under the dim light of lanterns that burned with flames too blue, too green, too *wrong*."
3"The crowd parted like water, revealing a scene that made her stomach clench."
41.67% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags6
uselessAdditionCount1
matches
0"she said, her voice steady despite the storm inside her"
63.04% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags3
fancyCount2
fancyTags
0"a voice drawled (drawl)"
1"he hissed (hiss)"
dialogueSentences23
tagDensity0.13
leniency0.261
rawRatio0.667
effectiveRatio0.174
80.2759%