Run: 2026-03-18-01KM0AF42JKKJAV1GJM1QE3RN8

Run Details

Duration:
16.3s
Cost:
$0.016514
Provider:
OpenAI

Model input

System
You are an expert and award-winning novel writer in the dark Thriller genre. Your readers are hooked on your stories and can't wait to read the book you have in store. <important> - MUST: Start each chapter in medias res (in the middle of action). AVOID talking about the weather, time of day, the position of the sun, or other boring stuff. - The instructions/summary are just a that, a summary. Feel free to add details, stretch sections and add interesting transitions/descriptions/fillers. - When called for it, have fast-paced action, but otherwise take things slow. This is an experience, and not for people with short attention spans. Enjoy the wine, not slurp Red Bull. - Add descriptions when transitioning places/times/etc, or when coming by new places (e.g. a corner shop, a cafe, etc.). But remember: NOT at the start or end of a chapter. - MUST: AVOID ending in internal monologue, reminiscing or waiting for the next day. A good chapter end is when we're ending right when shit hits the fan. We want to have the reader be excited for what comes next. So no reminiscing, contemplating or summarizing the day. It's popcorn time! </important>
User/Human
Take into account the following glossary of characters/locations/items/lore... when writing your response: <codex> <character id="4416" name="Detective Harlow Quinn" aliases="Quinn, Detective Quinn, Harlow" pronouns="she/her" species="Human" storyRole="Antagonist"> <eyeColor>brown</eyeColor> <hair>closely cropped salt-and-pepper</hair> <height>5'9"</height> <age>41</age> <jawline>sharp jaw</jawline> <watch>worn leather watch on her left wrist</watch> <bearing>military precision</bearing> <description>A Metropolitan Police detective with 18 years of decorated service who suspects the clique is involved in criminal activity.</description> <backstory>She lost her partner, DS Morris, during a case three years ago under unexplained circumstances that had supernatural origins she doesn't yet understand.</backstory> </character> <character id="4417" name="Tomás Herrera" aliases="Tommy, Tomás, Herrera" pronouns="he/him" species="Human" storyRole="Support"> <eyeColor>warm brown</eyeColor> <hair>short curly dark brown</hair> <height>5'10"</height> <age>29</age> <skinTone>olive skin</skinTone> <scar>scar running along his left forearm from a knife attack</scar> <medallion>Saint Christopher medallion around his neck</medallion> <birthplace>Seville, Spain</birthplace> <description>A former paramedic who provides off-the-books medical care for the clique.</description> <backstory>Born in Seville, Spain. He moved to London to work for the NHS but lost his license after administering unauthorized treatments to supernatural patients.</backstory> </character> <location id="854" name="The Raven's Nest" aliases="the Nest, Raven, Silas' bar" realm="Earth"> <signColor>distinctive green neon sign above the entrance</signColor> <secretRoom>hidden back room accessible through a bookshelf, used for clandestine meetings</secretRoom> <description>A dimly lit bar in Soho, London. The walls are covered with old maps and black-and-white photographs.</description> </location> <location id="856" name="The Veil Market" aliases="Veil Market, the Market, underground market" realm="Earth"> <currentLocation>abandoned Tube station beneath Camden</currentLocation> <entryRequirement>bone token</entryRequirement> <schedule>moves locations every full moon</schedule> <description>A hidden supernatural black market that sells enchanted goods, banned alchemical substances, and information.</description> </location> </codex> <proseGuidelines> <styleGuide> - Write in past tense and use British English spelling and grammar - Keep a Flesch reading ease score of 60 - Respect the the Royal Order of Adjectives: The order is: opinion, size, age, shape, color, origin, material, purpose, followed by the noun itself (e.g., "a lovely little old rectangular green French silver whittling knife") - Respect the ablaut reduplication rule (e.g. tick-tock, flip-flop) - Write in active voice - Passive voice: <bad>The book was read by Sarah.</bad> - Active voice: <good>Sarah read the book.</good> - Reduce the use of passive verbs - <bad>For a moment, I was tempted to throw in the towel.</bad> - <good>For a moment, I felt tempted to throw in the towel.</good> - Avoid misplaced modifiers that can cause confusion when starting with "-ing" words: - <bad>Considering going to the store, the empty fridge reflected in Betty's eyes.</bad> - <good>Betty stared into the empty fridge. It was time to go to the store.</good> - Avoid redundant adverbs that state the obvious meaning already contained in the verb: - <bad>She whispered quietly to her mom.</bad> - <good>She whispered to her mom.</good> - Use stronger, more descriptive verbs over weak ones: - <bad>Daniel drove quickly to his mother's house.</bad> - <good>Daniel raced to his mother's house.</good> - Omit adverbs that don't add solid meaning like "extremely", "definitely", "truly", "very", "really": - <bad>The movie was extremely boring.</bad> - <good>The movie was dull.</good> - Use adverbs to replace clunky phrasing when they increase clarity: - <bad>He threw the bags into the corner in a rough manner.</bad> - <good>He threw the bags into the corner roughly.</good> - Avoid making simple thoughts needlessly complex: - <bad>After I woke up in the morning the other day, I went downstairs, turned on the stove, and made myself a very good omelet.</bad> - <good>I cooked a delicious omelet for breakfast yesterday morning.</good> - Never backload sentences by putting the main idea at the end: - <bad>I decided not to wear too many layers because it's really hot outside.</bad> - <good>It's sweltering outside today, so I dressed light.</good> - Omit nonessential details that don't contribute to the core meaning: - <bad>It doesn't matter what kind of coffee I buy, where it's from, or if it's organic or not—I need to have cream because I really don't like how the bitterness makes me feel.</bad> - <good>I add cream to my coffee because the bitter taste makes me feel unwell.</good> - Always follow the "show, don't tell" principle. For instance: - Telling: <bad>Michael was terribly afraid of the dark.</bad> - Showing: <good>Michael tensed as his mother switched off the light and left the room.</good>- Telling: <bad>I walked through the forest. It was already Fall, and I was getting cold.</bad> - Showing: <good>Dry orange leaves crunched under my feet. I pulled my coat's collar up and rubbed my hands together.</good>- Add sensory details (sight, smell, taste, sound, touch) to support the "showing" (but keep an active voice) - <bad>The room was filled with the scent of copper.</bad> - <good>Copper stung my nostrils. Blood. Recent.</good> - Use descriptive language more sporadically. While vivid descriptions are engaging, human writers often use them in bursts rather than consistently throughout a piece. When adding them, make them count! Like when we transition from one location to the next, or someone is reminiscing their past, or explaining a concept/their dream... - Avoid adverbs and clichés and overused/commonly used phrases. Aim for fresh and original descriptions. - Avoid writing all sentences in the typical subject, verb, object structure. Mix short, punchy sentences with long, descriptive ones. Drop fill words to add variety. Like so: <good>Locked. Seems like someone doesn't want his secrets exposed. I can work with that.</good> - Convey events and story through dialogue. It is important to keep a unique voice for every character and make it consistent. - Write dialogue that reveals characters' personalities, motivations, emotions, and attitudes in an interesting and compelling manner - Leave dialogue unattributed. If needed, only use "he/she said" dialogue tags and convey people's actions or face expressions through their speech. Dialogue always is standalone, never part of a paragraph. Like so: - <bad>"I don't know," Helena said nonchalantly, shrugging her shoulders</bad> - <good>"No idea" "Why not? It was your responsibility"</good> - Avoid boring and mushy dialog and descriptions, have dialogue always continue the action, never stall or include unnecessary fluff. Vary the descriptions to not repeat yourself. Avoid conversations that are just "Let's go" "yes, let's" or "Are you ready?" "Yes I'm ready". Those are not interesting. Think hard about every situtation and word of text before writing dialogue. If it doesn't serve a purpose and it's just people talking about their day, leave it. No one wants to have a normal dinner scene, something needs to happen for it to be in the story. Words are expensive to print, so make sure they count! - Put dialogue on its own paragraph to separate scene and action. - Use body language to reveal hidden feelings and implied accusations- Imply feelings and thoughts, never state them directly - NEVER use indicators of uncertainty like "trying" or "maybe" - NEVER use em-dashes, use commas for asides instead </styleGuide> <voiceGuide> Each character in the story needs to have distinct speech patterns: - Word choice preferences - Sentence length tendencies - Cultural/educational influences - Verbal tics and catchphrases Learn how each person talks and continue in their style, and use their Codex entries as reference. <examples> - <bad>"We need to go now." "Yes, we should leave." "I agree."</bad> <good>"Time's up." "Indeed, our departure is rather overdue." "Whatever, let's bounce."</good> - Power Dynamic Example: <bad> "We need to discuss the contract." "Yes, let's talk about it." "I have concerns." </bad> <good> "A word about the contract." "Of course, Mr. Blackwood. Whatever you need." "The terms seem..." A manicured nail tapped the desk. "Inadequate." "I can explain every-" "Can you?" </good> </examples> </voiceGuide> <dialogueFlow> When writing dialogue, consider that it usually has a goal in mind, which gives it a certain flow. Make dialogue sections also quite snappy in the back and forth, and don't spread the lines out as much. It's good to have details before, after, or as a chunk in-between, but we don't want to have a trail of "dialogue breadcrumbs" spread throughout a conversation. <examples> - Pattern 1 - Question/Deflection/Revelation: <good> "Where were you last night?" "Work. The usual." "Lipstick's an interesting shade for spreadsheets." </good> - Pattern 2 - Statement/Contradiction/Escalation: <good> "Your brother's clean." "Tommy doesn't touch drugs." "I'm holding his tox screen." </good> - Pattern 3 - Observation/Denial/Truth: <good> "That's a new watch." "Birthday gift." "We both know what birthdays mean in this business." </good> - Example - A Simple Coffee Order: <bad> "I'll have a coffee." "What size?" "Large, please." </bad> <good> "Black coffee.""Size?""Large. Been a long night." "That bodega shooting?" "You watch too much news." "My brother owns that store." </good> This short exchange: - Advances plot (reveals connection to crime) - Shows character (cop working late) - Creates tension (unexpected connection) - Sets up future conflict (personal stake) - Example - Dinner Scene: <bad> "Pass the salt." "Here you go." "Thanks." </bad> <good> "Salt?" "Perfect as is. Mother's recipe." "Mother always did prefer... bland things." "Unlike your first wife?" </good> - Example - Office Small Talk: <bad> "Nice weather today." "Yes, very nice." "Good for golf." </bad> <good> "Perfect golf weather." "Shame about your membership." "Temporary suspension. Board meets next week." "I know. I called the vote." </good> </examples> </dialogueFlow> <subtextGuide> - Layer dialogue with hidden meaning: <bad>"I hate you!" she yelled angrily.</bad> <good>"I made your favorite dinner." The burnt pot sat accusingly on the stove.</good> - Create tension through indirect communication: <bad>"Are you cheating on me?"</bad> <good>"Late meeting again?" The lipstick stain on his collar caught the light.</good> <examples> - Example 1 - Unspoken Betrayal: <bad> "Did you tell them about our plans?" "No, I would never betray you." "I don't believe you." </bad> <good> "Funny. Johnson mentioned our expansion plans today." "The market's full of rumors." "Mentioned the exact numbers, actually." The pen in his hand snapped. </good> - Example 2 - Failed Marriage: <bad> "You're never home anymore." "I have to work late." "I miss you." </bad> <good> "Your dinner's in the microwave. Again." "Meetings ran long." "They always do." She folded the same shirt for the third time. </good> - Example 3 - Power Struggle: <bad> "You can't fire me." "I'm the boss." "I'll fight this." </bad> <good> "That's my father's nameplate you're sitting behind." "Was." "The board meeting's on Thursday." </good> </examples> </subtextGuide> <sceneDetail> While writing dialogue makes things more fun, sometimes we need to add detail to not have it be a full on theatre piece. <examples> - Example A (Power Dynamic Scene) <good> "Where's my money?" The ledger snapped shut. "I need more time." "Interesting." He pulled out a familiar gold pocket watch. My mother's. "Time is exactly what you bargained with last month." "That was different-" "Was it?" The watch dangled between us. "Four generations of O'Reillys have wound this every night. Your mother. Your grandmother. Your great-grandmother.Shall we see who winds it next?" </good> - Example B (Action Chase) It's much better to be in the head of the character experiencing it, showing a bit of their though-process, mannerisms and personality: <good> Three rules for surviving a goblin chase in Covent Garden: Don't run straight. Don't look back. Don't let them herd you underground. I broke the first rule at Drury Lane. Rookie mistake. The fruit cart I dodged sailed into the wall behind me. Glass shattered. Someone screamed about insurance. *Tourist season's getting rough*, the scream seemed to say. Londoners adapt fast. "Oi! Market's closed!" The goblin's accent was pure East End. They're evolving. Learning. I spotted the Warren Street tube station sign ahead. *Shit.* There went rule three. </good> - Example C (Crime Scene Investigation) <good> "Greek." Davies snapped photos of the symbols. "No, wait. Reverse Greek." "Someone's been watching too many horror films." I picked up a receipt from the floor. Occult supply shop in Camden. Paid by credit card. *Amateur hour*. "Could be dangerous though," Davies said. "Remember Bristol?" "Bristol was Sanskrit. And actual cultists." I pointed to the nearest symbol. "This genius wrote 'darkness' backwards but used a Sigma instead of an S. It's summoning Instagram followers at best." "Speaking of followers..." Davies pointed to heavy foot traffic in the dust. Multiple sets. All new trainers. *Ah.* "Anyone check local uni paranormal societies?" </good> - Example D (Dialogue-heavy) <good> "Found your card in her wallet." The detective slid it across the table. Worn edges. Folded corner. Three years old at least. "Standard practice. I work missing persons." "Funny thing about missing persons.Eventually they stop being missing. Turn up in the Thames. Under motorways. In pieces." "I don't-" "You found four last year. All breathing." She opened a file. "This would've been your first dead one. If we hadn't found her first." The card felt heavier somehow. </good> </examples> </sceneDetail> <sceneOpenings> KEY RULE: Never open with more than one paragraph of description, no matter how beautiful. Description should be earned through action and dialogue. Instead of opening with setting description, open with: - A character doing something specific - A line of dialogue that raises questions - An unexpected observation - A moment of tension or conflict - Start with a hook that's 1-2 sentences maximum - Follow with a smaller paragraph that provides immediate context - Vary paragraph size from the start to create visual interest </sceneOpenings> </proseGuidelines> Write a chapter based on the following instructions: <instructions> Write a fully fleshed out scene of at least 1000 words in the thriller genre. A detective is pursuing a suspect through rain-soaked city streets at night. The chase takes them from the street level down into an underground market. The detective must decide whether to follow the suspect into unfamiliar and potentially dangerous territory. Use the codex entries above as your world reference for characters and setting. Only include the prose of the scene without any markdown or commentary. </instructions>

Model response

AI
“Stop, you bastard!” The man in the black hood clipped a parked minicab with his shoulder, staggered, and kept running. Quinn lunged after him, boots hammering wet tarmac, her left hand skimming the brick wall as she swung round the corner. A bus hissed past, hurling dirty spray across her coat. The suspect did not look back. He knew the streets too well for that. That alone made him worth catching. He cut between a kebab shop and a shuttered chemist, knocking a stack of milk crates into the road. Quinn vaulted them, caught one edge with her toe, and hit the ground on one knee. Pain shot up her leg. She pushed off it anyway. A man outside the kebab shop pressed himself flat to the tiled frontage, cigarette forgotten between his fingers. “Police!” Quinn barked. He flinched, and the suspect used the gap, darting into the next street. Quinn saw the outline of a satchel bouncing against his back. Small. Heavy. Worth the run. He had taken the envelope from the informant at the Nest less than ten minutes ago, right under her nose, and he had done it with a grin she wanted to wipe off his face. Rain hissed on the road. Neon bled across puddles, broken green from a pub sign, red from a crossing light, blue from a gambling arcade on the corner. London had dressed itself up for the rot. The suspect shoved through a knot of clubbers outside a late bar. One girl yelped as he slammed her shoulder aside. Her friend swore. Quinn drove through after him. “Move!” The man in front of her glanced over his shoulder at last. Maskless. Lean, pale, sharp nose, eyes wide with a kind of ecstatic panic. He held the satchel to his chest now, as if he feared it might burst open and spill its contents into the street. Quinn gained two strides on him. Her pulse thudded against the hardened edge of her body armour. She saw the wet shine on the suspect’s shoes, the way he favoured his right leg, the quick hitch in his breathing. He was not built for this. He was running on terror and purpose. A black taxi swept around a bend and skidded, horn blaring. The suspect dove past its bonnet and shot into a narrow alley lit by a single failing lamp. Quinn followed, shouldering into a corridor of brick and steam and stale fry oil. The noise of the main road died behind them. Her footsteps slapped the puddled ground. At the far end of the alley, iron railings framed a stairwell down to a service door tagged with layered graffiti. The suspect yanked at a chain around his neck, grabbed something small and pale from beneath his shirt, and slapped it against the door. The lock clicked. Quinn lengthened her stride. “Police! Open that door!” He vanished inside. She reached the stairwell and dropped onto the first step, one hand on the wet rail, the other already on the gun at her hip. The door hung ajar. A breath of cold, sour air leaked out, carrying the smell of damp concrete and something animal beneath it, musky and old. She leaned into the doorway. The suspect was already halfway down the stairs, his trainers slapping metal. Below him, a second door stood open, and beyond that, a tunnel swallowed in darkness. Quinn snapped her torch on and caught a flash of metal fittings, peeling paint, old warning signs. “End of the line.” He laughed once, breathless and brittle. “Not for me.” Then he disappeared into the black. Quinn stood on the threshold for a beat, rain dripping from her cuffs, the city noise above muttering like a distant crowd. She could call it in. She should call it in. Unfamiliar underground access, suspect armed or at least desperate enough to bolt into restricted infrastructure, possible narcotics or stolen artefacts. She should wait for back-up, seal the exits, bring enough badges and enough light to turn the darkness into a box. Instead, she took one look at the open door and went down after him. The stairwell spat her into a narrow passage lined with old tiles the colour of bruised teeth. Fluorescent bulbs flickered overhead, then failed in sequence as she moved past them, leaving her torch beam to chop through the dark. Water dripped from a cracked pipe. The tunnel curved left, then right, then opened into a wider chamber where old signboards hung crooked from the ceiling. Camden. Not the station, not any clean public route. A skeleton of one. Concrete pillars. Rusted rails. Unused platforms swallowed by shadow. Voices drifted ahead. Muffled. Many. Not commuters. Traders. Buyers. The scrape of crates. A metallic clang. A burst of laughter that cut off too abruptly. Quinn slowed, every muscle tightening. Her torch beam passed over a board bolted to the wall. No entry without bone token. Further down, a stencil of a skull with a crown painted over an old line map. Beneath it, arrows marked in chalk pointed deeper into the station, along with symbols she did not recognise. Something moved at the edge of her light. A rat, fat and bold, nosing through an overturned box. It darted away as she stepped forward. The air changed. Less damp concrete, more incense, sweat, cheap perfume, wet wool, and the metallic edge of old blood ground into a floor that had seen too much traffic to stay clean. A market sat below the city like a bruise hidden under cloth. Quinn rounded a column and saw it. Stalls. Not proper stalls, not the bright honest kind under a hall roof. These were patched together from tarpaulin, scaffold poles, and old Metro seats. Lanterns made from jars glowed with trapped greenish light. Crowds drifted between tables draped in black cloth, their faces half hidden by hoods, veils, masks, surgical scarves. Some looked like dealers. Some looked like patients. Some looked like people who had outstayed the rules of daylight and built a life out of not being seen. A woman at a counter lifted a hand and something tiny and silver crawled over her knuckles like a living charm. Quinn kept to the shadows of the platform edge. Her badge stayed under her coat. Flashing it in a place like this would only tell everyone she had entered stupidly and alone. She spotted the suspect near the centre of the market, already in conversation with a stallholder behind a cage of dead crows. He still held the satchel. He had slowed, but only because he had reached somewhere he trusted. Quinn started towards him. A hand shot out of the dark and seized her wrist. She spun, gun half drawn. A stocky man in a heavy hood raised both palms. His face stayed hidden, but the ring of silver in his ear caught the light. “Easy.” Quinn jerked free. “Touch me again and you’ll lose the hand.” “Bad manners won’t get you far down here.” “I’m not here for manners.” “No. You’re here for the lad with the satchel. He’s got no business running with that.” “Then step aside.” The man laughed softly. “Step aside. That’s rich. You lot always think there’s a clean route through the filth.” Quinn stared at him. “You know who I am.” “I know the watch.” Her left hand tightened against her coat. The worn leather strap had flashed when she moved. She hated that. Hated being read by detail. He nodded towards the market. “If you draw steel in here, someone will answer with worse.” “Then tell me where he’s gone.” The man tilted his head. “Not before you tell me what he stole.” “Information.” “Everything down here is information. That answer won’t buy much.” Quinn’s jaw flexed. She scanned the crowd. The suspect had vanished behind a hanging curtain of chain and mirrored discs. She could still chase him, but the market had swallowed him once already. He knew the routes. She did not. A shout rose near the far end of the platform. Not panic. Bargaining, sharpened into threat. Two men in long coats argued over a crate while a third watched from the side, fingers stained black with something that looked like ash. The hooded man followed her gaze. “Bone token?” he asked. Quinn’s eyes returned to him. “What about it?” “You don’t have one, so you’re already late.” “Who said I came in legally?” He gave a low whistle. “That explains the police face.” A shape moved in the crowd behind him. Quinn saw the suspect for half a second, weaving through bodies with the satchel tucked under one arm. He had a fresh cut along his cheek now, or perhaps she had only caught a new angle. He looked back and saw her. His mouth pulled into a grin. He ran again. Quinn surged forward. The hooded man let her go this time, but his voice followed her. “You keep chasing him, you’ll end up owing the market.” She did not answer. She pushed into the crowd. The Veil Market moved around her like a living thing. Hands brushed coats. Eyes tracked her from under veils. A woman with white braids and a mouth full of gold teeth held out a tray of blackened teeth on velvet. A man with a split lip offered sealed glass ampoules filled with something that writhed in the fluid. Another stall displayed saints’ medals, each one scratched through with careful knives. Quinn caught fragments as she passed. “Genuine ash from Blackfriars.” “Kept warm in a child’s rib.” “Do not feed after midnight.” The suspect ducked behind a table stacked with old books. Quinn closed on him. He turned sharply into a side aisle and slammed shoulder-first into a hanging curtain of beads. They exploded around him with a clatter like rain on a coffin lid. “Stop!” He did not. She followed, and the aisle narrowed, pressing between stalls. The crowd thickened. Traders turned their heads at her, and she felt the shift in the air. Not fear. Interest. Some of them recognised a police presence. Some of them recognised prey. The suspect shoved through an archway of bent rebar into a darker section of the station where the market thinned and the walls wore old water stains like maps. Quinn gained on him again. He reached a tall woman standing by a table of jars and stopped so abruptly she almost hit him. The woman looked from him to Quinn. Her face remained hidden behind a bird-beak mask of polished bone. “Late,” she said. He slapped the satchel onto the table. “The police are here.” “So I noticed.” Quinn lifted her gun. “Hands where I can see them.” The woman’s head cocked. “That tone won’t improve your position, detective.” Quinn’s skin prickled. “You know me.” “In this market, everyone knows the smell of law.” The suspect edged sideways. His fingers had gone white around the satchel strap. Quinn noticed the table. Bone tokens lay in a neat row inside a shallow tray, each one carved from some pale, porous material. One of them matched the size of the charm the suspect had used on the door. Her gaze snapped back to him. “That’s how you got in.” His grin faltered. “You shouldn’t have followed.” “Funny. I was thinking the same.” The bird-mask woman picked up the satchel and opened it with slow, deliberate care. Whatever lay inside gave off a dry rustle. She did not react at first. Then her shoulders went still. “That is not yours,” she said. The suspect swallowed. “It was on the list.” “There is no list for this.” Quinn saw a flash of something pale in the woman’s hands, smaller than her torch beam could hold onto. She shut the satchel again at once. “Give it to me,” Quinn said. The woman turned her masked face to Quinn. “If I gave you this, you would not know what to do with it.” “Then I’ll learn fast.” “You won’t have the time.” The suspect took a step back. “I didn’t open it.” “You carried it,” the woman said. “That makes you guilty enough.” Quinn moved in. “Put it down.” The suspect darted for the side passage. Quinn fired once. The shot cracked hard in the enclosed space. Glass shattered somewhere behind her. People shouted. The suspect lurched, not from the bullet, but from the shock of it, and hit the wall with both hands. Then the lights went out. Not a flicker. Not a slow fade. They died all at once, plunging the station into a dark so complete it felt physical. A dozen voices rose at once. Something heavy crashed to the ground. Quinn’s torch beam snapped across the space, caught the suspect’s face for a brief instant, and lost him as he ducked low. A metallic bell rang somewhere in the market, followed by a voice that carried through the black. “Close the stalls.” Another voice answered in a language Quinn did not know. Footsteps surged in all directions. The woman in the bird mask spoke again, calm as a knife laid on a table. “Now you have chosen.” Quinn raised her torch, sweeping it across the aisle. The satchel lay open on the ground, its contents spilled in a pale scatter at her boots. Bone. Not jewellery. Not tokens. A hand, reduced and boiled clean, the fingers bound with black thread and marked with tiny carved sigils. Behind her, something breathed, wet and close. “Detective.” The hooded man from the platform stood a pace away, a crowbar in one hand and a grin on his face that no longer looked amused. “Bad place for a solo engagement, isn’t it?”
created_at"2026-03-18T11:14:34.728Z" 3/18/2026, 11:14:34 AM
model"openai/gpt-5.4-mini-20260317"
app_id182717
external_user(null)
streamedtrue
cancelledfalse
latency2660
moderation_latency(null)
generation_time16068
tokens_prompt4663
tokens_completion3638
native_tokens_prompt4132
native_tokens_completion2981
native_tokens_completion_images0
native_tokens_reasoning66
native_tokens_cached0
num_media_prompt(null)
num_input_audio_prompt(null)
num_media_completion0
num_search_results(null)
origin"https://ncbench.com/"
is_byokfalse
finish_reason"stop"
native_finish_reason"completed"
usage0.0165135
router(null)
provider_responses
0
endpoint_id"9ee065b2-3d1c-43bc-bdd7-28af3b148282"
id"resp_0de77acd83dfff890169ba891acadc81959658d04afcf430e7"
is_byokfalse
latency222
model_permaslug"openai/gpt-5.4-mini-20260317"
provider_name"OpenAI"
status200
user_agent"langchainjs-openai/1.0.0 ((node/v24.14.0; linux; x64))"
http_referer(null)
api_type"completions"
id"gen-1773832474-qzuxunuBXHCpZXNrpWB6"
upstream_id"resp_0de77acd83dfff890169ba891acadc81959658d04afcf430e7"
total_cost0.0165135
cache_discount(null)
upstream_inference_cost0
provider_name"OpenAI"

Evaluation details

Result Evaluator Details Meta Data
100.00% Adverbs in dialogue tags
Target: ≤10% dialogue tags with adverbs
totalTags7
adverbTagCount0
adverbTags(empty)
dialogueSentences55
tagDensity0.127
leniency0.255
rawRatio0
effectiveRatio0
95.63% AI-ism adverb frequency
Target: <2% AI-ism adverbs (58 tracked)
wordCount2289
totalAiIsmAdverbs2
found
0
adverb"softly"
count1
1
adverb"sharply"
count1
highlights
0"softly"
1"sharply"
100.00% AI-ism character names
Target: 0 AI-default names (17 tracked, −20% each)
codexExemptions(empty)
found(empty)
100.00% AI-ism location names
Target: 0 AI-default location names (33 tracked, −20% each)
codexExemptions(empty)
found(empty)
75.97% AI-ism word frequency
Target: <2% AI-ism words (290 tracked)
wordCount2289
totalAiIsms11
found
0
word"pulse"
count1
1
word"footsteps"
count2
2
word"flickered"
count1
3
word"charm"
count2
4
word"scanned"
count1
5
word"velvet"
count1
6
word"shattered"
count1
7
word"lurched"
count1
8
word"flicker"
count1
highlights
0"pulse"
1"footsteps"
2"flickered"
3"charm"
4"scanned"
5"velvet"
6"shattered"
7"lurched"
8"flicker"
100.00% Cliché density
Target: ≤1 cliche(s) per 800-word window
totalCliches0
maxInWindow0
found(empty)
highlights(empty)
100.00% Emotion telling (show vs. tell)
Target: ≤3% sentences with emotion telling
emotionTells0
narrationSentences217
matches(empty)
100.00% Filter word density
Target: ≤3% sentences with filter/hedge words
filterCount0
hedgeCount1
narrationSentences217
filterMatches(empty)
hedgeMatches
0"started to"
100.00% Gibberish response detection
Target: ≤1% gibberish-like sentences (hard fail if a sentence exceeds 800 words)
analyzedSentences266
gibberishSentences0
adjustedGibberishSentences0
longSentenceCount0
runOnParagraphCount0
giantParagraphCount0
wordSaladCount0
repetitionLoopCount0
controlTokenCount0
maxSentenceWordsSeen35
ratio0
matches(empty)
100.00% Markdown formatting overuse
Target: ≤5% words in markdown formatting
markdownSpans0
markdownWords0
totalWords2289
ratio0
matches(empty)
100.00% Missing dialogue indicators (quotation marks)
Target: ≤10% speech attributions without quotation marks
totalAttributions11
unquotedAttributions0
matches(empty)
16.67% Name drop frequency
Target: ≤1.0 per-name mentions per 100 words
totalMentions39
wordCount1992
uniqueNames5
maxNameDensity1.76
worstName"Quinn"
maxWindowNameDensity4.5
worstWindowName"Quinn"
discoveredNames
Nest1
Metro1
Quinn35
Veil1
Market1
persons
0"Quinn"
1"Market"
places
0"Nest"
globalScore0.621
windowScore0.167
100.00% Narrator intent-glossing
Target: ≤2% narration sentences with intent-glossing patterns
analyzedSentences126
glossingSentenceCount2
matches
0"looked like people who had outstayed the"
1"looked like ash"
100.00% "Not X but Y" pattern overuse
Target: ≤1 "not X but Y" per 1000 words
totalMatches1
per1kWords0.437
wordCount2289
matches
0"not from the bullet, but from the shock of it"
100.00% Overuse of "that" (subordinate clause padding)
Target: ≤2% sentences with "that" clauses
thatCount0
totalSentences266
matches(empty)
100.00% Paragraph length variance
Target: CV ≥0.5 for paragraph word counts
totalParagraphs120
mean19.08
std19.6
cv1.027
sampleLengths
03
168
245
318
43
513
651
736
829
91
1048
1152
1258
1345
143
158
163
1751
185
1927
2017
214
226
233
246
2573
2614
2765
281
2921
3025
3155
3225
3345
347
3580
3621
3732
3839
394
4011
4130
421
4311
448
455
4616
473
484
4915
100.00% Passive voice overuse
Target: ≤2% passive sentences
passiveCount2
totalSentences217
matches
0"were patched"
1"being seen"
100.00% Past progressive (was/were + -ing) overuse
Target: ≤2% past progressive verbs
pastProgressiveCount1
totalVerbs342
matches
0"was running"
100.00% Em-dash & semicolon overuse
Target: ≤2% sentences with em-dashes/semicolons
emDashCount0
semicolonCount0
flaggedSentences0
totalSentences266
ratio0
matches(empty)
100.00% Purple prose (modifier overload)
Target: <4% adverbs, <2% -ly adverbs, no adj stacking
wordCount1507
adjectiveStacks0
stackExamples(empty)
adverbCount45
adverbRatio0.029860650298606503
lyAdverbCount6
lyAdverbRatio0.003981420039814201
100.00% Repeated phrase echo
Target: ≤20% sentences with echoes (window: 2)
totalSentences266
echoCount0
echoWords(empty)
100.00% Sentence length variance
Target: CV ≥0.4 for sentence word counts
totalSentences266
mean8.61
std6.56
cv0.762
sampleLengths
03
117
221
310
46
58
66
719
816
95
105
1118
123
1313
1411
151
161
173
1835
195
2023
218
2212
239
243
255
261
2712
281
2912
3023
316
3211
3322
346
357
3611
3718
3814
399
406
4121
4224
433
444
454
463
4725
484
4922
50.88% Sentence opener variety
Target: ≥60% unique sentence openers
consecutiveRepeats13
diversityRatio0.33458646616541354
totalSentences266
uniqueOpeners89
86.36% Adverb-first sentence starts
Target: ≥3% sentences starting with an adverb
adverbCount5
totalSentences193
matches
0"Then he disappeared into the"
1"Instead, she took one look"
2"Further down, a stencil of"
3"Then her shoulders went still."
4"Then the lights went out."
ratio0.026
100.00% Pronoun-first sentence starts
Target: ≤30% sentences starting with a pronoun
pronounCount54
totalSentences193
matches
0"He knew the streets too"
1"He cut between a kebab"
2"She pushed off it anyway."
3"He flinched, and the suspect"
4"He had taken the envelope"
5"Her friend swore."
6"He held the satchel to"
7"Her pulse thudded against the"
8"She saw the wet shine"
9"He was not built for"
10"He was running on terror"
11"Her footsteps slapped the puddled"
12"He vanished inside."
13"She reached the stairwell and"
14"She leaned into the doorway."
15"He laughed once, breathless and"
16"She could call it in."
17"She should call it in."
18"She should wait for back-up,"
19"Her torch beam passed over"
ratio0.28
24.77% Subject-first sentence starts
Target: ≤72% sentences starting with a subject
subjectCount168
totalSentences193
matches
0"The man in the black"
1"Quinn lunged after him, boots"
2"A bus hissed past, hurling"
3"The suspect did not look"
4"He knew the streets too"
5"That alone made him worth"
6"He cut between a kebab"
7"Quinn vaulted them, caught one"
8"Pain shot up her leg."
9"She pushed off it anyway."
10"A man outside the kebab"
11"He flinched, and the suspect"
12"Quinn saw the outline of"
13"He had taken the envelope"
14"Rain hissed on the road."
15"Neon bled across puddles, broken"
16"London had dressed itself up"
17"The suspect shoved through a"
18"Her friend swore."
19"Quinn drove through after him."
ratio0.87
0.00% Subordinate conjunction sentence starts
Target: ≥2% sentences starting with a subordinating conjunction
subConjCount0
totalSentences193
matches(empty)
ratio0
100.00% Technical jargon density
Target: ≤6% sentences with technical-jargon patterns
analyzedSentences80
technicalSentenceCount2
matches
0"Less damp concrete, more incense, sweat, cheap perfume, wet wool, and the metallic edge of old blood ground into a floor that had seen too much traffic to stay …"
1"Two men in long coats argued over a crate while a third watched from the side, fingers stained black with something that looked like ash."
100.00% Useless dialogue additions
Target: ≤5% dialogue tags with trailing filler fragments
totalTags7
uselessAdditionCount0
matches(empty)
100.00% Dialogue tag variety (said vs. fancy)
Target: ≤10% fancy dialogue tags
totalTags6
fancyCount1
fancyTags
0"Quinn barked (bark)"
dialogueSentences55
tagDensity0.109
leniency0.218
rawRatio0.167
effectiveRatio0.036
88.3423%